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Artist Spotlight

A Conversation with Singer Songwriter Eddy Mann

Eddy Mann is a smile for the soul. He’s a combination of cultural and spiritual traditions living in an ever evolving neighborhood. He’s ever comfortable in his hometown Philly roots that speak of peace, and brotherly love. An award winning and prolific singer-songwriter, he’s moved gracefully through a catalog of twenty diverse albums. His hit single, “The Consequence” was a Top 10 Christian Music Weekly radio hit.

His latest album, “Chapel Songs” featured the #1 UK ITunes hits, “Hallelujah” and “Hope of the World.”  His new album is out on June 7th, with the first single being released today.  Eddy took some time to answer some questions about his music, his career, and of course, his faith…

HM: Can you tell us about the inspiration behind your single “The Humble Cottage by the Sea”? What themes or messages do you hope listeners take away from it?

Eddy Mann: The inspiration came from a gospel story that presents a theme of healing and hope. In a world that’s broken and hurting, one can only pray that a message of peace and unity might be found within the spirit of the song.

“Turn Up the Divine” is your latest album set to release soon. How does this album differ from your previous work, both musically and thematically?

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EM: The album is a collection of divine stories and prayer moments that have been put to song over the past year. They’re really just a reflection of my daily experiences. The musical influences are a little more diverse than usual, but that’s just what the songs were calling for.

Your music is known for blending cultural and spiritual influences. How do you navigate incorporating these elements into your songwriting process?

EM: I don’t consciously bring influences into a song, but what I’ve been exposed to naturally becomes a part of my fabric, and then it’s re-processed into my own creativity. I’ve had a very diverse upbringing and it probably shows throughout my catalog.

“The Consequence” was a Top 10 Christian Music Weekly radio hit. Could you share the story behind that song and its impact on your career?

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EM: The Consequence was released in November of 2016 on election day. I wanted to make a statement about the apathy I was witnessing. Our system only works if everyone participates. Anything less than that doesn’t reflect honestly about who we are, and how we feel. It was my hope that I might bring a few more folks into the fray and that would help in the cause.

Both “Hope of the World” and “Hallelujah” from your album “Chapel Songs” topped the UK iTunes Christian chart. What do you think contributed to their success, and how do you plan to build on that with your new album?

EM: Both of those songs took a very simplified approach musically and lyrically. I was looking for an easily remembered melody with an easily remembered lyric, and both songs seem to reflect that it was successful on some level. I’m pleased that they’ve done as well as they have.

Your career spans over 20 albums. How do you keep your music fresh and relevant while staying true to your artistic vision?

EM: I’m a student by nature, I love learning new things and I think that helps to naturally put me in new situations where I can be surrounded with challenging thoughts and different soundscapes.

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You mentioned that God often appears in humble settings, such as the cottage by the sea. How does this concept influence your approach to music and ministry?

EM: As a man of faith, I never wander anywhere on my own. What I mean is that my faith is always traveling along with me, usually leading the way, and yes, sometimes correcting my faulty navigation. It doesn’t matter where I might be, or what may be going on around me, my God is not influenced by the trappings of this world.

What can fans expect from “Turn Up the Divine” in terms of sound and lyrical content?

EM: Everything was written, performed, and produced in house, under the Spirit’s watchful eye, and with the blessing of the One. So the success of the project will be measured in it reaching each and everyone that God intends.

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With the changing landscape of the music industry, how do you see Christian music evolving, and how do you position yourself within that evolution?

EM: I’ve reached an understanding that I just need to be an honest reflection of myself. I don’t feel restricted or restrained by what the business tells me I should be doing, about the how the mix should sound, or about what messages are deemed appropriate. What God wants is for me to speak, write, and record what the Spirit puts on my heart, and then he’ll use it to fulfill His purpose.  

What are your hopes and aspirations for your music career moving forward, especially with the release of your new album?

EM: I have no expectations anymore. I’ve been blessed to have produce an abundantly humble catalog. So I’ll just continue to follow the Spirit wherever it leads and be grateful.

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Artist Spotlight

Great Adamz delivers a sensual yet mesmerizing afrobeat groove with his recent single, “Fantastic”

Great Adamz

Great Adamz is back, and he’s bringing the heat with his latest single, “Fantastic.” A masterclass in smooth, melodic Afrobeats, this track features an intoxicating blend of sultry rhythms and dreamy synths that draw listeners in from the first note.

The Nigerian-born, UK-based star has been making serious waves in the UK music scene, and “Fantastic” is another undeniable step toward the top. His signature ethereal vocals float effortlessly over a laid-back yet pulsating beat, creating an atmosphere that’s equal parts hypnotic and exhilarating. The track captures the magnetic energy of erotic attraction, painting vivid imagery of a woman’s sensual body moves that speak louder than words, leaving an irresistible impression. Its lyricism takes audiences on an emotional ride, encouraging them to move, whether lost in a dimly lit club or vibing solo at home.

Coming off a strong 2024 with hits like ‘Talk To Me’ and ‘Kilon So,’ Great Adamz shows no signs of slowing down. His ability to fuse Afrobeat’s infectious grooves with a modern, international appeal is impressive. With “Fantastic,” he delivers a seductive, feel-good anthem primed to set dance floors ablaze and solidify his status as one of the UK’s most exciting rising stars. If this is how he’s starting 2025, taking it by storm, we can’t wait to see what he has in store next, and this new release, as the title suggests, is absolutely fantastic, further proving he is here to stay.

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CLICK HERE TO STREAM Great Adamz’s Fantastic on Spotify.
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Artist Spotlight

Suge Knight Calls Out Kanye West Over Offensive Comments on Carter Twins

HonkMagazine

Suge Knight is known for speaking his mind, and in a recent interview on a show called Art of Dialogue, he shared strong opinions about Kanye West’s recent behavior. Kanye, who is often in the spotlight for his controversial actions, made headlines after insulting Jay-Z and Beyoncé’s children in a tweet. Suge found this particularly unacceptable. “I need to talk to Kanye,” Suge said, clearly upset. “We should never disrespect anyone’s kids.” He was disturbed by Kanye calling the Carter twins a hurtful name, emphasizing that this kind of behavior is unacceptable in both hip-hop and society in general.

“You don’t talk about Jay and Beyoncé’s kids and call them names. That’s crossing the line.” For Suge Knight, this isn’t just about one tweet, it’s about a larger issue. He feels that such hurtful comments not only impact the people involved but also reflect poorly on hip-hop and Black culture as a whole. “I expect more from people in hip-hop and our community,” he stated. “We’ve come a long way, and we should stand up for each other, especially when it comes to protecting kids and those who are vulnerable.”

This isn’t the first time Kanye has faced backlash for his controversial remarks, but Suge clarifies that calling out children is where he draws the line. “That’s not funny to me, not at all,” he remarked, suggesting that there should be real consequences for Kanye’s words. “He needs an old-fashioned lesson.” Suge Knight’s comments remind us that, regardless of how famous an artist is, there are still moral limits that shouldn’t be crossed, especially when it comes to children. His call for accountability sends a strong message to Kanye West and anyone else who might think it’s acceptable to attack innocent kids in the hip-hop world.

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