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Artist Spotlight

Exclusive Interview With Platinum Selling Music Producer Bradley Denniston

Who Is Bradley Denniston?

 

Bradley Denniston is a platinum-selling music producer, singer, engineer, composer, and multi-instrumentalist based out of Los Angeles California.

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He has worked on blockbuster movies, totaling many billions of dollars in box office sales, and with Platinum-selling artists that include; The Lonely Island, Gotye, Tegan and Sara, and G-Eazy.

Bradley continues to work on major motion picture releases, television series, and albums with recording artists under his own company, Radium Records. Bradley has most recently produced and composed original music for the Netflix original series: Abstract: The Art of Design and for the Netflix Original Anime series; Cannon Busters. Bradley has also composed and produced music for dozens of nationally airing commercials.

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Tell us a little more about when you first got into music?

It really all started with complete love for how music could change the way I felt.  Almost instantly.

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My Mom sang at church…  She was in the choir then the worship band and was always doing her strange vocal warm-ups in our living room…  I can still hear them, “ah, ah, ah!” “Oh, oh, oh!”…  It was a daily thing to have music playing at the house, in the car, bedrooms, really anywhere and everywhere!

My Dad put me on to all the latest music back in the ’90s and 2000s.  He showed me and my brother’s bands like Nirvana, Pearl Jam, and Smashing Pumpkins, Ever clear, and would play The Beatles, The Who, and tons of other classics when we went to work for him at the age of 14.

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Music production came much later for me.  First I wanted a guitar (electric of course with tons of distortion), then it was a drum kit, microphones, playing in bands in High school and writing songs and fronting bands.

Once your band breaks up after High school (inevitably), if you’re really about this music lifestyle, you find ways to continue to create music and your art.  It’s really an innate part of you when you’re a musician and music lover.

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Learning music production, engineering and computers came out of necessity for me.  I absolutely HATED computers!  I learned them and all the software because I knew it would thee a tool for music.  Otherwise, I would’ve never touched a computer and probably wouldn’t be in the music industry right now… 

If you could describe your sound/style in one word, what would it be and why?

Sticky.  Maybe it’s my ADHD but I constantly repeat melodies and phrases, over and over and over in different timbres and tonalities everywhere I go.  It really drives my wife insane!  Haha…  But I think it’s why so many people tell me they got my songs stuck in their head…

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What would you say to any aspiring recording artists who look up to your work?

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If you really want to be successful in music, you have to trust your gut and be yourself 100% of the time.  Don’t be afraid of people hating your music, real art should make should cause a massive change in how you feel, even if it makes you cringe.

Do you have anything new or upcoming we can expect to see from you? (If possible add the link)

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YES!  I just released the official music video for my latest single, “15 Minutes to Midnight” and I’m super excited about it!

Here’s the link if you want to tune in:

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what do you think about this post? Drop a comment below.

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Artist Spotlight

“Call It” by Sunset Salore stirs an anthemic tapestry of self-worth

Sunset Salore

The Melbourne-based artist, singer, and songwriter Sunset Salore, known for her enchanting alternative pop sound, returns with “Call It,” a compelling declaration of self-worth that’s both a breath of fresh air and a sonic revelation. This track, the first sneak peek into her upcoming EP, ‘Love Kills the Monsters,’ draws clear inspiration from the charismatic styles of Florence & The Machine, Meg Mac, and Baker Boy musical influences. It’s a unique blend of haunting melodies and profound lyrics that addresses the frustrations and disappointments of leaving that often go unnoticed but collectively signal that it’s time to make a change or reclaim sanity.

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Call It” doesn’t tiptoe around the issue with anyone ever feeling undervalued in relationships. It dives headfirst into the micro-moments of relationship dynamics that wear down one’s spirit, capturing the decisive moment when one realizes one deserves more and demands better for oneself. Sunset Salore’s assertive vocals soar over an alternative pop soundscape, making it impossible not to feel the empowerment in her words. What makes “Call It” stand out is its ability to convey a universal sentiment through deeply personal reflections that channel vulnerability into strength.

Musically, “Call It” is a shining example of her sophisticated artistry in production. It was written during a crucial stage in Salore’s creative and introspective period, allowing her to dissect those critical life-changing moments. This makes the song relatable and impactful, enhancing the emotional journey without overshadowing the poignant message.

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Sunset Salore challenges the societal tendency to shy away from labeling relationships, emphasizing that how we treat each other holds more weight than any label ever could. Her bold assertion, coupled with her enchanting vibes, make “Call It” a sonic anthem for anyone navigating the crossroads of their self-respect and relationship expectations. It simplifies the equation and raises the bar for what we should demand in our relationships and from ourselves.

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For more information about Sunset Salore, please visit [website]. 
CLICK HERE TO STREAM Sunset Salore’s Call It on Spotify.
CONNECT WITH Sunset Salore | Instagram | Facebook |

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Artist Spotlight

Plasma Chasms sparks a cosmic love affair with “Interstellar Baby”

Plasma Chasms

Produced, mixed, and mastered by Electric Rabbit Studios, Plasma Chasms’ masterfully crafted latest single, “Interstellar Baby,” is an auditory odyssey that flawlessly blends the timeless charm of vintage soul with modern psychedelic twists. Formed in 2020 by the dynamic duo of Australian Jane Drewett and American Adrian Guerrero, Plasma Chasms have steadily carved out a niche in the indie-pop scene with their retro, gritty, and rhythmic garage sound, and this track feels like a dream, with shimmering, otherworldly sounds a testament to their evolving artistry.

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From the first note, “Interstellar Baby” envelops the audience in a cosmic embrace reminiscent of the golden era of Motown. The interplay of Jane Drewett and Guerrero’s vocals stands out, dripping with soulful intensity and complemented by lush strings and horns that evoke the spirit of Marvin Gaye. This sonic adventure through time and space, guided by the rhythmic heartbeat of Latin percussion and R&B grooves, creates a harmonious balance that’s soothing yet invigorating.

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The track’s impeccable production quality allows each element to shine while maintaining a cohesive, immersive sound. The new layers of psychedelic rock subtly interwoven into the fabric of classic Soul/R&B create a familiar and refreshingly new soundscape that transports listeners on a cosmic elevator ride through each floor, revealing a different flavor of psychedelia, from blissful reverie to rhythmic euphoria.

Interstellar Baby” is a stellar example of their innovative fusion, the third single from their much-anticipated debut album, ‘Chrysalis.’ This song promises to leave listeners eagerly anticipating what’s next, with catchy hooks and soulful delivery. Take the ride into Plasma Chasms’ world, and let “Interstellar Baby” transport you to a place where vintage soul and modern psychedelia meet in perfect harmony. By the end, you’re left humming the tune.

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For more information about Plasma Chasms, please visit [website]. 
CLICK HERE TO STREAM Plasma Chasms’ Interstellar Baby on Spotify.
CONNECT WITH Plasma Chasms | Instagram | Facebook |

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