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Security Guard Claims Diddy Paid Off Staff For Cassie Video At InterContinental Hotel

Former InterCon security guard Eddy Garcia has come forward with claims about Diddy, proving once again that Black folks need their own private investigators. In Garcia’s new testimony, the music executive is accused of bribing hotel staff to obtain a controversial video showing a physical confrontation between songbird Cassie. The information was disclosed by Garcia in his testimony on June 3, as he was working at the time of the event. His description offers a rare behind the scenes look at the now-shuttered hotel, where tension and hush money loomed large.

In the lawsuit, the security guard claims Khorram called him on Jan. She is said to have called Garcia from a New York area code to request the video file of the attack. On the call, Khorram, who was not named in the police report but was identified by a source as being the driver, reportedly revealed that Diddy was drunk at the time of the fight and stated that he couldn’t remember what had happened. Garcia’s answer was doubtful and full of protocol. He said he would have to schedule a meeting with hotel management before any footage could be turned over. But Khorram didn’t end there.

Check out this article: Bill Maher Sparks Backlash After Blaming Cassie For Possible Diddy Acquittal

He says she later showed up at the hotel in person, banging on his door and demanding the video. Under pressure, though, Garcia did not back down and would not turn over the footage unless it was in accordance with the law, even so much as suggesting that a subpoena would be needed. What should be particularly shocking about what Garcia said is the implication that money may have exchanged hands. Diddy and Khorram were somehow able to persuade a so-called “few” of the hotel’s employees to sell them the video for cash, Diddy claims, and that’s when the plot thickens just like dough left out in the air to ferment and rise, and also balloons that float up to the ceiling.

Though the InterContinental Hotel has since closed, this case sheds light on the power struggles and high-stakes tactics that play out behind the scenes in celebrity feuds. Garcia’s account describes a man torn between loyalty, principle, and powerful people who wanted to get their hands on a potentially damning piece of evidence. As this story unfolds, it also illustrates how far some are willing to go to shield reputations or, perhaps, rewrite history. For now, the focus remains on the courthouse, where more will be revealed about the Cassie video drama and the role played by one of hip-hop’s power players.

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Artist Spotlight

Temidayo Balogun bridges tradition and modern expression on latest release “Ori I “Concept of Democracy”

Temidayo Balogun‘s latest release, “Ori I “Concept of Democracy,” blends African musical traditions with contemporary jazz to explore identity and community. “Talking drums, native instruments, but there are also passing notes on the piano and a saxophone for another dimension to the musical language,” the song is characterized by.

The track isn’t rooted in one musical planet, but in the relationship between its different elements. Talking drums are part of African musical traditions. The piano and saxophone add a jazz-oriented dimension. That contrast lets the song explore its themes of identity and community as much through sound as concept.

If you like genre-bending work, “Ori I’ Concept of Democracy” is a thoughtful musical experience. Temidayo Balogun mixes indigenous instrumentation with contemporary jazz textures to keep the focus on the relationship between people, culture, and community. The track works because the sounds come together. It invites the listener to dwell on the musical ideas rather than just pass through them.

Connect with Temidayo Balogun on Spotify || Instagram || Facebook || Youtube

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Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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