Music

Eminem Said ‘SNL’s Stan Parody Shocked Him By Being ‘Actually Really Good’

‘He said it so good that he sold every single thing.’ …

Since none of us can leave our houses and most entertainment events have been canceled due to the pandemic, SNL has been an even more important part of our cultural sanity than usual. The show recently pulled off a killer parody of Eminem’s iconic “Stan” — with Pete Davidson rapping his own take on the classic — and apparently, Marshall Mathers himself was quite impressed with it.

Although, at first he was unsure. In an interview with Zane Lowe he said that reading the rap on paper it was unclear how it would play out, but in the end, the sketch came off “actually really good.” “I remember they sent me the lyrics to it and I was reading them on paper and I was like, ‘Oh, I don’t know if this is going to be that good,’” he began. “And then the weight, when he said it, I was like, ‘Holy sh-t.’ He said it so good that he sold every single thing. You can’t… First of all, everybody’s raps look terrible on paper, right? Because you don’t necessarily know unless you’re a rapper yourself. You don’t necessarily know where… Even if you are, you don’t know where they’re going to hit the beat at, what pocket they’re going to choose. Yeah. And he was in a ill pocket. He was like, he was kind of going and he’d go a little faster and then he kind of slowed down so you could catch what he just said the first time you hear it. Yeah. His delivery was for sure really on point because it was not what I expected when I saw it. I was like, ‘Man, this is actually really good.’ The whole thing was great.”

Good enough that Em himself cameoed in the sketch at the very end. Check it out below if you need a refresher.

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Music

Clay and Kelsy Embrace Darkness and Light in Transformative EP ‘I am’

Clay and Kelsy, the innovative pair at the forefront of Los Angeles’ indie music scene, present their latest project: the emotionally charged and sonically intricate EP, ‘I am’. This work consists of five tracks that delve into the complexities of doubt, emotional pain, and the intricacies of self-discovery, addressing the multifaceted nature of the human experience—from heartache to resilience.

The EP opens with “Insecure,” a raw sonic narrative that unpacks themes of waning self-confidence. Following this, “You Hurt Me” delivers a poignant exploration of betrayal, characterized by its evocative lyrics and dynamic arrangement. The track “I Miss You” amplifies the emotional landscape with its soulful introspection, articulating the challenges of grief and attachment faced while letting go. In “Memories of Me,” the duo addresses the profound weight of despair, tackling themes of existential fragmentation and mental health struggles with brutal honesty.

The titular track, “I am,” emerges as a pivotal moment within the EP—serving as a testament to survival, growth, and the journey toward self-acceptance. This piece balances the turmoil of past experiences with an optimistic outlook on future endeavors, ultimately acting as a powerful affirmation of resilience and readiness to confront forthcoming challenges.

Clay and Kelsy’s exceptional storytelling is complemented by their innovative integration of electronic soundscapes with soulful lyrics and instrumentation, transforming ‘I am’ into a cathartic listening experience. As artists, producers, and co-founders of CKI—an initiative championing women’s empowerment and amplifying underrepresented voices—they infuse their work with authenticity and creativity. ‘I am’ signifies a significant evolution in their artistic trajectory, and the anticipation for their next steps is palpable within the industry.

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Artist Spotlight

Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”

At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love experience that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.

“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.

Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.

Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of envious love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.

For more information about Sadie Brown, please visit [website].
CLICK HERE TO STREAM Sadie Brown’s “Counterfeit“ on Spotify.
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