Music
Tekashi 69’s Kidnapper Has Reportedly Been Sentenced To 24 Years In Prison
Getty Image Anthony ‘Harv’ Ellison was also a member of the Nine Trey Bloods gang. …

Tekashi 69’s legal troubles were lessened significantly when the rapper was granted an early release from prison this April. But others involved in his case are just now being put to justice. Anthony “Harv” Ellison, a member of the Nine Trey Bloods gang and the man who Tekashi accused of kidnapping and robbing him, has been reportedly served a 24-year prison sentence.
Ellison’s sentence was served Wednesday by Judge Engelmayer, the same judge who heard Tekashi’s original case, according to HotNewHipHop. Matthew Russell Lee, an independent journalist who has covered Tekashi-related legal matters closely, was present for the hearing. He live-tweeted the proceedings and claimed Ellison stood behind his actions and told the judge. “I’m not an angel,” Ellison said. “But I’m not a monster either.”
Ellison: I'm not an angel. But I'm not a monster either. The moment comes when you understand your purpose, sort of like a blessing.
— Inner City Press (@innercitypress) November 4, 2020
Upon announcing Ellison’s sentence, the judge reportedly commented on his gang affiliation. “This was not a book club that you chose to affiliate with,” Judge Engelmayer said. “The gang inspired fear with shooting, including in Manhattan.” Judge Engelmayer also added that the 24-year sentence could have been longer if he hadn’t taken into account the “harsh conditions of imprisonment during the COVID-19 pandemic.”
Judge Engelmayer: Mr. Ellison, let me say it may not feel that way, but you are still a young man. With 15% good time, you'll be out in your early 50s. I was impressed by the letter, including from prison staff. I wish you well. We are adjourned.
Story soon— Inner City Press (@innercitypress) November 4, 2020
Tekashi 69 originally took the stand to testify against Ellison and name the associate as one of his kidnappers in September of 2019. Ellison’s lawyer said he was potentially facing life in prison in a statement following Tekashi’s testimony, so a 24-year sentence is much lighter than originally anticipated.
Artist Spotlight
Sean MacLeod unveils a danceable rhythm with latest release “Inside Out (Radio Edit)”
Sean MacLeod‘s latest release, “Inside Out (Radio Edit)” is a fun, accessible tune that draws from the best of alternative rock, Britpop, and classic rock influences. There is an immediate sense of movement to the song, with guitars, bass, and drums forming a solid rhythmic foundation, while the tambourine adds extra brightness to the arrangement. Danceable, the track is light and energetic without veering too far from its rock identity.
MacLeod’s delivery on the song is very pleasant, his voice sits well over the instrumentation and keeps the melody front and center. “Inside Out (Radio Edit)” has a simple musical appeal, with vocals and a guitar-led arrangement, but the rhythm keeps the song moving from section to section.
The lyrical imagery of something shifting from nourishing to hard introduces a sense of tension and contrast. There is this idea of looking inside or outside that keeps coming up, adding another layer to the song’s point of view and suggesting a theme of awareness and how situations can appear from different directions.
Sean MacLeod keeps the production artistically focused on the familiar rock ingredients instead of overcrowding the arrangement. Cool guitar licks, a steady rhythm section, and tasteful percussion add character to the song, while the vocal delivery keeps it approachable. In the end, “Inside Out (Radio Edit)” finds MacLeod comfortably straddling the lines between alternative rock and pop-friendly turf, with an arrangement that emphasizes rhythm, melody, and an easy sense of forward motion.
Connect with Sean MacLeod on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
THROES NYC unveils romance and tension on latest EP “The Wires Out EP”
THROES NYC’s latest EP, “The Wires Out,” a two-track EP, melds dark alt-pop, trip-hop, and electronic textures with a more melodic, pop-oriented sensibility. The release is a reflection of the creative connection of two Queens, New York natives, multi-instrumentalist/producer Michael Bozzo and vocalist Courtney Leo, who have been making music together since childhood. The project benefits from a natural sense of cohesion, thanks to their shared history, and the production keeps its focus on atmosphere and mood.
The EP begins with “Always, Baby” and is rooted in a world of beautiful ambient synths and late-night textures. The track is romantic, but it still retains the project’s darker undertones. Courtney Leo’s voice adds warmth to the electronic surroundings, giving the song a sense of intimacy and dreamy feelings.
“Something Chemical” continues the shift in emotional temperature, reinforcing the EP’s themes of tension, attraction, and complicated feelings. The production remains spacious and electronic-driven, which gives the two-track release a deep character without overwhelming its melodic path.
The strength in the record lies in the chemistry between Bozzo’s instrumental and production work and Leo’s vocal contribution, generating a sound that feels equally suited to headphones, nighttime listening, and reflective moments. THROES NYC is a project with a distinct sense of atmosphere, melody, and the long-lasting appeal of New York’s alternative music legacy.
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