Artist Spotlight
Leonie Persch’s “Code Blue” is an anthem of loss, love and renewal
Pop artist Leonie Persch is back with her second single, “Code Blue,” a bittersweet ballad that encapsulates the delicate threshold when something you’ve fought for ceases to draw breath. Its raw lyricism and emotive vocal delivery firmly establish Persch as a new voice in pop that you should be paying attention to.
“Code Blue” was initially written as a song about lost love, but it has become so much more. The track is about the regrettable truth of what it means to leave behind relationships, dreams, and even former selves that no longer suit you, even if it breaks you apart. It’s about what you have to sacrifice when you’re too big for something still worth fighting for.
That title, taken from the medical term for a state of emergency when life is in danger, becomes a potent metaphor. It’s where you have to end up, but if there were another way, perhaps through the back door or on a trapeze wire, Persch would have found it. This theme takes on even stronger overtones when considered in light of Persch’s journey. After finding success playing at the biggest EDM clubs in Berlin as Bonny Lauren and EVIE, she made a bold decision to leave her established career behind and relocate to Los Angeles.
On “Code Blue,” she reintroduces herself to the world not just as a writer and vocalist, but as the artist she has always aspired to be. Her voice, alternately strong and fragile, draws you into the emotional heart of the song. The production reflects that duality, fragile tunes carry the verses, then open into aching choruses that underscore the heartbreak of goodbye but suggest that dawn will follow.
“Code Blue” is more than a pop ballad. It is a tale of self-discovery, growth, and perseverance, a reminder that endings often give rise to new beginnings. For music lovers craving tracks that are intensely personal yet widely relatable, Leonie Persch is emerging as an artist to watch.
Connect with Leonie Persch on Instagram
Artist Spotlight
“Sing-Along Songs (Album Version)” finds new energy for Arn-Identified Flying Objects and Alien Friends
Arn-Identified Flying Objects And Alien Friends returns to “Sing-Along Songs (Album Version),” with an album version more consistent with the track’s original creative vision. The song came out in 2024 and featured an unusual mix of upbeat music and ironic lyrics that contextualized dark times.
This new version keeps that distinction but makes the arrangement a little spikier, punkier, and more playful. It blends indie pop and pop punk, fusing punk and power pop with a dash of folk rock. The more upbeat music works especially well against the darker outlook at the heart of the writing, creating a tension that keeps the track interesting rather than too serious.
The most obvious change is the intro, which now feels more in line with the original direction the song was meant to take. Co-producer David Myhr’s background vocals add some lift to the second and third choruses. Another key revision is the updated production.
The different parts of the track have more room to play off each other, with a stronger cohesive overall presentation and a more consistent, clear mix from beginning to end. “Sing-Along Songs (Album Version)” feels like a deliberate refinement, and Arn-Identified Flying Objects and Alien Friends take the new version and grind the song’s contrasting moods for a more polished, playful take on an already upbeat tune.
Artist Spotlight
TaniA Kyllikki creates a powerful message of equality through “HUMAN”
You might not think a Facebook post could turn into a song, but for TaniA Kyllikki, “HUMAN” is a creative process that turns a moment of frustration into a thoughtful musical statement. This house/techno track explores race, difference, judgment, equality, compassion, and the labels people put on each other. Its artistic direction leans toward empathy, humility, love, and the shared humanity beneath those differences, rather than division.
The song was inspired by Kyllikki’s reaction to the hostility she saw online toward people of different races, cultures, and backgrounds. Kyllikki and her husband, producer and multi-instrumentalist Rynellton (Garry D. Hairston), chose music to express compassion and provoke thought, rather than meet hostility with more of the same.
Kyllikki gives a personal songwriting perspective, and producer/multi-instrumentalist Rynellton helps to translate the original words into a techno-house setting. “HUMAN” strikes a cool creative balance, blending dance-oriented genres with a serious topic and letting its message fit into a modern electronic structure rather than a simple statement.
This song began as words on the net, became Kyllikki, and turned into lyrics that had to be set to music. “HUMAN” is a testimony to TaniA Kyllikki’s ability to take an unsettling observation and turn it into a creative expression of connection. That defining quality is the choice to respond to division with music, a release that is both a reflection of its origins and a continuation of the artist’s expressive path.
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