Artist Spotlight

Andrew Schulz & Charlamagne Tha God Subtly Fire Back at Joe Budden Over Kendrick Lamar Joke Controversy

Andrew Schulz is known for stirring up debate with his comedy, and his recent media appearances have added fuel to the fire. While promoting his new Netflix special, “Life,” he chatted with Charlamagne Tha God on the “Brilliant Idiots” podcast about their careers and how to handle criticism. During the conversation, they threw some shade at Joe Budden, who had previously criticized Schulz for his joke about Kendrick Lamar. Budden was quite vocal about his feelings, suggesting that Schulz should be more cautious about making racial jokes, given his background and the type of jokes he tells.

He pointed out that many people believe Schulz doesn’t face the same scrutiny for his jokes about Black culture as he does for his jokes about Jewish culture. In response, Schulz and Charlamagne appeared to brush off Budden’s comments, highlighting their ability to rise above negativity and focus on their work. Some listeners interpreted this as a direct response to Budden, while others viewed it as a broader statement about dealing with public criticism in the entertainment industry. This situation raises bigger questions about comedy, race, and what boundaries, if any, should exist.

Schulz is known for pushing limits in his comedy, but Budden’s remarks resonate with a lot of people who feel that some groups face harsher jokes than others. It makes you think, where should we draw the line between edgy humor and being offensive? And who gets to make that decision? As the conversation continues, it’s evident that Schulz isn’t letting the backlash affect him much. With “Life” available to stream now, he’s focusing on his work, while Charlamagne, a strong supporter of free speech, stands by him. Whether this discussion sparks more debate or fades away in the media remains to be seen. Schulz isn’t backing down from the spotlight anytime soon.

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Album Review

Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses“ is warmer, whereas Aptøsrs’ “Questionnaires“ is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home“ by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

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Artist Spotlight

LAST ALEX! balances precision and pulse on the electrifying track “Plus 1”

LAST ALEX!, a Chicago-based artist and producer, comes out with “Plus 1,” a high-energy release that combines technical prowess with an undeniable melodic instinct.

LAST ALEX! puts both craftsmanship and creativity on display here. The song’s strength lies in its balance, in detailed execution without sacrificing feeling, and in complexity without losing momentum.

LAST ALEX! doesn’t fully lean into the cold technique or loose emotion, but finds the sweet spot where skill and soul meet. This yields a polished, vibrant, and musically confident track.

Connect with LAST ALEX! on Spotify