Artist Spotlight
RISING AS ONE OF THE FINEST TALENTS IN THE WORLD OF MUSIC IS RADIO STEVIE

The more we talk about the many industries and fields that are on a constant rise, the more we feel like talking about it. The fundamental reason behind their constant growth is some of the greatest talents it has given birth to. We had the opportunity to interview Singer Songwriter/ Producer, Radio Stevie.
Hello Radio Stevie, Thanks for coming to Honk Magazine to talk about your career.
Tell us a little more about when you first got into music?
I am from a pretty musical family and music has always been a way of connecting with each other. Whether it was dancing at a cookout or singing in church choirs, music has always been kind of central to my life and upbringing. When I was a kid, my uncle gave me a trombone so I could join the school band and I think that is one of my earliest memories of being a student of music. I would later learn to play drums too.
However, I think I really fell in love with music because of my brother. When we were kids, he had this idea of making drum kits out of shoeboxes and empty coffee tins and we would freestyle songs by pretend artists we drew on paper. We were definitely mimicking the music of our time, but we observed things like key changes, hooks, bridges, image, and I think that is how we both kind of fell in love with the idea of being creative. We’d later evolve from makeshift drum kits to making music of our own, but I think that freedom we had sitting on the floor really stayed with me. I continue to create from that place today.
If you could describe your sound/style in one word, what would it be and why?
I would say “freedom” is a word that comes to mind. I think my entire vibe is based on that liberating feeling I get when I am making music. There are a lot of things in this world that hold us down or challenge us, but when I am making a beat or writing lyrics I am really in a state of peace. I am free for that moment and it is so important to find moments of peace in a chaotic world. I hope people feel that when they’re dancing with me or listening to my music.
The word “freedom” also gives me the space to embrace many sounds that influence me. I grew up on 90s rap, soul, and R&B, but I love post-punk, electronic, pop, jazz and many other sounds from my time and before. So, the “freedom” in my music is also about letting go of this idea that I need to be confined to one genre or one sound. The message is what ties it all together so the sounds can take many shapes.
What would you say to any aspiring recording artists who look up to your work?
I’d say thank you for listening, first! Then, I’d probably encourage them to trust their own process. I think what makes an artist great is someone who has found something that is uniquely their vibe and isn’t trying to imitate anyone. Of course, you can hear some of my influences in my music, but I think I’ve found a way to make a vibe that is unique to me so I’d want to pass that kind of thinking on to someone that might be inspired by what I’m creating. I hope they’re out there.
What quote or mantra do you live by?
“Life is short. Eat dessert first!” HA! Just kidding, I don’t really do mantras or anything like that. I guess if I had to choose something it would be any quote that encourages breaking the rules here and there. It is necessary sometimes.
What is your hobby outside of music?
I love being outdoors and camping at National or State Parks. I am not a very spiritual person, but being in nature makes me feel a connection to something beyond me. I also love being in art spaces like museums. My day job is working at the Guggenheim Museum in digital media. Outside of making music I like to be around things that inspire me.
Where do you see yourself in 5 years?
I don’t know where I see myself, but hopefully I’m making music and I’ve continued to grow and evolve. I certainly don’t want to be the same person I am today, but I am open to waiting and meeting that person in 5 years and not trying to map out of a 5-year plan. Time will tell.
What are your “5 things I wish someone told me when I first started” and why.
I don’t know if I have 5 things, but I have 2. I wish someone told me that I didn’t have to take every gig. When I first started, I had a couple shows where I was like, “why did I agree to this?” I’d still give it my all, but just because someone knows someone at the club doesn’t mean it is the right gig. I try to be intentional about where I perform these days.
I also think every young artist falls for the exposure line. Exposure doesn’t pay the bills and someone that doesn’t pay you for your work and time is lame. Period.
Which tips would you recommend to your colleagues in your industry to help them to thrive and not “burn out”?
I try not to make music to keep churning out singles in hopes for a viral hit. Music is very personal for me so my soul tells me when it’s time to make something new. So, to avoid burnout, my advice would be to always create from a real place and when it feels right. Can’t force it.
Do you have anything new or upcoming we can expect to see from you?
I am working on a few new songs that will be coming in the fall and winter. Hopefully, a few collaborations this round too.
What is the inspiration behind your latest song?
My latest single, “Change” is in keeping with my music style that is centered on freedom. The lyrics really capture the art making process, which for me feels like a constant joyride where you’re free to do whatever you want, take detours, and change things as you. That was the vibe of the songwriting process and it turned into something really interesting. Musically, I love a buildup to something dramatic and I think that came through really well.
How can our readers follow you online?
I am available on Instagram @radiostevie. I also have a website radiostevie.com where people can discover new music and connect with me.
Artist Spotlight
personalheartbreaker and ENCASSATOR unpack manipulation, obsession and remorse on “Sorry Eyed”
“Sorry Eyed” is a dark shoegaze and alternative rock ballad by personalheartbreaker and ENCASSATOR that explores the space between obsession, emotional dependence, manipulation, and remorse. The new single slowly reveals how reliance is a form of oppression, not just weakness. The result is a psychologically complex song that pulls you into a relationship where trust and exploitation are not mutually exclusive.
The track takes an unsettling emotional turn through its manipulator’s perspective in “Sorry Eyed.” At first, the narrator seems dependent on another person, as if they need comfort, connection, or support. But as the story progresses, that openness starts to resemble exploitation. The song’s heart is the power imbalance, where regret always clashes with self-interest.
This struggle gives the song its emotional weight, because the narrator knows the damage he’s causing but is still addicted to the perks of manipulation. The accompanying music video arrives September 30th and carries that story further with the angel’s trust, devotion, and sacrifice. What begins with faith in a fellow man ends in destruction and offers visual counterpoint to the song’s themes.
“Sorry Eyed” is a collaboration with ENCASSATOR, who produced, recorded, mixed, and mastered the song and played a major role in its development. That full creative engagement helps shape the single into one cohesive piece, where the track’s dark alternative rock, shoegaze identity doesn’t detract from the story but supports it. “Sorry Eyed” is a strong pick for fans who love exploring manipulation and complicated relationships.
Artist Spotlight
“Hell has frozen over” finds Sarina choosing peace over being understood
Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.
“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.
Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.
“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.
Photo Credit: Andrea Hunter
-
Artist Spotlight3 days agoC’batch turns an old guitar performance into a new story with “Our Little Pooh Pea (The Last Light) 4 – Cinematic”
-
Artist Spotlight4 days agoSara Diana follows a wild spirit into the moonlight on latest release “Her Hair’s Like Fire”
-
Artist Spotlight6 days ago“NO MORE” by Amanda Holley connects healing, awakening, and survival
-
Artist Spotlight6 days ago“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
-
Artist Spotlight6 days agoLisa Jo draws a line under the past with latest release “Done Druggin’ Away the Pain”
-
Artist Spotlight4 days agoTabi Harlowe captures the ache behind attraction with latest release “So Pretty (It Hurts)”
-
Artist Spotlight4 days agoDusty Edinger crackle tension into rock electricity with latest release “We Outshine”
-
Artist Spotlight4 days agoTemidayo Balogun bridges tradition and modern expression on latest release “Ori I “Concept of Democracy”

