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Kanye West Explains Why The Yeezy Foam Runner Is The Future Of Sneakers

Kanye West and Joe Rogan linked up on Friday for a long three-hour conversation that covers a whole plethora of topics. Throughout the conversation, Kanye began by talking about his Presidential bid and why he felt like it was so necessary for him to run for President of the United States. From there, West spoke about his artistry and what he has been able to accomplish in both music and fashion. Of course, this led to a lengthy discussion about West’s sneaker design and some of the backlash that surrounds them.

Kanye was at his most excited while talking about the Yeezy Foam Runner which became infamous on the internet thanks to its peculiar croc-like design. At the 1 hour-22 minute mark in the interview clip below, Kanye speaks on the design for the Foam Runner and how it was fully realized by another talented designer, who was recently brought into the Yeezy brand.

“I designed this thing, we call it the Foam Runner, and we built a factory for it in Cody and you can make these in 25 minutes. And what I’m saying about design, I was talking to one of the awesome designers we just got over at Yeezy. We’ve got this amazing crew. We’ve got guys that Nike sued us for, and one of these guys, I was trying to hire him for two years, he had to go surf for a year, and now he’s in,” Kanye divulged. “When he does his cad drawings, it’s like one shot one kill. Sometimes you design stuff and you have to re-do it five to eight times. His first one is so close to being ready for market because he sketches in a certain type of way. 

“I’ve been saying I want to get rid of laces and we still have shoes we sell with laces because it’s a popular shoe and people love this shoe. And it hurts me. I feel like Steve Jobs trying to remove buttons off the side of the next [iPhone,]” West continued before explaining what makes the Foam Runner unique. “If you guys look at most sneakers, you have a tongue and it goes this direction. This is the reason [the Foam Runner] is one of the most important sneaker designs because it’s ergonomic. I remember putting it on and being uncomfortable because I’m so used to how a Jordan fits with my jeans. I remember talking to Kobe about making sneakers that have to fit with jeans.

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Kanye West

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West went on to note that this shoe was a gut-feeling for him and that he truly feels like the sneaker can revolutionize the way we look at shoes in the future. Kanye has always been one for innovation, and it’s easy to see just how important it is for him to continue pushing boundaries with the Yeezy brand. After all, it’s this philosophy that has made him into a billionaire.

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Mister Motivation is making waves with his new single “For The Love of Women”

The new single from Mister Motivation, ”For The Love of Women”, isn’t just a song; it’s an anthem that combines lyrical, soulful hip-hop with heartfelt, raw content! This newest release puts the woman at the center, an ode to her strength, grace, and contribution to the world. But it’s also a call to action, challenging listeners to think about how we all can show up better in relationships and society.

You can hear it from the first beat, ”For the Love of Women” is a rollercoaster of rhythm and meaning. Mister Motivation sings the chorus with his smooth and convincing vocals, while his verses touch on the relevancy of love, give-and-take, and spiritual synergy in relationships. A lot of thought and love went into making this track as a tribute to the women we love and support daily. ”For the Love of Women” message is clear: love is not only fulfilled love but respectful; it goes beyond, it is about equality and the two of us growing together. ”For The Love of Women” seamless blend of music fulfilling its purpose. The song does not simply bemoan women generally but encourages men and women to think about the way they conduct themselves in relationships and how they can present a specific, transforming love. It’s a soulful nudge that in any relationship, the giving and receiving of love should be balanced and mutual.

Besides packing a punch wherever it’s played, the track also promotes something near Mister Motivation’s heart. ”For the Love of Women” is in partnership with F.L.O.W. (For the Love of Women), a non-profit organization committed to bringing awareness to period poverty. This effort focuses on a health issue impacting millions of women worldwide and underscores a basic need and dignity that should be accessible to all women.

With that release, Mister Motivation not only gifted the world with an infectious anthem of positivity but also used his platform to amplify the message of those fighting to make a change. ”For the Love of Women” is a tribute to both uplifting women and fighting period poverty. ”For the Love of Women” is essential whether you are interested in hearing some music from the soul or looking to do good. It finds its music in the stars. It’s purposed music, and Mister Motivation has again crafted something that features a voice that means something and cannot be shaken loose from memory.

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Imaginary Voices of Alex Day delivers a haunting protest anthem ‘’The Highway’’

Imaginary Voices of Alex Day’s newest release, “The Highway,” is a gut punch. It is raw, self-reflective, and unapologetically human in a world of fabricated creators. Rage-fueled and visceral, Day pours all its disillusionment and fear into the track (recorded on election night in the U.S.), which doubles as personal catharsis and political protest. The feelings are not abstruse; they’re strewn across practically every lyric and layered beat.

The timing of “The Highway,” creation is no accident, it was penned when a nation made the choice, once more, to crown a leader the songwriter couldn’t bear. The result? A sonic snapshot of anxiety, resistance, and that yearning desire to bolt. But this is not just another protest song. What is particularly provocative about “The Highway” is who’s playing it. Or, more accurately, what? Imaginary Voices of Alex Day, the band that created the track, is entirely AI-powered, and that might be unsettling for some people, and that’s fine. Day welcomes it.

“The Highway” juxtaposes haunting synths with echoing guitar licks and a pulse that pounds like a racing heart. The vocals born of code have a surprising level of pathos as if the machines have learned to mourn. Lyrically, the song strays back and forth between hopelessness and resolve, teetering between yearning to flee and the necessity of taking a stand. This is not just a single; it’s a statement. It raises an eerie question: Can you protest if your sound is a meld of man and machine? And more to the point, does that mean your cry for help is any less valid?

“The Highway” isn’t for everyone. But for the invested, who continue to come to terms with the soul-splitting chaos of modern politics and the increasing prevalence of AI in art, it’s a fascinating, emotional listen. Alex Day doesn’t provide simple solutions, though he’s certainly asking the right questions.

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