Music

Kendrick Lamar’s Houston Blockade, ‘Not Like Us’ Allegedly Banned from Local Hotspots

The decade-long feud between Drake and Kendrick Lamar has reached new heights, marked by a series of scathing diss tracks that have captivated fans worldwide. It all began with “Like That,” followed by “Push-Ups,” and escalated with “Euphoria.” However, the night of May 3rd was unforgettable, as “Family Matters” sent shockwaves through the hip-hop community, only for “Meet The Grahams” to leave everyone stunned.

The day after this historic showdown, Kendrick Lamar dropped another bombshell with “Not Like Us.” This track quickly became the anthem of their beef, holding the number-one spot globally for weeks. Yet, despite its immense popularity, Houston seems to be a notable exception. Reports suggest that several establishments in the city have allegedly banned “Not Like Us.”

The reasons behind this apparent ban remain unclear, but speculation points toward Drake’s influence. Drake, known for his frequent visits to Houston and ties to local mogul J Prince, could potentially sway such decisions. However, no concrete evidence supports these claims. DJs in Texas, beware—playing “Not Like Us” might not go down well.

What do you think about this situation? Is Drake pulling the strings behind the scenes? How do you feel about Houston clubs acting as if this track doesn’t exist? Share your thoughts in the comments below. Stay tuned to Honk Magazine for the latest updates on your favorite artists and their upcoming projects.

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Album Review

Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses“ is warmer, whereas Aptøsrs’ “Questionnaires“ is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home“ by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

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Artist Spotlight

LAST ALEX! balances precision and pulse on the electrifying track “Plus 1”

LAST ALEX!, a Chicago-based artist and producer, comes out with “Plus 1,” a high-energy release that combines technical prowess with an undeniable melodic instinct.

LAST ALEX! puts both craftsmanship and creativity on display here. The song’s strength lies in its balance, in detailed execution without sacrificing feeling, and in complexity without losing momentum.

LAST ALEX! doesn’t fully lean into the cold technique or loose emotion, but finds the sweet spot where skill and soul meet. This yields a polished, vibrant, and musically confident track.

Connect with LAST ALEX! on Spotify