Music

Auto Chlor Releases “Kid Gloves and Crystal Math” Albums

If you had told me that the next time I’d hear an ABBA cover, it would be through the lens of a distorted, sound-rock, electro-dark ambient sound collective from Athens, Georgia, well, I probably would have believed you. Crazier things have happened, with one such example being that the cover was actually outstanding! Auto Chlor, a group I’m not too familiar with, has come back with not one but two full-length LPs. Kid Gloves and Crystal Math — it’s on the latter that you’ll hear the dissonant, moody take on Sweden’s sweethearts, and if you’re anything like me it’ll pique your interest enough to give the rest of the records a look!

Kid Gloves, the first of the duo, is a fantastic introduction to the Georgia-based art-rock group. According to the group’s ringleader, xx periscope, Kid Gloves is a portrait of xx periscope’s work life. They say similarly that Crystal Math is a portrait of xx periscope’s decaying home life, and the dynamic between the two records is noticeable. Kid Gloves features such enigmatic song titles as “yaw joggle,” “chivvy,” and “beefy truce,” and xx periscope has said they got the titles based on a random word generator — the songs would only then be written after the title was acquired.

BANDCAMP: https://autochlor.bandcamp.com/album/kid-gloves

This type of free-flowing artistic ingenuity is carried across the entire record, as compositions such as “downiest tine” feel like rediscovered old favorites, home movies projected up on the wall of the basement; there’s something so earnest about every track, and even the more abrasive and electronic-centric tracks work because they’re anchored in the same earnest nature. “melancholy trucking” is off-putting, especially following up “downiest tine,” but the duality is the album. There are glimpses of both sides of humanity to be had, and where you choose to focus is what makes your final decision. “boohoo acquiring” gives the record another go at some beautiful electronic strings, and the growth to the finale feels straight out of a science-fiction picture.

Crystal Math, tackling the subject of decaying home life, feels like a perfect encapsulation of the subject. Album opener “narcotic gawk” is a straightforward, simple orchestral piece playing over distorted vocals and a pulsing heartbeat. Its optimism is quickly removed by the cold, echoing void of the next track, “luxuriant coo.” This is a far colder entry, similarly experimenting with vocal sampling, as cold synths combat a pulsing echo — it sets the album up as a new thing away from Kid Gloves, and the following tracks, all ranging from one minute to two until the aforementioned “Fernando” cover work more as sound collages and brief interludes into an inner psyche than they do as typical songs. It’s an impressive collection of textures and sounds, with “help suggestion” even working as Auto Chlor’s stab at a typical indie rock track — there are still flourishes of distortion, but the song comes across as the most traditional on the album. Putting Kid Gloves and Crystal Math together, listeners will have an excellent double LP from Auto Chlor to wax poetic on. There’s plenty to love from both records, an ABBA cover included!

Loren Sperry

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Artist Spotlight

Vishwa Ganesh stirs a mesmerizing pure rhythmic joy with “Don’t Wanna Go”

Hit play to briefly escape the world with “Don’t Wanna Go,” an innovative work by emerging artist Vishwa Ganesh. Based in Dubai, this dynamic vocalist embarks on a delightful creative adventure, offering listeners a richly vibrant, intimate, and cohesive auditory experience. Recorded in his hometown of Dubai, “Don’t Wanna Go” pairs rhythmic hooks with lighthearted vibes and infectious energy from the first beat. Vishwa’s velvety vocals float effortlessly over intricate production and instrumentation, while the immersive Dolby Atmos mix elevates the listening experience to a whole new dimension.

Breaking away from his customary narrative-driven style, he adopts a comprehensive role as a writer, composer, and performer, leveraging his multifaceted talents to craft an upbeat track that encapsulates a danceable anthem celebrating the sheer joy of being present at the moment. Each meticulously fused sound feels perfectly placed, enveloping audiences in a kaleidoscope of melodies that inspire their feet to move.

What truly sets this track apart is its dedication to authenticity. Eschewing pre-made samples and loops, Vishwa crafted this masterpiece entirely from scratch. That raw creativity shines through, making each note, rhythm, and harmony personal and intentional. The result is a standout track in his discography that doesn’t just entertain; it connects.

“Don’t Wanna Go” embodies a sensibility that encourages individuals to immerse themselves in its exuberant rhythms through high-energy dance scenarios or simply enjoying intimate listening vibes with headphones. It reminds us that music can be a profound source of unfiltered happiness, providing a respite from the distractions and complexities of everyday life.

Through “Don’t Wanna Go,” Vishwa Ganesh conjures an enchanting sonic vibe that merits inclusion on every playlist. He transforms mundane moments into spontaneous dance opportunities while demonstrating his versatility as an artist. This work underscores his musical evolution as a noteworthy trajectory to follow. Set it on repeat, and you will find it hard to let go.

CLICK HERE TO STREAM Vishwa Ganesh’s “Don’t Wanna Go“ on Spotify.
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Artist Spotlight

“Pretty Ugly” by Archer Stevens stirs the soul with retro-modern rock vibes

“Pretty Ugly,” the inaugural single by Archer Stevens, represents a compelling homage to the golden age of 70s rock music with a fresh coat of modern vibrancy. From the outset, the track masterfully exudes an irresistible energy that embodies vintage and contemporary influences, acting as a sonic bridge between eras. The Phoenix-based ensemble skillfully weaves their influences into a pronounced, personal narrative.

A noteworthy aspect of the track is its instrumentation. Recorded across three diverse locations, Phoenix, Los Angeles, and even Peru, the song has a global resonance. The incorporation of congas introduces a surprising layer of depth and rhythm, giving “Pretty Ugly” a distinct flair that separates it from cookie-cutter rock releases. This thoughtful musical choice enhances the song’s groove, complementing the shimmering guitar lines and soulful vocal delivery.

Lyrically, “Pretty Ugly” plays on contrasts, embodying the emotional push and pull of life’s dualities. The heartfelt lyrics evoke a sense of intimate admiration and longing to please a partner, while the melodic structure ensures the track remains uplifting despite its introspective qualities.

By drawing inspiration from the enduring spirit of rock legends such as Elton John, Joe Cocker, and the Rolling Stones, Archer Stevens pays tribute to their predecessors without resorting to imitation. The soaring vocals and driving rhythm establish “Pretty Ugly” as a cathartic anthem that appeals to classic and contemporary rock enthusiasts. With this debut, Archer Stevens distinguishes itself as a band unafraid to experiment and honor its musical heritage, thus carving out its unique sonic identity. The result is a richly layered auditory experience that captivates from the first listen, revealing engaging narratives within the music.

For more information about Archer Stevens, please visit [website].
CLICK HERE TO STREAM Archer Stevens’ “Pretty Ugly“ on Spotify.
CONNECT WITH Archer Stevens | Instagram |