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Blueface Denies Writing Lyrics for Jaidyn Alexis

Blueface Stands Up for Jaidyn Alexis in the Wake of Ghostwriting Allegations

Rapper Blueface has recently taken to social media to defend his baby mother, Jaidyn Alexis, who has just launched her rap career. Alexis has released a string of singles, including “Workout,” “Stewie,” “Post opp,” and her latest track, “Barbie.” The songs have been a topic of discussion on the internet, with trolls particularly focusing on her Brazilian Butt Lift (BBL) in each video.

The song “Barbie” has stirred controversy due to its lyrics, which include shots at Blueface’s other baby mother, Chrisean. The lyrics read, “Can’t keep him with a baby, should’ve asked me / How you movin’ but still can’t outlast me / Cook, clean, f**k, you can’t pass me / I’m in the front now, sis, get the back seat.”

However, the controversy doesn’t end there. Blueface has been accused of being the mastermind behind Alexis’s lyrics. Some believe that he is ghostwriting her songs to deliver subtle messages aimed at Chrisean. One Instagram user commented, “The fact that u writing these lyrics for her to throw subliminal msgs at Chrisean is sad af, like u sure u moved on?” This comment suggests that Blueface may be using Alexis’s music as a platform to express his feelings or unresolved issues.

Blueface Rejects Claims of Using Ghostwriters

Blueface has vehemently denied these accusations. In an Instagram story where he sings along to Alexis’s “Barbie,” he insists that she wrote the lyrics herself. He even asks Alexis (off-camera) to confirm that she wrote the song, to which she responds, “That’s my s**t!”

Addressing the camera, Blueface asks, “You really think I wrote that?” He goes on to say, “That’s disrespectful. Y’all callin a n***a zesty? Is that what it is? So if I wrote them lyrics that make me zesty cuh? Jaidyn, tell em you wrote it. I ain’t never been zesty.” Despite his efforts to convince the internet that Alexis wrote the song herself, some remain skeptical. One user commented, “Now who tf told her she built like a Barbie blue please stop writing these songs.”

As the controversy continues to unfold, it remains to be seen whether the accusations will affect Alexis’s burgeoning rap career or Blueface’s reputation. Regardless of who wrote the lyrics, one thing is clear: the song has certainly sparked a conversation.

What are your thoughts on the song and the ghostwriting accusations? Share your opinions on HNHH.

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Artist Spotlight

C’batch delivers love, reflections and new beginning through “Next Time (I Won’t Be Falling)” (EP)

C’batch’s latest EP, “Next Time (I Won’t Be Falling),“ is a soulful exploration of the never-ending cycle that is love. It’s a release that combines intimacy with looking ahead, blending emotion with cinematic ambition. The EP embraces the ambiguity that follows, instead of providing a clean resolution to heartbreak.

This EP is a sneak peek of C’batch’s upcoming album, “The Vault 4 – Cinematic,” set for release on July 10, 2026, that will go deeper into the emotional universe. The project begins with “Next Time (I Won’t Be Falling),” a nicely balanced, measured balance of strength and openness that captures the emotional tension between self-protection and hope for another chance. “Next Time (I Won’t Be Falling) (2)” gives the same emotional struggle from a more reflective perspective, letting the feelings settle with more maturity and quiet conviction.

“Next Time (I Won’t Be Falling)1a“ tells a different story, with similar emotions reinterpreted with musical shifts, adding to the experience but still resonating with the core message of the EP. The release is completed with the cinematic version of “Next Time (I Won’t Be Falling) Cinematic Version 2,“ a sweeping song with cinematic textures that turns the title track into an immersive sound and offers a glimpse of the creative direction behind “The Vault 4 – Cinematic.“

Another point of connection in C’batch’s expanding catalog, “Next Time (I Won’t Be Falling),“ also supplies the creative inspiration for the two companion versions of “Fluorescent Buzz (You Got Me Falling)“ on the EP of the same name. These releases represent an artist consciously creating a connected musical universe that is growing in emotional depth, storytelling, and cinematic production.

Connect C’batch on | Website | FB | Spotify |

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Album Review

C’batch delivers a soulful dancefloor experience with “The Vault 3 – Club / Dance / R&B-Soul / Funk / Pop / Techno / Etc.”

C’batch is back with “The Vault 3 – Club/Dance/R&B-Soul/Funk/Pop/Techno/Etc.,” a 20-track album of unreleased archival recordings, remixed into one seamless late-night journey. The project builds a world where dancefloor rhythm meets intimate introspection, for global dance culture and late-night listening.

The album opens with raw, emotional loss of love and personal clarity in tracks such as “Breaking My Heart” and “Found What’s Right for Me.” “The Club Song” and “Too Hot to Handle” up the dancefloor ante with thick club beats and game tension. “Mystique of Love (What’s Behind Your Smile)” has an air of mystery about it and is delivered with smooth R&B vibes, while “I Just Wanna Love You Now” is all about passion and urgency.

The mid-section tracks extend the emotional palette of the record. The smooth pop and soul elements of “I Am the Right Guy” promise confident self-confidence, and the next track, “On to You,” plays on attraction and groove. “Love Give Me a Sign (Velvet Switchblade) 2” mixes openness with gritty funk textures, while “No More Lonely Nights” is introspective ambient soul. “Hit Me with Your Love” has a lot more rhythm and a lot more dance energy. “Let Me School You (Vocal Version)” is a fun, funky education, and “Turn It up-2” adds to the club vibe with techno-infused layers.

The final section of “The Vault 3 – Club/Dance/R&B-Soul/Funk/Pop/Techno/Etc.” wraps everything up with warmth, groove, and emotional closure in the remaining songs. The album’s energy is carried by “Send U My Love,” “A Funk Groove,” and “Hold on Now,” the album’s lead single, balanced with romance and dance-driven momentum. Closing the album is “Midnight Love Serenade (Honeyed Girl),” bringing late-night softness and texture. C’batch describes the project as electronic adrenaline meets deep soul groove, a late-night global dance culture, and an immersive listening experience for the modern club listener around the world today.