Entertainment
Rick Ross Settling Out Of Court With His Baby Mama: Report
Rick Ross has been entangled in a legal battle against the mother of his children, Briana Camille, for the last several months but it looks like they’re planning to settle things amicably.
In the latest update, it has been reported that Ross and Camille will settle outside of court, hammering out the details amongst themselves so as to not get a judge involved.

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Camille’s lawyers reportedly filed a motion for their court hearing to be rescheduled to allow both parties more time to get everything in order. Something was originally set up this week for the former couple to get child support payments and paternity in order but it looks like they’ve communicated privately and are willing to settle out of court.
Among the things that were going to be brought up in court are parenting time, monthly financial compensation, Camille’s use of a car that Ross claims is company property, and more.
A judge has not yet granted them an extra month.

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In other Rick Ross-related news, the rapper recently joked about August Alsina and Jada Pinkett Smith’s relationship entanglement, predicting that the singer will release an album based on the dramatic aftermath of his reveal.
Previously in his legal matters, he had refused to take a coronavirus test, which his baby mama demanded, in order to go see his young children Berkeley and Billion.
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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