Interview
Exclusive Interview: Florida Rapper GenoDa1

Hello GenoDa1, and welcome to Honk Magazine! Congratulations on releasing your LP 3AM Sessions! Can you tell us a little bit about this project?
Hey guys! First and foremost I want to thank yall for interviewing me and thank you so much I put my heart and soul into these songs so that really means a lot. But it was a long process creating this project. Probably took me like a year or so because I was going through a lot of hardship during that year. Couldn’t find a job, no money no nothing for studio time, and at the time my studio equipment was in the pawnshop because we needed money for the rent, food and to keep the lights on. So when I was starting out “3 am sessions” it was around August and around that time I went through a super bad break up we were even engaged. The breakup destroyed me so the project was originally supposed to be called “You Left Me Heartbroken and You Didn’t care” haha I know it was going to be a long title but that’s how I felt and I thought it would be catchy. But then the money started coming in slowly so I wasn’t able to make it all the way to Athens to my homie to record (One of my best friends Witt who was recording my project at the time goes to the University of Georgia) anymore. But finally found a job got all my equipment out of the pawnshop bought more equipment and started recording all my own stuff so I came out with this idea since I already had like 2 or 3 singles out for the original project (You Left Me Heartbroken and You Didn’t Care) I’m going to start this EP series called “3 am Sessions” and each “3 am sessions” was going to have 2 songs and I was going to drop a part 1 and part 2 and then for part three I was going to put all the songs I already released from “3 am Sessions” part 1 and 2 and put 5 unreleased tracks. Which I think came out pretty Lit because everyone loves the project.
Your style is very laid back, and chill – are you planning to experiment with your sound?
Yeah, a lot of my stuff is laid back especially my older music because I used to do the old school New York type of beats. But now I’ve grown so much as an artist you don’t really know what you are going to get from me now. You might get a laid-back 90s boom bap vibe from me, maybe super dark sounding or even something to smoke to like my song “Sanctuary” Featuring my brother Zues that’s on my LP “3 am Sessions”. Then I might hear an Rnb/rap song and write a hook for a singer to sing (because i can’t sing for shit hahahaha) or then i might here a turned up trap song and write to that shit i even did a dancehall vibe song called “Tell Me” Featuring Fearro so like I said before you never know what sound your going to get from me at this point of my career with how much my music has grown over the years.
What inspires you to write your lyrics? Do you describe your personal experience?
Life. Life pretty much is the inspiration behind my lyrics . My songs are basically updates on my life and what I’m going through at the moment. I’m the type of artist that has to go through things and write about them. And that’s the reason people love my music so much because not only are my lyrics deep but what I’m talking about is stuff that I’ve actually gone through or currently going through at the moment. I love when my supporters and fans come up to me and tell me “your songs help me get through whatever im going through” that right there is the best feeling in the world as an artist.
On LP 3AM Sessions you collaborated with a few artists – who would you like to work with in the future? Really i want to just work with any artist thats dope. But i have a lot of artists in mind but definitely Joey Badass, SchoolBoy Q, Kendrick Lamar i really wish Nipsey was still alive because he’s one of my favorite rappers of all time as well and i think me and him would have made some magic in the booth. I pray and hope one day Jay- z and kanye because they’re one of my my biggest inspirations in rap. But there’s a lot of artists I’m down to work with as long as your dope I’m always down. But I do have a song with a big feature on it coming out. Don’t want to say the rappers name but thats coming out very soon
Do you have any artists you look up to? Who is your biggest inspiration in the HipHop world?
Jay-z, Kanye West, Lil wayne, 50 Cent, Drake, nas , Jeezy, Nipsey Husstle, DMX, Three6 Mafia, Trick Daddy, TI, Jadakiss, Wu Tang Clan, Ludacris, Bonethugs and Harmony, Eaz,y etc. hahaha the list goes on and on. I’ve been listening to rap since i was 6 years old. So that’s a long time and the best thing about it my mom would buy me the explicit versions hahaha i just couldn’t say the curse words haha
Are you planning to release more music this year? What can we expect from GenoDa1?
Yes of course!!! Even though i got a 12 song EP out right now I’m still working on music right now and plan on releasing a new song next week. The grind never stops. And more shows I’m getting those lined up now and also just a lot of music videos. But like i said i got a song with a big feature on it and I’m not dropping the video till i drop that song in june or july. But yeah basically more music, more shows and a lot of other stuff so stay tuned.
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Interview
Charlamagne Tha God Turns Pain Into Power Amid Kanye West’s Shocking “Cousins” Confession

On a recent episode of “The Breakfast Club,” radio host Charlamagne Tha God opened up a moment of powerful facts about his own childhood trauma while talking very openly about Kanye West’s troubling new song, “Cousins.” In classic form, Charlamagne’s response was at once raw, emotionally layered, and deeply human. In “Cousins,” Kanye reflects on an unsettling sexual episode from his younger years involving a cousin, a song that had fans and critics reflecting. And as the song has whipped up waves of reactions across the internet, Charlamagne himself incisively cut through the noise with one of his own truths.
“No, they not. People are not gonna start coming out saying they sucked their cousin’s penis,” he said. “Listen, I was getting molested when I was 8 by a 20-year-old woman.” Charlamagne wasn’t reading from a script when he made the admission. It wasn’t done to sell records. It was unfiltered truth and a reminder that beyond the hot takes and the headlines, there are actual people whose invisible wounds we bear with us. Still, he didn’t completely let Kanye off the hook. This is a discussion we should be having,” he insisted, “I just can’t take it serious when it’s coming from Kanye. It’s always something with Kanye every week. That’s all. All of it just feels like a stunt.”
Also check this out: Jeffree Star Stirs The Pot With Cryptic Post Amid Kanye West’s Controversial “Cousins” Song Release
Kanye’s explosive public persona makes it difficult for some to distinguish between genuine confession and viral marketing. And they do matter, even more than ever, when the subject matter is so weighty. What happened on “The Breakfast Club” was a man seizing control of his own story in an arena that too often prizes spectacle over substance. Whether Kanye’s track succeeds in that level of reflection is a point of debate, but Charlamagne’s brutal sincerity also served as a timely reminder that healing begins when someone dares to acknowledge the uncomfortable truth.
Interview
Jermaine Dupri Breaks Down the Bias Behind Xscape’s Rise

During his visit to the R&B Money podcast, Jermaine Dupri shared an obstacle he encountered in launching ‘90s R&B titan Xscape, and it has nothing to do with their voices. Dupri was blunt; Xscape never took off because of a lack of talent; it was their looks. “They just kept telling me they weren’t cute,” he said, shaking his head disapprovingly at the dismissive way executives from that era greeted even undeniable vocal firepower. It broadsided him, a wake-up call to the naked fact that marketing beats merit most of the time.
Even for one of the most vocally gifted female groups of their era, Xscape faced an industry that was more focused on image than artistry. The criticism wasn’t subtle. Even The Notorious B.I.G. dissed them in one of his lyrics words that stung in a culture where beauty was currency, and women who didn’t fit a narrow definition were often relegated to the sidelines. But Dupri wasn’t having it. He then doubled down on his faith in Xscape, championing their talent when almost no one else would. His gamble paid off chart-toppers like “Just Kickin’ It” and “Who Can I Run To” didn’t only reach No. 1 on the charts, they solidified Xscape as gods of R&B’s golden age.
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This isn’t just a reflection on Xscape’s journey, it’s a commentary on the battles many female artists still face. Dupri’s candor is a reminder that behind every platinum plaque, there’s often a quiet battle with industry bias. In essence, the story of Xscape is one of defiance, perseverance, and the realization that real talent doesn’t need a filter. And thanks to Jermaine Dupri’s vision and refusal to conform, they didn’t just break through, they changed the game. And sometimes, they come wrapped in the truth the industry prefers not to hear.
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