Artist Spotlight
Denver’s Psychedelic Jam Band RADO Releases First-Ever Debut Album “Baker’s Measurements”
Denver’s RADO is turning up the heat in the Mile High City with the release of their debut album, “Baker’s Measurements,” set to drop on August 9, 2024. To celebrate, they’re throwing an album release party at Cervantes’ Otherside, where their grooves are sure to get everyone dancing.
RADO has been making waves in Denver’s music scene since they formed in 2019. Their signature sound—a potent mix of psychedelic rock, funk, and electronica—has earned them a devoted following, with fans who eagerly anticipate their extended improvisational jams. Known for their live shows, RADO thrives on the connection between the band and the audience, creating a communal atmosphere where the music becomes a living, breathing entity.
“There’s something about playing live to an audience that I can’t quite describe with words, especially when you’re deep in an improv moment,” the band reflects. “I suppose the best way to put it would be ‘true presence,’ where everything is deeply connected and interwoven—the band, the audience, and the music.”
The transition from stage to studio presented a new challenge for RADO. Known for their spontaneous, jam-heavy performances, the band had to strike a balance between their freewheeling style and the more concise demands of a studio album. They embraced the opportunity to experiment with different song structures, blending tight tracks with the kind of expansive jams that fans have come to expect.
One track that showcases this duality is “The Twist.” While the live version features a lengthy intro and outro, RADO decided to trim these sections for the album. “For whatever reason, those pieces of the song just didn’t seem to connect as well in the studio,” they explain. “Sonically, we weren’t capturing the essence of the song.” However, other tracks like “Thank You Mr. Science” retain their extended jam sections, with a six-minute improvisational segment that captures the band’s live energy.
RADO’s journey to “Baker’s Measurements” has been as adventurous as their music. Following a successful spring tour that took them through eight states in fourteen days, the band returned on the road this summer. A recent three-night run in Nebraska was a highlight, with the band receiving an overwhelmingly positive response from fans. “We’ve got to give a big shout-out to our friends in Omaha,” they say. “The shows were great… I’m not sure we’ve gotten a reaction like that about our music outside of Colorado. It felt like home for sure!”

Artwork – Jackie DiNardo
The name “RADO” originated as a shorthand for Colorado, reflecting the band’s roots. A humorous twist by keyboardist James Hatch, referring to the name as “raw dough” – like what you’d make a pizza with –sparked a series of baking jokes. “We thought it was hilarious. It ultimately led to fans adopting the name ‘The Bakery,’” after the band’s friend Lucia handed out 50 baker’s hats at our 2023 Cervantes show. This playful spirit is steeped in their album title “Baker’s Measurements,” a nod to their raw, improvisational music style.
For its influences and songwriting, the band draws inspiration from a wide range of genres, blending dance, funk, rock, reggae, and jazz into a cohesive jam-band experience. Their songwriting process is collaborative, with each member bringing unique ideas to the table. The lyrics often draw from personal experiences, observations, and moments of inspiration. For instance, “Back Nine” was inspired by a memorable golf tournament, while “My Song” pays homage to a lost friend.
The songs chosen for “Baker’s Measurements” had to meet specific criteria: they needed to evoke emotional resonance, showcase musical complexity, offer a unique sound, convey a clear intention and message, align with the album’s concept, and highlight the band’s chemistry.
As RADO prepares to hit the road for more tour dates, their debut album stands as a testament to their unique blend of improvisational flair and tight, melodic songwriting. With influences ranging from The Beatles, Phish, Led Zeppelin, Grateful Dead, and Motown legends like James Jamerson and Bootsy Collins, RADO has crafted a sound that is both nostalgic and forward-thinking, inviting listeners to join them on a musical ride that is as unpredictable as it is exhilarating.

Photo – Timothy Cheatham
If you’re in Denver on August 9, don’t miss the chance to see RADO live at Cervantes’ Otherside. It’s sure to be a night of music, magic, fun, and a little bit of whimsy. Tickets are still available at: https://etix.com/ticket/p/42872630
“Baker’s Measurements” Album Track List:
- Run n’ Hyde
- Back Nine ft. Adam Langdon on percussion
- My Song
- Thank You Mr. Science
- The Twist
- Tea for Two
- River
To listen to the new album as well as stay updated on upcoming tour dates and releases, visit RADO’s website or follow them on social media.
Artist Spotlight
Bash Co. examines emotional imprisonment and love on “Dungeon”
Love is often seen as freedom, connection, and emotional release, and in the single “Dungeon,” Bash Co. takes a more complex look at reality, exploring what happens when an emotion becomes a prison. The song has been described as a darker take on “Velvet” and is part of an artistic duality between opposing emotional states. “Dungeon” explores being trapped by feelings that should otherwise bring freedom.
The song tells a story of emotional entrapment, fractured communication, and a broken inner state. Bash Co. examines how difficult it can be to shake attachment and emotional intensity. This picture fits with the song’s theme of pain and imprisonment.
The recording process also unexpectedly influenced the final direction. “Dungeon” was written on an acoustic octave guitar, inspired by a series of technical setbacks that helped Bash Co. hone in on the mood he was seeking. Those struggles could’ve thrown him off his game, but instead he used the experience to get closer to the suffocating character that the song’s lyrical concept demanded.
This is especially relevant to the release’s identity. The emotional side is also offered as a philosophical exploration, not as personal history. “Dungeon” would suit “Velvet” much better, and the two pieces explore the dichotomy between emotional freedom and constraint, providing a wider context for Bash Co.’s creative direction. The two releases are divided by a study of how the same emotional terrain can lead to very different experiences.
Album Review
Girlhood find clarity in complicated connections with “This Will Make Sense In The End” (album)
Relationships are an emotional contradiction, and Girlhood’s fourth album, “This Will Make Sense In The End,” navigates the contradictions of love, attraction, disappointment, and personal growth. Singer-songwriter Natalie Holmes has delivered a pop album that explores that line between wanting to connect and knowing when to protect yourself.
The album’s ten tracks provide a thoughtful exploration of relationships with food, often as a metaphor for emotional hunger, control, intimacy, and the desire to feel whole. It’s an album that’s about exploring uncomfortable relationship dynamics while keeping personal discovery in sight. It starts with “It Could Be Worse,” and it’s about the exhaustion and bitterness of an unbalanced relationship. It’s about the slow realization that wanting more isn’t unreasonable.
The lead single “Lemon Aid” is an intriguing balance of external playfulness and internal frustration, and it is all the brighter for the emotional pressure. “Picnic” takes a generally happy setting and uses it to explore the negotiations and power dynamics that can lurk just beneath the surface of a relationship. Attraction is also explored on the album, and the difficult area of physical desire as opposed to a real emotional connection.
“Cracked” is about the intoxicating allure of a toxic situationship and owning your confidence and sensuality. “Island to Island” also explores the confusion that can happen when physical chemistry feels like the start of something deeper. “Straight at the Bar” is about wanting to be accepted for who you are, not for who someone else wants you to be. “Silver Lining” touches on both mental and physical health, while “Born Hungry” pays tribute to life’s opportunities and the need to let go of toxic attachments.
The final song, “Wouldn’t Change a Thing,” is reflective, taking the record into a space of self-love, acceptance, and appreciation for one’s past. “This Will Make Sense In The End” is defined by the tension between desire and control. Girlhood is about finding perfect love and learning not to lose yourself in the search.
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