Music
Gary Pratt’s “When It’s Our Love That’s Lost” Hits #1 on National Radio Hits AC40 Chart

“When It’s Our Love That’s Lost’ is a Song About Putting Pride Aside For the Sake of Love

From an old coal mining town called Slickville in the heart of Pennsylvania, to becoming an international charting country artist, Gary Pratt is on a roll, up hill. Since the release of his 3rd acclaimed album, “Something Worth Remembering (MTS Records)”, Pratt has been claiming his well-earned space as a country music contender.
From racking up 75K Spotify streams on the album’s first single, “A Song You Can Drink A Beer To,” to reaching #1 on the iTunes Country Songs chart in South Africa, and being a fan favorite on WNHE Nashville Radio while accruing 15K monthly Spotify listeners, Pratt, who is a man of faith, feels blessed and grateful that his music is resonating with fans worldwide.
And now the results of his next single off the album are proving that Pratt has staying power. “When It’s Our Love That’s Lost” has hit #1 on National Radio Hits AC40 Charts. The self-penned intimate relationship song is about a man who puts his pride on the back burner to keep the flames of love alive. I can’t take another day. I can’t face another night. No I can’t go on like this without you in my life”
“Gary Pratt taps into the inherent confessional quality of country rock with the tender “When It’s our Love That’s Lost.” Full of so much fire and passion, he delivers each line from a life lived to the absolute fullest.” – Indie Pulse Music
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About Gary Pratt
Gary Pratt is a singer, a songwriter, and most of all, an energetic country entertainer, who connects with his audience. Gary has had the pleasure of singing at the Tennessee State Fair, Rocky Gap Music Festival and CMA Fest. Gary has been the opening act for such greats as Dwight Yoakum, Pam Tillis, Lorrie Morgan, Ronnie Milsap and Crystal Gayle, to name a few.
His March 2021 album release, “Something Worth Remembering” (MTS Records), is dedicated to his brother, who recently passed. The album is a combination of Gary’s originals and songs written by hit Nashville songwriters. The title track was written by Grammy Award Nominee, Tony Arata, who wrote Garth Brooks’ “The Dance”. In the making for more than a year, the album was recorded at Tonic Studios with Engineer Doug Kasper, Producer Bryan Cole (Ashley Puckett, Savannah) and Musician/Artist Adam Ernst. Excited about this new album, Gary invited MTS Records’ award-winning male vocalist Matt Westin and multiple international #1 iTunes female vocalist Savannah (Nider) to help out on a few songs. Savannah and Gary recorded the duet he wrote, “To Find Us”, at Omni Studios in Nashville. The album contains the international #1 iTunes smashes, “A Song You Can Drink a Beer To” and “Country to the Bone.” His new single is the self-penned, “When It’s Our Love (That’s Lost.)” which is currently climbing the US National Radio Hits and New Music Weekly radio charts.
A man of faith, Gary is forever thankful to God for walking with him through life, paving this music journey and for putting the gift of music in his heart. Not only has music been an outlet emotionally that has helped Gary through some rough times, it has brought family together and has introduced him to some of the most amazing people he is proud to call friends.
For more information, please visit Gary Pratt’s website.
Music
Shara Strand hits the emotional regulator with soulful single “My Green Light”

Shara Strand allows us to pause and think with “My Green Light,” her radiant new dance-pop single. The track is packed with such sincerity that nothing feels artificial. This soulful epic of a number takes listeners on a journey through the emotional intersections of life and love. Leading with her hallmark warmth and vulnerability, Strand’s let and notes remind us that sometimes the bravest act is saying yes to healing, to growth, to love, and most crucially, to ourselves. The Billboard chart-topper Strand has always been an artist who makes music that isn’t just noise.
She began writing her music early, motivated not by a desire for fame but by a desire to create songs that connect with the heart and soul. That mission comes through loud and clear in “My Green Light,” a song that doesn’t play as a performance so much as a conversation with an intimate. It’s a ballad of gentle might, crafted with lush imagery and earthy sentiment that can only come from a seasoned storyteller such as Shara. It never feels like his production takes away from the piece’s raw heart, although it’s fully polished. Strand’s voice, fragile but strong, slips over that melody like a steady current and pulls the listener in that subtle direction. It’s a song about the times when you’re frozen and don’t know what happens next.
Shara gives you the map, but more importantly, she gives you the go-ahead. “My Green Light” is an intimate song for anyone taking their power back, rising from a setback, or just starting to trust their own timing. It’s further proof that Shara Strand isn’t interested in chasing trends, so much as making art that makes a difference. As a musical contribution, this one does not just gleam. It glows. For longtime and new fans, “My Green Light” is just the reminder we need to know that the clearest path forward is often the one that creates the light within ourselves, and Shara Strand is there holding the torch.
Indie
JMT and Daniel Hex shares detroit’s dance DNA with genre-bending anthem “Yes, I Can”

Detroit’s underground is being completely redefined by JMT, who represents tradition and evolution in a single stroke. On his latest single, “Yes, I Can,” a collaboration with Daniel Hex, the genre-blending producer has released a world-reversal of GhettoTech that’s sultry, soulful, and fiercely future-forward.
Taken from his new album GHETTOTECHTROPOLIS, “Yes, I Can” is a chameleon combining the pulse of GhettoTech, the precision of Techno, and the velvet soul of classic R&B. Still, there’s an audacity to this cocktail nonetheless, one that manages to feel both nostalgic and next-gen at the same time.
The story of the song is about as rich as the song itself. Born out of a gloomy afternoon spent at Heaven Studios – founded by none other than Royce Da 5’9 the track started life as a slow burn groove, with Daniel Hex’s sultry, luxuriant delivery existing over an easy-moving 125 BPM. But in post-production, JMT pulled a reverse. He turned up the tempo, let the percussion bang that much harder, and invested the track with a restless energy that one would expect to find only in the dimly lit basement of some smoky party: 3 a.m., if we’re lucky.
What makes “Yes, I Can” so magnetic is its twin natures. It’s a dancefloor fire with a soft heart. Hex’s own vocals dance effortlessly over the beat, providing the track with a human pulse under the hood of the machine’s perfect drive. It’s a deliberate contrast, Detroit’s grit and soul conjoined. Ultimately, “Yes, I Can” is the driving force of the future. On it, they are a fearless, finely calibrated clash of vibes that designates JMT a visionary voice in the city’s next musical chapter.
Connect with JMT: Instagram
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