Artist Spotlight
Denver’s Psychedelic Jam Band RADO Releases First-Ever Debut Album “Baker’s Measurements”
Denver’s RADO is turning up the heat in the Mile High City with the release of their debut album, “Baker’s Measurements,” set to drop on August 9, 2024. To celebrate, they’re throwing an album release party at Cervantes’ Otherside, where their grooves are sure to get everyone dancing.
RADO has been making waves in Denver’s music scene since they formed in 2019. Their signature sound—a potent mix of psychedelic rock, funk, and electronica—has earned them a devoted following, with fans who eagerly anticipate their extended improvisational jams. Known for their live shows, RADO thrives on the connection between the band and the audience, creating a communal atmosphere where the music becomes a living, breathing entity.
“There’s something about playing live to an audience that I can’t quite describe with words, especially when you’re deep in an improv moment,” the band reflects. “I suppose the best way to put it would be ‘true presence,’ where everything is deeply connected and interwoven—the band, the audience, and the music.”
The transition from stage to studio presented a new challenge for RADO. Known for their spontaneous, jam-heavy performances, the band had to strike a balance between their freewheeling style and the more concise demands of a studio album. They embraced the opportunity to experiment with different song structures, blending tight tracks with the kind of expansive jams that fans have come to expect.
One track that showcases this duality is “The Twist.” While the live version features a lengthy intro and outro, RADO decided to trim these sections for the album. “For whatever reason, those pieces of the song just didn’t seem to connect as well in the studio,” they explain. “Sonically, we weren’t capturing the essence of the song.” However, other tracks like “Thank You Mr. Science” retain their extended jam sections, with a six-minute improvisational segment that captures the band’s live energy.
RADO’s journey to “Baker’s Measurements” has been as adventurous as their music. Following a successful spring tour that took them through eight states in fourteen days, the band returned on the road this summer. A recent three-night run in Nebraska was a highlight, with the band receiving an overwhelmingly positive response from fans. “We’ve got to give a big shout-out to our friends in Omaha,” they say. “The shows were great… I’m not sure we’ve gotten a reaction like that about our music outside of Colorado. It felt like home for sure!”

Artwork – Jackie DiNardo
The name “RADO” originated as a shorthand for Colorado, reflecting the band’s roots. A humorous twist by keyboardist James Hatch, referring to the name as “raw dough” – like what you’d make a pizza with –sparked a series of baking jokes. “We thought it was hilarious. It ultimately led to fans adopting the name ‘The Bakery,’” after the band’s friend Lucia handed out 50 baker’s hats at our 2023 Cervantes show. This playful spirit is steeped in their album title “Baker’s Measurements,” a nod to their raw, improvisational music style.
For its influences and songwriting, the band draws inspiration from a wide range of genres, blending dance, funk, rock, reggae, and jazz into a cohesive jam-band experience. Their songwriting process is collaborative, with each member bringing unique ideas to the table. The lyrics often draw from personal experiences, observations, and moments of inspiration. For instance, “Back Nine” was inspired by a memorable golf tournament, while “My Song” pays homage to a lost friend.
The songs chosen for “Baker’s Measurements” had to meet specific criteria: they needed to evoke emotional resonance, showcase musical complexity, offer a unique sound, convey a clear intention and message, align with the album’s concept, and highlight the band’s chemistry.
As RADO prepares to hit the road for more tour dates, their debut album stands as a testament to their unique blend of improvisational flair and tight, melodic songwriting. With influences ranging from The Beatles, Phish, Led Zeppelin, Grateful Dead, and Motown legends like James Jamerson and Bootsy Collins, RADO has crafted a sound that is both nostalgic and forward-thinking, inviting listeners to join them on a musical ride that is as unpredictable as it is exhilarating.

Photo – Timothy Cheatham
If you’re in Denver on August 9, don’t miss the chance to see RADO live at Cervantes’ Otherside. It’s sure to be a night of music, magic, fun, and a little bit of whimsy. Tickets are still available at: https://etix.com/ticket/p/42872630
“Baker’s Measurements” Album Track List:
- Run n’ Hyde
- Back Nine ft. Adam Langdon on percussion
- My Song
- Thank You Mr. Science
- The Twist
- Tea for Two
- River
To listen to the new album as well as stay updated on upcoming tour dates and releases, visit RADO’s website or follow them on social media.
Album Review
Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album
In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.
Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.
Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.
On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.
“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.
Artist Spotlight
Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”
Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.
“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.
Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.
Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.
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