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Singer Lyn Lapid returns with new anthemic single “Infinite”

Following recent co-signs from Billie Eilish, BTS’ Jungkook, and Sabrina Carpenter, singer/songwriter Lyn Lapid is back with her new feel-good single, “Infinite”—listen HERE!

The euphoric song features the 18-year-old’s signature ethereal vocals layered over bouncy guitar plucks. Inspired by the iconic “And in this moment, I swear, we are infinite” final scene in The Perks of Being a Wallflower, Lyn sings, “Dancin’ in the rain 3am, Thinkin’ that we might be dreaming, Knowin’ that it’s in this moment, We are infinite.”

 

Of the meaning behind “Infinite,” she says, “I feel like there’s so much pressure not to waste your teenage years as you so often hear that they will be the best years of your life. I wrote ‘Infinite’ more so as a question to myself, asking if I was wasting my own youth. The song begins with me simply asking how to be you yourself, because in a time where social media romanticizes youth, independence, and telling you what you should and shouldn’t be, it can be difficult to figure yourself out.”

 

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She continues, “The chorus then represents what you see on social media; friends going on adventures, driving super fast on the highway, and dancing in the rain at 3 a.m., and how what you see on social media can make you feel like you’re ‘missing out’ if you’re not doing the same things. I took the ending line of the movie The Perks of Being a Wallflower, ‘And in this moment, I swear, we are infinite,’ and made it the last line of the chorus to illuminate that sense of euphoria.”

 

“The second verse is about feeling hesitant or afraid to let go and live as the ‘main character’ after being used to living a quiet and complacent life for so long. But then I end the song saying how I will try to start living less afraid and ‘vigilantly in time,’ which I feel a bunch of people will resonate with. I wanted to end the song on a positive note, encouraging people to live their own lives, in whatever way that means for them,” she says.

“Infinite” follows Lyn’s debut singles, “Itsy Bitsy” and “Producer Man,” as well as her recently-released cover of Sarah McLachlan’s “When She Loved Me.” In addition to critical acclaim from Rolling Stone, E! Online, Refinery29, Buzzfeed, and more, Lyn recently found fans in Billie Eilish (who commented “this is so beautiful” on her cover of “Your Power”), Jungkook from BTS (who added “Producer Man” to his “Favorite Tracks” playlist on Spotify), and Sabrina Carpenter (who commented on her TikTok teasing “Infinite”). With only three released songs in her catalogue, Lyn has already amassed over 53 million global streams to date.

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Lyn Lapid has affirmed herself as a star on the rise for 2021. Her 2020 debut single, “Producer Man,” emerged as “the most-viewed unreleased demo on a TikTok video in 2020.” The song morphed from a viral TikTok clip into a phenomenon, as the original demo eclipsed over 70 million views and 8 million likes on the app. To date, the official release—produced by Dan Nigro [Olivia Rodrigo, Conan Gray, Carly Rae Jepsen, Lewis Capaldi, Sky Ferreira, Empress Of]—has racked up over 44 million global streams and 6 million YouTube views. Attracting widespread tastemaker praise, Rolling Stone claimed, “The fully produced version evokes early Nineties coffee-house soul gussied up with modern drum programming and ghostly electronic harmonies,” while Idolator rightfully predicted it “is certain to make big waves.”

Stay tuned for more new music to come from Lyn Lapid this summer.

ABOUT LYN LAPID

A classically trained musician, unpredictable vocal dynamo and fearless genre-breaker, Lyn Lapid asserts herself as an individual through and through. At 18-years-old, the singer, songwriter, multi-instrumentalist, and member of vocal collective EARCANDY has unassumingly emerged as an unapologetic and undeniable voice for her generation. In 2018, Lyn posted a ukulele and vocal cover of “Best Part” by Daniel Caesar and H.E.R. on YouTube. She went on to deliver D.I.Y. YouTube renditions of everyone from Ariana Grande and Sabrina Claudio to Edith Piaf and Sarah McLachlan, amassing 34 million-plus views and counting on her channel. In late 2019, Lyn launched her TikTok page, building an audience of 3.8 million followers at a rapid pace. Meanwhile, a snippet of her first original, “Producer Man,” exploded. Gathering over 70 million views and 8 million likes thus far, it emerged as “the most-viewed unreleased demo on a TikTok video in 2020.”

LYN LAPID: INSTAGRAM | TWITTER | FACEBOOK | YOUTUBE | TIKTOK | WEBSITE

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Artist Spotlight

Alwyn Morrison explores betrayal, judgment, and survival on new EP “Trial”

Alwyn Morrison

Life isn’t always a straight line, and Alwyn Morrison explores that in “Trial,” a four-track EP that goes beyond the familiar territory of love and heartbreak. The project blends pop, rock, and singer-songwriter influences, exploring themes of betrayal, false accusations, emotional pain, self-defense, and survival. Each track is inspired by courtrooms and is a step in a personal journey of understanding, acceptance, and ultimately freedom.

The first track, “Puzzle Piece,” is Morrison’s raw, heavy alternative rock sound, fitting the weight of betrayal and false accusations. The song has a sense of tension, putting you in the shoes of someone trying to understand a difficult situation. Followed by “Everybody Bleeds,” which follows that emotional path, creating a song about confusion, openness, and the struggles we all face, and it’s an emotional listen, with hard truths and personal experiences laid bare.

Alwyn Morrison

The project’s focus track, “Monster,” goes into more personal territory. It explores what happens when we are judged or condemned for the choices we make, and it carries a message that goes far beyond Morrison’s own experience. The central theme will strike a chord with anyone who has felt misunderstood, unfairly labeled, or defined by others’ opinions.

Alwyn Morrison

The EP closes with “Fireflies,” a track that shifts the mood, contrasting childhood innocence and memories with the realities of adult life. The sequence moves the story toward resilience, survival, and earned acceptance. Alwyn Morrison spins a musical tale of hard life experiences put to the test. The courtroom concept gives the four songs real purpose to move on without letting past experience dictate the future.

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Artist Spotlight

Fanny Alexandra explores emotional recovery and self-discovery on “Ceasefire”

Fanny Alexandra

Not every fight ends a relationship, and there could be long-term emotional damage, with questions about identity, attachment, and the difficult path to moving on. “Ceasefire” is a ghostly alternative rock ballad in which Fanny Alexandra navigates difficult terrain, exploring emotional dependency and the search for selfhood after a toxic relationship.

“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.

Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.

It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.

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