Artist Spotlight
RISING AS ONE OF THE FINEST TALENTS IN THE WORLD OF MUSIC IS RADIO STEVIE

The more we talk about the many industries and fields that are on a constant rise, the more we feel like talking about it. The fundamental reason behind their constant growth is some of the greatest talents it has given birth to. We had the opportunity to interview Singer Songwriter/ Producer, Radio Stevie.
Hello Radio Stevie, Thanks for coming to Honk Magazine to talk about your career.
Tell us a little more about when you first got into music?
I am from a pretty musical family and music has always been a way of connecting with each other. Whether it was dancing at a cookout or singing in church choirs, music has always been kind of central to my life and upbringing. When I was a kid, my uncle gave me a trombone so I could join the school band and I think that is one of my earliest memories of being a student of music. I would later learn to play drums too.
However, I think I really fell in love with music because of my brother. When we were kids, he had this idea of making drum kits out of shoeboxes and empty coffee tins and we would freestyle songs by pretend artists we drew on paper. We were definitely mimicking the music of our time, but we observed things like key changes, hooks, bridges, image, and I think that is how we both kind of fell in love with the idea of being creative. We’d later evolve from makeshift drum kits to making music of our own, but I think that freedom we had sitting on the floor really stayed with me. I continue to create from that place today.
If you could describe your sound/style in one word, what would it be and why?
I would say “freedom” is a word that comes to mind. I think my entire vibe is based on that liberating feeling I get when I am making music. There are a lot of things in this world that hold us down or challenge us, but when I am making a beat or writing lyrics I am really in a state of peace. I am free for that moment and it is so important to find moments of peace in a chaotic world. I hope people feel that when they’re dancing with me or listening to my music.
The word “freedom” also gives me the space to embrace many sounds that influence me. I grew up on 90s rap, soul, and R&B, but I love post-punk, electronic, pop, jazz and many other sounds from my time and before. So, the “freedom” in my music is also about letting go of this idea that I need to be confined to one genre or one sound. The message is what ties it all together so the sounds can take many shapes.
What would you say to any aspiring recording artists who look up to your work?
I’d say thank you for listening, first! Then, I’d probably encourage them to trust their own process. I think what makes an artist great is someone who has found something that is uniquely their vibe and isn’t trying to imitate anyone. Of course, you can hear some of my influences in my music, but I think I’ve found a way to make a vibe that is unique to me so I’d want to pass that kind of thinking on to someone that might be inspired by what I’m creating. I hope they’re out there.
What quote or mantra do you live by?
“Life is short. Eat dessert first!” HA! Just kidding, I don’t really do mantras or anything like that. I guess if I had to choose something it would be any quote that encourages breaking the rules here and there. It is necessary sometimes.
What is your hobby outside of music?
I love being outdoors and camping at National or State Parks. I am not a very spiritual person, but being in nature makes me feel a connection to something beyond me. I also love being in art spaces like museums. My day job is working at the Guggenheim Museum in digital media. Outside of making music I like to be around things that inspire me.
Where do you see yourself in 5 years?
I don’t know where I see myself, but hopefully I’m making music and I’ve continued to grow and evolve. I certainly don’t want to be the same person I am today, but I am open to waiting and meeting that person in 5 years and not trying to map out of a 5-year plan. Time will tell.
What are your “5 things I wish someone told me when I first started” and why.
I don’t know if I have 5 things, but I have 2. I wish someone told me that I didn’t have to take every gig. When I first started, I had a couple shows where I was like, “why did I agree to this?” I’d still give it my all, but just because someone knows someone at the club doesn’t mean it is the right gig. I try to be intentional about where I perform these days.
I also think every young artist falls for the exposure line. Exposure doesn’t pay the bills and someone that doesn’t pay you for your work and time is lame. Period.
Which tips would you recommend to your colleagues in your industry to help them to thrive and not “burn out”?
I try not to make music to keep churning out singles in hopes for a viral hit. Music is very personal for me so my soul tells me when it’s time to make something new. So, to avoid burnout, my advice would be to always create from a real place and when it feels right. Can’t force it.
Do you have anything new or upcoming we can expect to see from you?
I am working on a few new songs that will be coming in the fall and winter. Hopefully, a few collaborations this round too.
What is the inspiration behind your latest song?
My latest single, “Change” is in keeping with my music style that is centered on freedom. The lyrics really capture the art making process, which for me feels like a constant joyride where you’re free to do whatever you want, take detours, and change things as you. That was the vibe of the songwriting process and it turned into something really interesting. Musically, I love a buildup to something dramatic and I think that came through really well.
How can our readers follow you online?
I am available on Instagram @radiostevie. I also have a website radiostevie.com where people can discover new music and connect with me.
Album Review
Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album
In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.
Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.
Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.
On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.
“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.
Artist Spotlight
Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”
Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.
“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.
Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.
Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.
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