Music
Matthew Pinder’s Single “Stars” Is The Final Preview Teasing Upcoming E.P.
“Stars” is a sonically decadent, acoustic guitar driven folk track that reflects an emotional journey from hopelessness to finding peace.
ahamian folk singer-songwriter Matthew Pinder delivers an emotional recount of a profound shift in perspective with his new track “Stars,” out now. As the final single leading up to his highly anticipated E.P. release, “Stars” is a triumphant follow up to previous teasers “Cascade” and “Used To Say.” This single tells the story of embracing yourself for who you are; invigorating, joyful instrumentation leads this track through an emotional swell, to a triumphant ending. For Matthew, the origins of this song are rooted in the discomfort of feeling stuck at a certain point in his life. Caressed by the colorful harmony of layered acoustic guitar coupled with a subtle, yet energizing beat, “Stars” enthralls listeners through the ebbs and flows of an tenderly introspective journey of self-growth.
Credits:
Vocals: Matthew Pinder | Guitars: Jacob Hildebrand
Bass: Sara Davis Regan | Horns: Mitch Webb
Drums/percussion: Sara Davis Regan, Frederick Seymour
Strings: Ward Williams | Production: Sara Davis Regan
Co-production: Mitch Webb | Mixed by Mitch Webb
Mastered by Chris Bethea | Written by Matthew Pinder
Pinder began writing this piece in 2019 – noted as an especially low point in his life where he recounts feeling trapped in his situation at the time. For about a year, he sat on the chorus; as time went on, he was able to reconcile those feelings with a sharp shift in perspective. The rest of the song emerged in the latter half of his journey in which he was able to find solace in embracing his truth. “Stars” came together through collaboration with a number of outstanding musicians. Written by Pinder and produced by Sara Davis Regan, the two came together seamlessly to create an outstanding showcase of sonic decadence. Fans can look forward to the release of “Stars” on all major streaming platforms out now.
Matthew Pinder is a Bahamian singer-songwriter who has established a quintessential sound within the indie-folk space over the last few years. Pinder often sings from his own experiences allowing his music to leave an “indelible mark on indie-folk music” (B-Sides & Badlands). First gaining recognition for his viral hit single “Golden Hour” – still one of his most popular releases today with over 2 million streams – he soon followed with the release of the full-length album, Give Me Some Time which was hailed as “Pinder’s magnum opus: a debut so rich and extravagantly heart-rending and deeply-crushing” (B-Sides & Badlands). Soon after, Pinder took a break from music to focus on his mental health until he was ready to begin on his next project, set to release later this fall. Working with local studio engineer/producer Sherwood Rahming and past collaborators Mitch Webb and Sara Davis Regan, Pinder is eager to make music “fun” again by making it with people and friends along the way. Nonetheless, fans can still expect his modern flair with the influences of classic singer-songwriters and present-day artists, all melded into a sound completely his own.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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