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Asian American Heritage Month – Dolly Ave Debuting ‘Sleep’ Album

Dolly Ave is releasing her debut album titled “Sleep” on May 7th, 2021. Having had a break-out hit with her 2020 collaboration on “Sunlight, Quiet, Flowers” with rapper Charlie Curtis-Beard – which trended #1 on TikTok’s Original Music charts for 7 days straight and over 428K streams on Spotify (and counting) – Dolly Ave is ready to make her own mark on the music scene with her first full-length offering to fans.

Read More: Premiere: S-EM-C Exclusive Interview with Honk Magazine Reporter

Written towards the end of 2019, Dolly’s seven-track record Sleep is a collection of lo-fi songs that sit at the intersection of pop, R&B, and bedroom vulnerability, as the tracks move through the ebb and flows of a relationship. “It’s not a heartbreak album,” Dolly insists, though she created the album freshly after a break-up while she was still in the throes of finding closure. “It’s definitely me finding empowerment in the vulnerability of each stage.”

Dolly Ave is not only an emerging artist in the creative industry, but also an award-winning photographer who has worked with the likes of Kendrick Lamar, Chance the Rapper, and the Migos. Raised in Kansas City, Missouri by two immigrant parents from Vietnam, Dolly Ave speaks of her inspiration to pursue a creative career with an undeniable fervor saying that she makes music “for young artists, for the underprivileged, and for the misunderstood.” Dolly’s parents worked as nail technicians and frequently moved the family between Sikeston, Missouri, and Kansas City in their search for jobs during her childhood. Dolly describes Kansas City as a “very strange place to immigrate to”: a small, midwestern town with not many other Asians, and with just as modest and simple expectations for life — to grow up and get a good job. Still, Dolly dreamed of bigger things. Her family was a creative one – her father played the guitar, and Dolly grew up listening to “all sorts of stuff,” from The Beatles to Vanessa Carlton, who specifically left a sizable impression on Dolly when she was younger because Carlton played the piano and sang at the same time.

In school, Dolly did theatre and choir, where she learned to sight-read and where one of her teachers remarked that the way she sang was “Eastern-wise,” she remembers. The advent of the Internet and with it, the vast and new world of YouTube, also played a significant role in Dolly’s formative years. “I noticed a lot of musicians would turn on the webcam and play their songs,” she says. “It blew my mind, like, ‘Wow people are just putting this out there in the world?’” Though she was shy and didn’t share any original music of her own on the platform, she was writing and singing little songs in her bedroom: sad and sweet tunes about feeling alone. “I was 12 singing about being lonely and sad,” she says now, laughing. As Dolly ventured deeper into the YouTube music community, she followed along as the creators she admired, among them Daniela Andrade, AJ Rafael, Tim Atlas, and Sam Tsui, grew their careers from homegrown cover videos full-blown careers in their own right. “That sparked a lot in my journey in music and the arts,” she says. “This is not just something that always has to be a hobby. There are avenues, or channels to make this a real thing, and [to] enjoy your life making it.” Eventually, at 18, Dolly left the narrow confines of Kansas City for art school in Chicago, where she bloomed. Propelled by the bustling and rich underground music and art scene of the city, one she describes to be tight-knit and immensely collaborative, Dolly found her footing in her own creative endeavors. She navigated the music community by way of her camera, having nurtured a childhood hobby into a career, taking photos and filming videos for local artists. All the while, she continued to write songs on her own.

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In June 2018, spurred on by a moment of “what if” curiosity and her friend’s urgings, she recorded and released her first song, “Birds,” a melancholy, and contemplative tune with R&B leanings about finding “the legs to run.” Shortly thereafter, encouraged by the unknown potentials of her own creativity, she began working on her first project, the Sleep, which has finally come to fruition as Dolly Ave steps into the spotlight for the first time with a full-length record.

Connect with Dolly Ave:

Website | Spotify | Instagram | YouTube | Facebook | Twitter | TikTok (@dollyavemusic)

Artist Spotlight

Plain Mister Smith unveils a journey of sound, spirit, and reflection with new release “Dream to Be Free”

Plain Mister Smith

Plain Mister Smith’s new single sounds more like a portal than a regular song. “Dream to Be Free” is a powerful meditation that came from a life-changing trip to Kyoto during Diamonji, the festival where huge bonfires are lit on hillsides to guide spirits home. Smith’s work is inspired by this deeply meaningful moment and is full of self-reflection, awe, and emotional release.

Plain Mister Smith is a well-known figure in the Canadian indie music scene. He has worked on projects like Moev and Cinderpop and is now a cellist with the Vancouver Philharmonic Orchestra. This adds a lot of musical depth to his solo work. His unique mix of indie pop, baroque folk, and subtle textures comes out with ease and style. The result is a piece that has both fragility and vastness, is rooted in tradition, and easily slips into ethereal soundscapes.

“Dream to Be Free” features a variety of instruments and subtle melodic shifts that make it shine. It makes you want to stop and take in its thoughtful mood. The track gives the impression of movement, as if it is following you and guiding you through self-reflection, memory, and small changes. Every passage seems carefully placed, but it flows naturally, letting the emotion grow and echo.

The single goes beyond mere inspiration, it captures a universal desire for freedom, clarity, and renewal. It talks about the deep moment when we reflect on what it means to let go. In “Dream to Be Free,” Plain Mister Smith reminds us that the first step toward freedom often begins with calmness and careful listening.

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Artist Spotlight

Morpheus von Dobenhausen and Buddy Joe claim their space breaking the mold on latest release “I Have To Do It My Way”

Morpheus von Dobenhausen

Morpheus von Dobenhausen’s latest single, “I Have To Do It My Way,” is both personal and purposeful. It is a strong statement of independence and artistic identity, grounded in conviction rather than in giving in. The track is a good example of staying true to your creative vision. It embodies the essence of following your own path, celebrating your uniqueness, and trusting your instincts to help you grow as an artist. Morpheus von Dobenhausen and Buddy Joe, an artist based in the UK, are working together on the project. This gives it a sense of authenticity and dedication. Their work together results in a product that is focused, certain, and truly refreshing.

The song was made by people from different countries working together online with Logic Pro 12 and structured data exchange. This shows that distance doesn’t stop people from being creative together. This modern approach to making music allows the composition to have universal energy while still maintaining a personal touch. The process shows the main idea of the song: to work alone while remaining open to important collaboration.

“I Have to Do It My Way” is a statement for people who value being true to themselves over what society expects of them. It speaks to people who value artistic freedom and self-confidence, and it serves as a powerful reminder that being original often comes from having the courage to trust yourself.

This track from Morpheus von Dobenhausen and Buddy Joe shows how much they care about creative freedom. It’s both uplifting and very relatable. It is a major step forward that has a lasting effect long after the last note fades away.

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