Drake's "For All The Dogs" Gets Favorable Feedback and Entertaining Reactions

Featured

Drake and J. Cole have teamed up for a new song titled “First Person Shooter”

Drake and J. Cole have reaffirmed their statuses as some of the most esteemed artists in the rap scene with their new joint track, “First Person Shooter”. This song is a part of Drake’s much-awaited album, “For All The Dogs,” which has been stirring up excitement on social media since it was launched.

The song, produced by Vinylz, Boi-1da, OZ, Tay Keith, Coleman, and FNZ, is a high-energy track that allows both rappers to showcase their lyrical prowess. The production begins with a warped vocal sample, followed by J. Cole’s bars and then Drake’s entrance. The futuristic and energetic production provides the perfect backdrop for the rappers to display their vivacity. This collaboration adds to the impressive list of tracks that Drake and J. Cole have worked on together over the years.

Interestingly, it appears that this collaboration was finalized at the last minute. During “Table Of One,” Drake confirmed that J. Cole had just submitted his verse for the album. In his verse, J. Cole addresses the rumors of a potential beef with NBA Youngboy, stating that he still wants to collaborate with him and dismissing the rumors as mere social media speculation.

Conversely, Drake seizes this chance to affirm his position as one of the most outstanding rappers ever. He mentions his latest feat of being just one #1 single short of matching Michael Jackson’s record for the most number one hits on the Hot 100. This achievement further cements Drake’s status in the music world.

The lyrics of “First Person Shooter” are as hard-hitting as fans would expect from these two artists. J. Cole raps, “The one that they call when they shit ain’t connectin’ no more, feel like I got a job in IT. Rhyming with me is the biggest mistake. The Spider-Man meme is me looking at Drake.” This is followed by Drake’s verse, “It’s like we recruited your homies to beat demon deacons, we got ’em attending a wake.”

This new track from Drake and J. Cole is a testament to their skill and creativity as artists. It is a must-listen for fans of both rappers and is sure to be a hit.

Tweet LinkedIn PinShares0

Featured

Eric Schroeder Releases Album

If you’ve ever heard the music of Eric Schroeder before, you already know that melodic sting is often the backbone of his heady rock sound, but in his latest release Turned on the Stereo, which was released this year everywhere quality indie-rock is sold and streamed, it plays as great a role as the lead vocal does. The guitar is the star in the title track of this LP, much as it guides the grooves of singles “Parting (No. 2)” and “Stayed the Same,” and whether you’re a six-string buff or not, it’s an element that will engage anyone who catches a glimpse of this album’s most powerful moments.

There’s a lot more to Turned on the Stereo than just gilded guitar tones; after all, when listening to songs like “Mother Said,” “The Kind of Wound That Never Heals,” “Plan For Me” and the juggernaut “Never Go Away,” everything from the percussion to the vocal harmony itself is presenting us with a different layer of emotion. There’s scarcely a juncture in this record where Schroeder doesn’t sound deeply invested in the narrative he’s trying to get across, which is something I could only wish to see among his mainstream competitors nowadays.

At the center of every song on this LP is the magnetizing melodicism of the leading man, which despite flexing some legit muscle in past releases bearing the Eric Schroeder name sounds much more relaxed and on-point in tracks like “Do Done Now,” “Claire’s Song” and “Easier Way to Go” than it ever did before. There’s no hesitation on the part of our leading man here; if anything, I’m not sure that he’s come across quite as confident in his performance as he does in a couple of this record’s most climactic fever pitches.

https://open.spotify.com/album/7h8hV4kn18WMWcov4723YN?si=CgrNzFBvRs6D-BaqroToKQ&nd=1&dlsi=b22a7ce812e34a6e

As far as the production quality is concerned, Turned on the Stereo is a superbly tight album that doesn’t leave us guessing how richly textured and full a song like the title track or “Never Go Away” might sound in a live capacity, which is undeniably a tough feat to pull off. It’s perhaps not as evenly mixed as The Crucifixion of Eric Schroeder was, but I don’t know that he was looking to go super-polished in this instance; there’s a certain authenticity that comes with filtering fresh material through a raw, unconventional sound, and that could be why this LP stings as hard as it does.

Though I just started exploring Eric Schroeder’s complete discography a little closer this April, I’ve come to appreciate his approach to songwriting all the more thanks to Turned on the Stereo, which I deem the most mature offering he has released thus far. Schroeder isn’t working with major label assets by any means here, but he’s nevertheless turning in something that feels wholly compelling and different from what his contemporaries are producing in this first half of 2024, and that alone makes it a worthwhile listen for anyone who demands organic quality in rock anymore. Top to bottom, this is a terrific listen for those who love indie riffs and smoldering lyrical emissions.

Sebastian Cole

Tweet LinkedIn PinShares0

Artist Spotlight

The Skinny Limbs Unveil Galactic Soundscape with ‘Mozart for Martians’ EP Premiere

The Skinny Limbs have unveiled their latest EP, “Mozart for Martians,” which consists of five stellar tracks that revolve around the complex universe of emotions accompanying a long-term relationship’s end. This EP’s celestial soundtrack for heartbreak, rejuvenation, and reflection seamlessly blends indie-pop with lo-fi vibes and Japanese pop influences, transcending musical genres.

This eclectic mix creates a vibrant tapestry of sound, drawing listeners into a realm that is both familiar and otherworldly. The raw vulnerability in each track reflects band member Max Knoth’s personal journey through love, loss, and life’s unpredictable twists.

Lead single “Too Little Too Late” is a gut-punching anthem that blends poignant lyrics with a sonic fusion of Japanese pop and indie elements, capturing the EP’s emotional core. Meanwhile, “To The Limit” offers a celestial blend of melodies and evocative lyrics, portraying the feelings of confusion and frustration that accompany life’s hurdles.

The EP’s sonic journey is completed by the unreleased gems, “Monday,” a jammy reflection of Max Knoth’s tumultuous breakup week, “I Know You Care,” an older track reborn, and “For So Long!,” a groovy exploration of confusion, patience, and the search for clarity.

Produced by Connor Robertson, Jake Rye, and The Skinny Limbs, and mastered by Mike Cervantes (known for his work with Dolly Parton and MisterWives), this EP is a masterful blend of heartfelt storytelling and musical innovation. The production quality is top-notch, and the EP’s 18-minute runtime provides a concise yet powerful journey that will leave listeners craving more.