Music
Catterina Reminisces On Romance Before Heartbreak In New Single “Waiting”
“Waiting” is a brilliantly melancholic indie-pop track backed by a pristine, acoustic driven soundscape that wistfully looks back on the good times of a past relationship.
Indie-pop singer-songwriter Catterina delivers heartbreaking poetry in her new single, “Waiting,” out December 3rd, with an acoustic version releasing December 17th. Catterina’s decadent vocal performance absolutely entrances listeners on this folk-kissed, indie-pop track; her warm, silky tone offers a colorful depth that shines with a mesmerizing brilliance as she painstakingly explores the complex emotions inherent to heartbreak. Behind chilled lyricism steeped in melancholy, the warmth at the core of Catterina’s voice offers a soothing charm while the artist opens up about her deepest sorrows. She meets listeners with elegance and poise on “Waiting,” all the while never once sacrificing the rawness of her lyricism. The result is a gorgeously somber heartbreak anthem reminiscent of artists like Phoebe Bridgers, Adele, and Maggie Rogers.
Stream “Waiting” on all major streaming platforms December 3rd, and the acoustic version on December 17th.
Catterina is a powerhouse indie-pop singer-songwriter and Brooklyn, NY native, now residing in Houston, Texas. She delivers poetically mesmerizing lyricism with an angelic, full bodied vocal, perfect for lovers of Maggie Rogers and Phoebe Bridgers. The tender warmth flowing through the independent artist’s music emerged once she began to settle into her own artistic identity. For Catterina, a life changing crisis that confronted her family motivated her to explore the depths of her artistry with more vulnerability than ever before. She finds herself gravitating towards artists like Amy Winehouse, Phoebe Bridgers, and Adele, that fuse a variety of genres in their music, as well as fearlessly explore a broad range of subject matter. The independent artist grew up listening to an eclectic mix of music from artists like U2, The Cranberries, Pearl Jam, Alicia Keys, and Alanis Morissette; the early exposure to her parent’s music library had a lasting impact on Catterina’s artistic aesthetic that shaped her into the emotional, colorful musician she is today. After discovering her love and passion for music at the tender age of fourteen, she began cultivating her craft by performing locally with her band Roses In April in 2016. More recently in her solo-career, Catterina’s upcoming EP, Four Twenty One, is a record that covers the stages of heartbreak – from falling in love to falling apart, self-reflection, the intricacies of navigating self-love, and healing your inner child.
Album Review
Brynja Rán finds clarity in complicated relationships on “Unblurred” [album]
It can be hard to see when a relationship no longer meets your emotional needs, especially when affection, uncertainty, and repeated disappointment are hard to untangle. “Unblurred,” an album built on the bedrock of emotional unavailability, recurring conflict, and the slow dawning that a relationship might need to end, is where Brynja Rán unpacks that difficult process.
The ten songs follow the arc of attachment and frustration, weaving together the story of someone trying to figure out what they deserve. The focus track, “Unblurred Lines,” hits on the album’s central concept. This is when the veils begin to fall, and the person is more ready to see the partner’s behavior for what it is. The song is musically rich, with an acoustic and electric guitar soundscape, synthesizers, bass guitar, drums, and additional instrumentation.
The surrounding songs view the same emotional landscape from different angles. “Cowboy Wannabe” explores a partner masking insecurity with a detached personality, and “Deja Vu” captures the frustration of arguments that go round and round without changing anything. “Adore” is about ignoring red flags when you’re that into something, and “Cherry” is about the temporary comfort of being in a relationship that just isn’t right.
The album opens up by looking at borders and the need for real connection. “Make Me Feel” is about wanting to be loved, and “Until” is about how long you should stay in the twilight zone. “Still Stuck Waiting” captures the frustration of waiting for communication and commitment. “Don’t You Leave” begins with fear of abandonment and moves toward healing, while “What Else” ends the record with emotional exhaustion and a desire to move on.
Rather than treating every experience as a one-off event, the tracklist of “Unblurred” attempts to create a single image of relationship troubles. With this release, Brynja Rán explores unhealthy patterns, boundaries, and getting the clarity to choose a different path.
Album Review
Legends of the Seven Golden Vampires explore healing and personal growth on “The Pumphouse of Broken Dreams” [album]
Albums often have a strong sense of identity, with songs linking to a broader emotional and musical direction. The nine-song album “The Pumphouse of Broken Dreams” by Legends of the Seven Golden Vampires, featuring Dutch vocalist Ilse Van Der Linden front and center, is more cohesive.
The band’s melodic psychedelic pop offers a welcome counterpoint to a project that explores recovery, longing, uncertainty, and personal growth. The tracklist is an emotional journey. “To Think, To Heal” starts with the idea of mental healing and moving on from the past. “Flying” is more of an escapist wish to escape the pressures of day-to-day life. “Come Home” is about finding comfort and belonging.
“Here I Am” is about self-awareness and openness. Together, these early songs form an album about finding stability and processing difficult experiences. The middle ground is more emotionally layered. “Hopelessly Devoted To You” is about being attached all the time, and “Lost & Burned” is about being worn out and the results of hard experiences. Then there is “In My Dreams,” which turns into memory and unfulfilled wishes. Later, “AIR” brings the need for freedom, air, space, and a new start.
It ends with “BLEND,” a combination of psychedelic, shoegaze, and electronic influences. The release also includes another visual element from Gareth Halliday, who also worked on Noel Gallagher’s High Flying Birds Who Built The Moon. “The Pumphouse of Broken Dreams” has softer vocals and a range of emotions. This album is deliberately constructed, moving from reflection to acceptance without losing the variety of experiences it tackles.
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