Artist Spotlight

Exclusive Interview With Platinum Selling Music Producer Bradley Denniston

Who Is Bradley Denniston?

Bradley Denniston is a platinum-selling music producer, singer, engineer, composer, and multi-instrumentalist based out of Los Angeles California.

He has worked on blockbuster movies, totaling many billions of dollars in box office sales, and with Platinum-selling artists that include; The Lonely Island, Gotye, Tegan and Sara, and G-Eazy.

Bradley continues to work on major motion picture releases, television series, and albums with recording artists under his own company, Radium Records. Bradley has most recently produced and composed original music for the Netflix original series: Abstract: The Art of Design and for the Netflix Original Anime series; Cannon Busters. Bradley has also composed and produced music for dozens of nationally airing commercials.

Tell us a little more about when you first got into music?

It really all started with complete love for how music could change the way I felt. Almost instantly.

My Mom sang at church… She was in the choir then the worship band and was always doing her strange vocal warm-ups in our living room… I can still hear them, “ah, ah, ah!” “Oh, oh, oh!”… It was a daily thing to have music playing at the house, in the car, bedrooms, really anywhere and everywhere!

My Dad put me on to all the latest music back in the ’90s and 2000s. He showed me and my brother’s bands like Nirvana, Pearl Jam, and Smashing Pumpkins, Ever clear, and would play The Beatles, The Who, and tons of other classics when we went to work for him at the age of 14.

Music production came much later for me. First I wanted a guitar (electric of course with tons of distortion), then it was a drum kit, microphones, playing in bands in High school and writing songs and fronting bands.

Once your band breaks up after High school (inevitably), if you’re really about this music lifestyle, you find ways to continue to create music and your art. It’s really an innate part of you when you’re a musician and music lover.

Learning music production, engineering and computers came out of necessity for me. I absolutely HATED computers! I learned them and all the software because I knew it would thee a tool for music. Otherwise, I would’ve never touched a computer and probably wouldn’t be in the music industry right now…

If you could describe your sound/style in one word, what would it be and why?

Sticky. Maybe it’s my ADHD but I constantly repeat melodies and phrases, over and over and over in different timbres and tonalities everywhere I go. It really drives my wife insane! Haha… But I think it’s why so many people tell me they got my songs stuck in their head…

What would you say to any aspiring recording artists who look up to your work?

If you really want to be successful in music, you have to trust your gut and be yourself 100% of the time. Don’t be afraid of people hating your music, real art should make should cause a massive change in how you feel, even if it makes you cringe.

Do you have anything new or upcoming we can expect to see from you? (If possible add the link)

YES! I just released the official music video for my latest single, “15 Minutes to Midnight” and I’m super excited about it!

Here’s the link if you want to tune in:

what do you think about this post? Drop a comment below.

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C’batch delivers love, reflections and new beginning through “Next Time (I Won’t Be Falling)” (EP)

C’batch’s latest EP, “Next Time (I Won’t Be Falling),“ is a soulful exploration of the never-ending cycle that is love. It’s a release that combines intimacy with looking ahead, blending emotion with cinematic ambition. The EP embraces the ambiguity that follows, instead of providing a clean resolution to heartbreak.

This EP is a sneak peek of C’batch’s upcoming album, “The Vault 4 – Cinematic,” set for release on July 10, 2026, that will go deeper into the emotional universe. The project begins with “Next Time (I Won’t Be Falling),” a nicely balanced, measured balance of strength and openness that captures the emotional tension between self-protection and hope for another chance. “Next Time (I Won’t Be Falling) (2)” gives the same emotional struggle from a more reflective perspective, letting the feelings settle with more maturity and quiet conviction.

“Next Time (I Won’t Be Falling)1a“ tells a different story, with similar emotions reinterpreted with musical shifts, adding to the experience but still resonating with the core message of the EP. The release is completed with the cinematic version of “Next Time (I Won’t Be Falling) Cinematic Version 2,“ a sweeping song with cinematic textures that turns the title track into an immersive sound and offers a glimpse of the creative direction behind “The Vault 4 – Cinematic.“

Another point of connection in C’batch’s expanding catalog, “Next Time (I Won’t Be Falling),“ also supplies the creative inspiration for the two companion versions of “Fluorescent Buzz (You Got Me Falling)“ on the EP of the same name. These releases represent an artist consciously creating a connected musical universe that is growing in emotional depth, storytelling, and cinematic production.

Connect C’batch on | Website | FB | Spotify |

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Album Review

C’batch delivers a soulful dancefloor experience with “The Vault 3 – Club / Dance / R&B-Soul / Funk / Pop / Techno / Etc.”

C’batch is back with “The Vault 3 – Club/Dance/R&B-Soul/Funk/Pop/Techno/Etc.,” a 20-track album of unreleased archival recordings, remixed into one seamless late-night journey. The project builds a world where dancefloor rhythm meets intimate introspection, for global dance culture and late-night listening.

The album opens with raw, emotional loss of love and personal clarity in tracks such as “Breaking My Heart” and “Found What’s Right for Me.” “The Club Song” and “Too Hot to Handle” up the dancefloor ante with thick club beats and game tension. “Mystique of Love (What’s Behind Your Smile)” has an air of mystery about it and is delivered with smooth R&B vibes, while “I Just Wanna Love You Now” is all about passion and urgency.

The mid-section tracks extend the emotional palette of the record. The smooth pop and soul elements of “I Am the Right Guy” promise confident self-confidence, and the next track, “On to You,” plays on attraction and groove. “Love Give Me a Sign (Velvet Switchblade) 2” mixes openness with gritty funk textures, while “No More Lonely Nights” is introspective ambient soul. “Hit Me with Your Love” has a lot more rhythm and a lot more dance energy. “Let Me School You (Vocal Version)” is a fun, funky education, and “Turn It up-2” adds to the club vibe with techno-infused layers.

The final section of “The Vault 3 – Club/Dance/R&B-Soul/Funk/Pop/Techno/Etc.” wraps everything up with warmth, groove, and emotional closure in the remaining songs. The album’s energy is carried by “Send U My Love,” “A Funk Groove,” and “Hold on Now,” the album’s lead single, balanced with romance and dance-driven momentum. Closing the album is “Midnight Love Serenade (Honeyed Girl),” bringing late-night softness and texture. C’batch describes the project as electronic adrenaline meets deep soul groove, a late-night global dance culture, and an immersive listening experience for the modern club listener around the world today.