Interview
Exclusive Interview with Danny Hughes (DCPA)
Please describe to our audience how you came about on the music scene and what is the biggest difference between your first piece of music to your latest!
I was a musician growing up, and I played a few instruments (piano, guitar, trumpet). In high school I took a music production class and fell in love with the software, electronic production methods, song writing and scripting melodies. Although my passion for music took a back seat in college, I always contemplated what role it would play again in my life once I got settled as an accountant in Dallas TX in 2011. From my high school days through 2015 I watched the electronic music scene grow exponentially in the USA. I was always very much into European dance music early on. Eventually I realized that my favorite style of music and the showcase aspect of DJing went hand in hand and it all made sense. I wasn’t meant to remain a classical musician or play guitar in a band, I’m the type to go mad scientist in the studio and mesh all these different sounds together in a unique way, then bring it to a live audience while also sharing great music from other inspiring artists.
Initially, I was producing progressive house and trance instrumentals. I wasn’t too focused on the commercial aspect and had no idea where to find a vocalist or how that process worked. I outsourced some of the production work to a Netherlands based studio and eventually found a roster of vocalists via that outlet. I learned more about songwriting and producing music around existing vocals, enjoying the collaborative aspect. Over time since my first release in 2016 I’ve gotten a lot more flexible as to my style and making it commercial while keeping its integrity. I can thank the EDM stars who preceded me for acclimating society to electro-pop fusion. Lately I’m incorporating pop, electro-house, nu disco, and punk into my 2023 release plan! I’m aiming for the music to be edgy, catchy, and danceable.
What are you doing to push a positive message as the year comes to an end and there is a new beginning coming up with this new year?
I’m always looking to leave the listener feeling understood and empowered with my music. I want them to relate to it and be part of my ‘soul tribe’. It’s important as an artist to have a positive mission statement. We can be highly influential to people we’ll never meet, and in ways we don’t always see. Apart from the music I share, I only put out content with an insightful message, share my life experiences with a tempered mind, or post something funny/wholesome. Viral negativity is a real scourge these days.
Are there any rituals you have developed over the years that are helpful for any upcoming changes happening?
I try to add creative value every day whether it’s many hours on one upcoming song or jumping around to many different ones. I keep a normal sleep schedule and get outside regularly; I stay active and eat well to keep a sharp mind and body. Live gigs are big physical and mental battles and aren’t always routine in nature. So being up to date on the latest music while staying organized with older libraries is important in being ready for anything. I check my gear regularly too, the last thing you want is to show up and your stuff doesn’t work as expected.
Could you talk about a success that happened this year that you would attribute to all your hard work?
I’ve been focused on growing my fanbase and traction on streaming platforms. It’s important that those can grow organically and generate ‘true fans’, not just play counts. Based on the relevant data, my Spotify grew 56% and is getting a lot more of that algorithmic traction, so I’m happy my efforts are paying off. Also, I reached the top 5% in Spotify artist rankings this past Fall for several months, and that was a shock! It really gave me perspective on how far I’ve come. Lastly I charted on iTunes House: Poland for ‘Iconic Love’ and iTunes House: United States for ‘Filmatic – Carefully Together (DCPA Remix)’.
Could you talk about an obstacle that you persevered through?
Times of loneliness are inherent to a music career, usually those are counterbalanced with moments of abundant attention from others. Personally, when going toward my music career, I accepted a reduction of income and really challenged my physical self. It’s a different world than my prior desk job but endlessly fulfilling in so many ways! In addition I’ve used music as a way to revisit past experiences and reconcile/transmute leftover and confusing energies. My latest track ‘I Feel It Too‘ is a perfect example of this.
How do you think these experiences have helped you shape your career and approach your music?
It’s brought back a grittiness to my life; and though I value the time I spent in a corporate environment, I currently appreciate these new opportunities to fly by night and get out in front of new audiences, sharing my passion for music and a side of myself that was mostly hidden for many years. For a long time I was more reserved with my emotional energy but I’ve realized the value of honest and intense expression in life, spreading light through art and intend to fully embody this in my personal relationships as well.
How do you continue to develop your community of fans over the years?
Being present and available is important. I see fans as being collaborators on a bigger project. To make that collaboration work, I know I need to show up in conversation and in my actions. By responding to others in a genuine way and appreciating everyone’s time and input, you start to feel a larger community forming around you and feel more significant and motivated in your role as an artist.
Thank you for sharing all your music with us! Can you give us any exclusive on more music coming up?
My next song is called ‘Broken Heart’. The chorus line for this electro-pop-punk track is “Someone tell me how to let it go…I don’t wanna feel this anymore.” Look for this track to drop in February or March 2023!
Socials for everything happening NEXT!
⇒ Amazon
⇒ Audius
⇒ Beatport
⇒ Deezer
⇒ Pandora
⇒ Songkick
⇒ Spotify
⇒ Tidal
⇒ TikTok
⇒ YouTube
⇒ Website
Interview
Nene Leakes Left Wide-Eyed By Chrisean Rock’s 12-Kid Reveal
Reality icon Nene Leakes is no stranger to jaw-dropping interviews, but even she had to pause when Chrisean Rock dropped a bombshell on her latest appearance. As a guest on Nene’s talk show, the viral rapper and internet sensation opened up about her complicated relationship with Blueface, motherhood, and a surprise personal decision that had fans and Nene herself doing a double take. In a heart-to-heart moment, Nene delicately inquired about the infamous Blueface tattoo prominently inked on Rock’s cheek.
“Why you put him on your face because you have a beautiful face?” Nene asked, with the sass and sincerity only she can deliver. “Now, Chrisean… would you ever take it off?” Without hesitation, Chrisean confirmed what many fans didn’t see coming. “I’m do it on my stream,” she said confidently. “I want my fans to be a part of the process.” But just when the conversation seemed like it couldn’t get any more personal, Rock took it to another level by revealing she hopes to have twelve children in the future.
The confession left Nene and likely anyone watching with raised eyebrows and a host of follow-up questions. While Rock didn’t dive into the timeline or logistics, her conviction was clear. In an age where celebrities often filter their truths, Chrisean’s candidness struck a chord, if not a nerve. Nene, ever the seasoned host, managed to keep her cool, delivering her signature blend of shocked expression and knowing nod. “Twelve? Girl, you better get to work!”
Chrisean’s willingness to share her journey, including the removal of a very public symbol of her past and her dreams of a big family, gives a new dimension to the often misunderstood star. Whether or not the world is ready for Rock and her future football team-sized family, she’s doing things on her own terms. As for Nene, she may just need a moment to recover before the next guest walks in with a story to top this one.
Interview
Keke Opens Up On Why Her Jonathan Majors Interview Never Aired
Keke Palmer has always been open about her feelings, and this week was no exception as she talked about a canceled podcast episode featuring actor Jonathan Majors, who is currently facing legal challenges. Back in April, fans noticed a preview for what seemed to be an exciting and possibly controversial episode of her podcast, “Baby, This Is Keke Palmer.” The Wondry app described it with the phrase “Accountability. It’s a loaded word, right?” The episode was set to explore how society is changing its views on forgiveness, justice, and what it means to hold people, especially men, accountable for their actions.
Naturally, fans became curious when the episode didn’t air as planned. They wondered if it was canceled because of Majors’ legal issues or if Keke decided not to release it on her own. During a recent interview on “Way Up With Angela Yee,” Keke finally shared her thoughts. She explained that some of the decisions may have been beyond her control, but she spoke about it in a calm and respectful way. She didn’t blame anyone or go for shock value but hinted that there were bigger issues influencing the situation.
You can also read this: Keke Palmer Stands by Baby Daddy Darius Jackson’s New Path to Redemption in the Army
Keke’s honesty adds depth to ongoing discussions about celebrity culture, responsibility, and how media decisions are made. By choosing not to give too many details, she showed her maturity and professionalism, qualities her fans truly appreciate. This situation reminds creators of the careful balance they must maintain when discussing sensitive subjects. Keke, known for her honesty and charm, is willing to tackle tough conversations but understands when it’s best to hold back.
Whether or not the episode with Jonathan Majors will ever be released is still uncertain. However, Keke Palmer is not afraid to engage with difficult topics, she simply knows when to speak up and when to step back. In today’s world, where silence can often be misinterpreted as agreement, Keke demonstrates that sometimes, choosing to stay quiet is also a way of being accountable.
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