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DJ Akademiks Sparks Controversy by Ranking Drake’s OVO Fest Over Kendrick Lamar’s The Pop Out

DJ Akademiks

DJ Akademiks has ignited a heated debate by declaring that Drake and J. Cole’s festivals—OVO Fest and Dreamville Fest—surpass Kendrick Lamar’s recent The Pop Out – Ken & Friends show in impact and scale. These remarks were made during a livestream clip he shared on social media this past Saturday.

“None of these ns up here got a feature with Kendrick,” Akademiks stated, showing a clip from The Pop Out’s finale. “And we don’t think they will ever get a feature with Kendrick. He has one concert in 15 years and brought these ns on stage and n****s is saying he did the most.” He contrasted this with J. Cole’s Dreamville Festival and Drake’s OVO Fest, both of which platform emerging artists and have become significant cultural events in their respective cities.

Akademiks’ comments quickly drew backlash from fans. One user replied, “OVO Fest is not the same as the POP Out. The POP Out was West Coast honoring their identity, their fallen soldiers, and respecting each other’s differences and similarities of being the West Coast culture. It was also retaliation to a colonizer insulting their legends.” Another added, “Y’all Drake n****s don’t know how to take an L and move on.”

This isn’t the first time Lamar’s The Pop Out – Ken & Friends has been compared to Drake’s OVO Fest. When Complex shared a clip of Drake performing his Meek Mill diss track, “Back to Back,” at OVO Fest in 2015, social media users debated the moment’s lasting impact in light of recent events.

Stay tuned to Honk Magazine for more updates on DJ Akademiks, Drake, and Kendrick Lamar.

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Artist Spotlight

Leyla Romanova finds strength in silence on new release “Self-Control”

Leyla Romanova

Leyla Romanova‘s new single, “Self-Control,” is a powerful emotional release that feels more like a manifesto for surviving modern chaos than a song. In a world of opinions, urgency, and emotional exhaustion, Romanova offers a track based on one radical idea: not reacting.

“Self-Control” immediately creates tension and clarity. The drums keep everything together with discipline and purpose. As the textured instrumentals expand like waves of thought through a crowded mind, the bass anchors the listener emotionally.

The contrast between outside noise and inside stillness makes the song compelling. Romanova’s work captures the feeling of being overwhelmed by pressure, opinions, and distractions while silently retaining personal peace. There are no major uprisings. But restraint is power. The song knows energy conservation is a survival strategy.

Connect with Leyla Romanova on Spotify || Instagram || Facebook || Youtube

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Artist Spotlight

J’mall expresses the pain of chasing someone else’s success over your own on “Unattainable”

J'mall

J’mall’s latest single, “Unattainable,” expresses the pain of chasing someone else’s success over your own. The song explores the emotional void caused by constant comparison rather than motivation.

“Unattainable” is about realizing that no matter how hard one works to meet others’ expectations, the reward will never be satisfying. J’mall explores the stress of “keeping up with the Joneses” and the exhaustion of comparing yourself to standards that weren’t meant for you.

The song’s honesty resonates, the message doesn’t feel preachy or polished. It feels personal, like J’mall is sharing life lessons. The record’s quiet strength is its embrace of individuality and personal responsibility without pretending it’s easy.

Connect with J’mall on Spotify || Instagram || Soundcloud

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