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Former Blondie Backing Vocalist And Clash Tour Mate Releases Meditation And Healing EP

Ananda Xenia Shakti and Love Power The Band have released a five-song collection, “Love Is Where You Are.” The EP includes first single and video, “I Am Love.”

The song is formed around an ancient mantra ‘I Am Loved I Am Love;‘ two statements that can quantum leap you and Humanity out of any life problem.”— Ananda Xenia Shakti

After a successful career in the punk scene as the lead singer in an all girl band, having toured with the Clash and having sung background vocals with Blondie (both in the studio and during live performances), Ananda Xenia Shakti discovered the teachings of yoga and never looked back. She took her high-spirited energy and love and directed it towards creating transformational music. As Ananda Xenia Shakti & Love Power The Band, the collaboration are creating what they call “Music for Body and Soul, Vibrational Healing and Celebrating the Festival of Life.”

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Love Power the Band perform a rare musical experience called “Interactive Music.” The audience becomes part of the band. The audience is given their own vocal part of the song that one of the background vocalists helps them with. It a magical experience of breaking the division between performer and audience, and ignite the soul to experience we are “One.”

“Love Is Where You Are” is the new 5-song EP release from Ananda Xenia Shakti and company. The 44-minutes-long collection includes the just-released music video for “I Am Love” (out on February 14th, 2022.) Filmed by Gopinath Films, the video features dancers Sofya Simha and Chintamani Diane and “Light Weavers” Emma Abel and Lisa Beck, as well as the people and children of Vrindavan, India. Wardrobe features ‘She Dress’ by “I Am Love’ Designs.

The song, written by Shakti, features:
Lead Vocals : Ananda Xenia Shakti
Guitar: Premadasa Gangadeen
Bass: Niranjan Gundu
Drums: Yogi Shambhu, Ras Groundation
Background Vocals : Adi Kanda

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Ananda says, “The song is formed around an ancient mantra ‘I Am Loved I Am Love;‘ two statements that can Quantum Leap You and Humanity out of any life problem. Please sing along, dance and share freely. This is our planetary time to know the greatest truth ‘I Am Love’ and ‘I Am Loved.”

Watch “I Am Love” at https://www.youtube.com/watch?v=9vgDktwSR-U

TRACK LIST FOR “LOVE IS WHERE YOU ARE”

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Devi 8:38
Love Is Where You Are 7:11
Radha Grace 8:14
Mahisasuramardini 14:07
I Am Love 5:58

ABOUT ANANDA XENIA SHAKTI:
As a founding member of the B-Girls, Ananda (known then as Xenia Holliday) played guitar and sang in one of the original girl-punk groups of the late ’70s. As their popularity grew, the band relocated from Toronto to NYC, where they played the hotspots and toured numerous times with The Clash. Signed to Bomp! Records, the band sang back-up on Blondie’s smash album “AutoAmerican” as well as Stiv Bators’ solo album.

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Ananda’s spiritual awakening came while living in NYC. She made a huge life decision and left the B-Girls to pursue yoga and the spiritual principals of life, with a firm inner commitment to merge modern music and ancient life teachings. She is an international Yoga Trainer, founding Sananda yoga training courses since 2004, and Choose Love Karmic Readings. in which she acts as a conduit of Higher Realms wisdom for clients and through which she receives healing ‘Poetry’ similar to the style of Rumi that she transforms into song. Sananda Yoga, offers classical esoteric yoga, and specializes in “The Feminine Art of Yoga” — A “Deep Empowerment for Women” in all of their natural expressions: Strength, Grace, Spiritual Awakening, Vibrancy, Compassion, Love , One-Pointed Focus, Revelry, Tender Heartedness, Intelligence, Divine Moods, and Being the Crucible for your Evolution, Freedom of Expression In Body Mind And Heart, Beauty, Womb Wisdom.

Ananda spends a good deal of time in India and incorporates the ancient language of Sanskrit into some of the healing tunes. Her vision is always focused towards merging opposites into “Oneness,”…ancient and modern, audience and band, dance and stillness, vibration and comprehension.

Instagram: @onlyloveisreal.love
Facebook: https://www.facebook.com/anandaxeniashakti-106372834531552
https://www.onlyloveisreal.love/
https://open.spotify.com/album/69F5fkoMP2oVbNsIh27ayg?si=HdwatK_qSI2aHp5hDMGp-A

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Carmen Bryan’s Cryptic Post Stirs the Pot in Jay-Z Controversy

Jay-Z

The hip-hop industry currently faces substantial controversy as Jay-Z finds himself in the eye of a storm. Allegations of sexual assault stemming from a 2000 afterparty involving the illustrious rap mogul and disgraced music executive Diddy have ignited fierce public debate. While Jay-Z categorically denies the accusations and expresses his intent to contest the lawsuit, the court of public sentiment appears to have already rendered its verdict. Further complicating this turmoil is the involvement of Carmen Bryan, a name from Jay’s contentious history, which has added a chilling layer to the evolving situation.

Carmen Bryan, recognized for her decade-long affair with the Brooklyn rapper, recently took to Instagram with a cryptic yet pointed post. Although she refrained from naming anyone directly, Bryan suggested that loyalty often supersedes ethical morality in cases involving influential individuals. “These days, people don’t defend what is right; they defend who they like,” she wrote. Her parting shot, “And that’s why we call you a groupie,” felt like a verbal mic drop, leaving little doubt about who her words targeted.

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The intrigue didn’t stop there. Bryan shared a snapshot of Jay-Z’s lyrics from his 2010 track “Monster,” honing in on a particularly unsettling line: “Kill a block, I murder the avenues, I rape and pillage your village, women and children.” Though these lyrics were part of a more extensive metaphorical verse showcasing a “monster” persona, their resurfacing in this context feels calculated and ominous.

Bryan is no stranger to controversy, having previously aired her grievances toward Jay-Z. In her 2006 memoir, It’s No Secret: From Nas to Jay-Z, Seduction to Scandal, she detailed their affair and its tumultuous fallout. Additionally, she revealed in a 2017 interview that she had been pregnant with Jay-Z’s child, only to suffer a miscarriage. The relationship, fraught with personal and public conflict, remains a blemish on Jay-Z’s meticulously crafted, otherwise carefully curated narrative. Carmen Bryan’s multifaceted approach raises pertinent questions: Is she simply sharing her perspective on morality in the industry, or does she possess additional undisclosed knowledge?

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While the allegations against Jay-Z are still under legal evaluation, Bryan’s Instagram post has reignited another dimension to the complex and polarizing discussions about power dynamics, accountability, and the ethical responsibilities of those influential individuals in the spotlight. Her courageous decision to use Jay-Z’s lyrics against him paints a stark picture that forces fans and critics alike to reckon with the blurred lines between art and reality.

As the legal proceedings involving Jay-Z progress, the public remains split amid this developing saga. While Jay-Z’s peers have predominantly expressed skepticism toward the allegations, the enduring legacy of this iconic figure hangs in precarious balance, with shadows from the past casting long and potentially damning silhouettes.

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Jay-Z Engrossed in Fresh Allegations as Tony Buzbee Claims More Victims

Jay-Z

In a stunning twist to an already high-stakes legal dispute unfolding with the intensity of a Hollywood thriller, Jay-Z, one of music’s most preeminent figures, finds himself at the center of an explosive allegation involving minors. This drama stems from accusations brought forth by attorney Tony Buzbee and has escalated a conflict that began with a lawsuit over alleged extortion. Buzbee, who represents a woman accusing the music mogul of sexually assaulting her at the 2000 MTV VMAs afterparty, claims there are additional alleged victims, involving both male and female minors.

Jay-Z and his attorney, Alex Spiro, aren’t backing down. They have initiated a countersuit against Buzbee, vehemently denying the allegations and characterizing them as “entirely fabricated and malicious.” Spiro’s filing asserts that Buzbee’s accusations are part of a calculated scheme to tarnish the rapper’s reputation and coerce a settlement. “These baseless accusations are nothing more than a weapon in a calculated plot,” Spiro stated, doubling down on their stance that the allegations are devoid of any factual basis.

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The case took another dramatic turn when the woman Buzbee represents amended her lawsuit against Diddy to include Jay-Z. The timing of the amendment and the salacious nature of the claims have fueled a media frenzy, leaving the hip-hop icon fighting a battle both in the courtroom and in the court of public opinion.

Late Sunday, Jay-Z fired back with a defiant statement on X (formerly Twitter). “What he had calculated was the nature of these allegations and the public scrutiny would make me want to settle,” he wrote. “No sir, it had the opposite effect! It made me want to expose you for the fraud you are in a VERY public fashion. So no, I will not give you ONE RED PENNY!!”

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This case is now racing against the clock, with Jay-Z’s legal representatives seeking an emergency hearing to address the allegations. Their urgency stems from the relentless media coverage, which poses a substantial risk to the Roc Nation founder’s reputation. This matter extends beyond a mere legal confrontation; it encompasses significant implications beyond the courtroom, a fight for his legacy.

The stakes are exceptionally high. Legal counsel Buzbee hints at the potential existence of additional alleged victims, thereby intensifying the spotlight scrutiny placed on both parties involved. With careers, reputations, and justice on the line, this legal showdown is poised to become a critical juncture within the music and entertainment industry. For fans and observers alike, the unfolding circumstances prompt inquiries regarding the veracity of the claims and the tactical weaponization of reputation in the court of public discourse.

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