Music

Singer Lyn Lapid returns with new anthemic single “Infinite”

Following recent co-signs from Billie Eilish, BTS’ Jungkook, and Sabrina Carpenter, singer/songwriter Lyn Lapid is back with her new feel-good single, “Infinite”—listen HERE!

The euphoric song features the 18-year-old’s signature ethereal vocals layered over bouncy guitar plucks. Inspired by the iconic “And in this moment, I swear, we are infinite” final scene in The Perks of Being a Wallflower, Lyn sings, “Dancin’ in the rain 3am, Thinkin’ that we might be dreaming, Knowin’ that it’s in this moment, We are infinite.”

Of the meaning behind “Infinite,” she says, “I feel like there’s so much pressure not to waste your teenage years as you so often hear that they will be the best years of your life. I wrote ‘Infinite’ more so as a question to myself, asking if I was wasting my own youth. The song begins with me simply asking how to be you yourself, because in a time where social media romanticizes youth, independence, and telling you what you should and shouldn’t be, it can be difficult to figure yourself out.”

She continues, “The chorus then represents what you see on social media; friends going on adventures, driving super fast on the highway, and dancing in the rain at 3 a.m., and how what you see on social media can make you feel like you’re ‘missing out’ if you’re not doing the same things. I took the ending line of the movie The Perks of Being a Wallflower, ‘And in this moment, I swear, we are infinite,’ and made it the last line of the chorus to illuminate that sense of euphoria.”

“The second verse is about feeling hesitant or afraid to let go and live as the ‘main character’ after being used to living a quiet and complacent life for so long. But then I end the song saying how I will try to start living less afraid and ‘vigilantly in time,’ which I feel a bunch of people will resonate with. I wanted to end the song on a positive note, encouraging people to live their own lives, in whatever way that means for them,” she says.

“Infinite” follows Lyn’s debut singles, “Itsy Bitsy” and “Producer Man,” as well as her recently-released cover of Sarah McLachlan’s “When She Loved Me.” In addition to critical acclaim from Rolling Stone, E! Online, Refinery29, Buzzfeed, and more, Lyn recently found fans in Billie Eilish (who commented “this is so beautiful” on her cover of “Your Power”), Jungkook from BTS (who added “Producer Man” to his “Favorite Tracks” playlist on Spotify), and Sabrina Carpenter (who commented on her TikTok teasing “Infinite”). With only three released songs in her catalogue, Lyn has already amassed over 53 million global streams to date.

Lyn Lapid has affirmed herself as a star on the rise for 2021. Her 2020 debut single, “Producer Man,” emerged as “the most-viewed unreleased demo on a TikTok video in 2020.” The song morphed from a viral TikTok clip into a phenomenon, as the original demo eclipsed over 70 million views and 8 million likes on the app. To date, the official release—produced by Dan Nigro [Olivia Rodrigo, Conan Gray, Carly Rae Jepsen, Lewis Capaldi, Sky Ferreira, Empress Of]—has racked up over 44 million global streams and 6 million YouTube views. Attracting widespread tastemaker praise, Rolling Stone claimed, “The fully produced version evokes early Nineties coffee-house soul gussied up with modern drum programming and ghostly electronic harmonies,” while Idolator rightfully predicted it “is certain to make big waves.”

Stay tuned for more new music to come from Lyn Lapid this summer.

ABOUT LYN LAPID

A classically trained musician, unpredictable vocal dynamo and fearless genre-breaker, Lyn Lapid asserts herself as an individual through and through. At 18-years-old, the singer, songwriter, multi-instrumentalist, and member of vocal collective EARCANDY has unassumingly emerged as an unapologetic and undeniable voice for her generation. In 2018, Lyn posted a ukulele and vocal cover of “Best Part” by Daniel Caesar and H.E.R. on YouTube. She went on to deliver D.I.Y. YouTube renditions of everyone from Ariana Grande and Sabrina Claudio to Edith Piaf and Sarah McLachlan, amassing 34 million-plus views and counting on her channel. In late 2019, Lyn launched her TikTok page, building an audience of 3.8 million followers at a rapid pace. Meanwhile, a snippet of her first original, “Producer Man,” exploded. Gathering over 70 million views and 8 million likes thus far, it emerged as “the most-viewed unreleased demo on a TikTok video in 2020.”

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Artist Spotlight

D. Edge drops irresistible new single “GO T.S.F.G.”

D. Edge is back with a bang! With his latest release, “GO T.S.F.G.,” the dynamic artist continues to impress with a catchy melody, infectious rhythm, and a living and breathing sound evolution that gives us plenty of reasons to keep an ear out. This track proves how D. Edge is a rising force in the new music scene, presenting a perfect balance of addictive beats with outstanding vocal flow.

The music has a driving energy but a laid-back feel, allowing the track to breathe and groove effortlessly. The hypnotic cadence of the melody keeps listeners moving and numbers vibrating at the same time. It’s a perfect demonstration of how D. Edge understands how to combine energy with ease, making every moment feel seamless and effortless.

But this is not only about the beat. But what makes “GO T.S.F.G.” stand out is D. Edge’s flawless melodic flow. His delivery rides effortlessly over the instrumental, carving every phrase easily and in style. It’s a performance with a sense of freedom throughout a single song. His voice hits sweet, almost ethereal notes and confident, nearly commanding ones, and he captures in his notes every turn.

Regarding lyrics, it sounds like an invitation to a unique sonic experience. MDOT D. Edge provides an atmosphere for the audience to jump into the unexplored world of the track, breaking free of the everyday to lose themselves in the soundscape truly. The song title, “GO T.S.F.G.,” raises a question, adding to the song’s allure as fans ponder its meaning.

This is an incredible song, and if you have been listening to his music for years or if you’re thinking about listening to it for the first time, Go T.S.F is a must. It highlights the evolution of someone like D. Edge. With this release, he has cemented himself as an artist to follow in the constantly changing music landscape.

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Artist Spotlight

Peter Wilson breathes melody into Utah Phillips’ legacy with haunting new single “Old Man”

“Old Man,” Peter Wilson’s newest song, is a raw intergenerational dialogue steeped in empathy and aching humanity. Written in collaboration with the now-deceased Utah Phillips, a legendary folk musician known as the “Golden Voice of the Great Southwest,” this song presents a moving narration through the eyes of someone society too often neglects.

With lyrics by Phillips and music by Wilson, “Old Man” unites two poets in time. The effect is a gorgeously stripped-down folk ballad that comes across less like a performance than a moment of authentic listening, like a man on a park bench finally telling you the truth about his life, and you can’t help but lean in. Wilson’s acoustic music is spare and stark, letting the story do the heavy lifting. Every chord sounds intentional, as if he’s allowing room for the words to breathe, not speeding them up, just allowing them to speak. His tone is steady and gentle, almost reverent, echoing and channeling the spirit of Phillips’ storytelling. Every note carries the respect you can hear.

However, what makes “Old Man” land so much harder is its unvarnished honesty. There’s no fancy version of homelessness here. No over-dramatization or overproduction. Just quiet, contemplative music that puts you in someone else’s frayed shoes. It’s the kind of song rarely written, inviting you to rest momentarily contemplate. The track feels timeless, rooted in classic folk, and has fresh emotional resonance. It resonates with today’s audience as incisively as it may have decades ago, reminding us that tales like this still play out on every street corner daily.

By combining Utah Phillips’ words with his musical setting, Peter Wilson has created more than a song. He’s made a vessel for compassion, memory, and our oneness as humans. “Old Man” has no interest in working for your attention. It quietly earns it.