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Obi Alfred’s new single release, “Get it.”
Obi Alfred, a recording artist, has released the song “Get it,” featuring immensely alluring lyrics and music that explore concepts like attraction, desire, obsession, and seduction. Obi Alfred is predominantly an R&B musician, so this song will appeal to anyone who appreciates listening to R&B music. However, “Get it” contains musical elements which broaden the song’s appeal to individuals who enjoy listening to mainstream music. Finally, anyone yearning for smooth vocals can listen to “Get it,” since Obi Alfred delivers the words in this style.
“Get it” opens with Obi Alfred singing, “She gon’ send that whole thing to the floor.” From this point on, it is evident that “Get it” is a song about a lady, namely the influence and long-lasting impact she has on him. He begins the first lyric with “And I just wanna give it all to you.” implying that this woman has left her imprint on him, and all he can think about is devouring her. He sings, “Oh baby, How you feeling, yeah, Whatchu’ doing” and says that he continuously thinks about her and her killer moves got him distracted from his drink. He proceeds to say that her dancing is making his trip for her. Throughout the song, it is evident.
He genuinely cares for this girl’s dancing moves and wishes to be with her. Obi Alfred does a fantastic job of conveying his emotions.
About Obi Alfred:
Obi Alfred is a New York-based artist. Obi Alfred is the torchbearer of classical R&B for a younger generation. Born in New Jersey and bred in Texas, the Nigerian-singular American’s aesthetic pays homage to genre luminaries while forging daring, current ground. He is an exceptionally gifted R&B musician and performer who uses imagination and ingenuity.
You can now listen to ‘Get it.
Listen on Spotify:
https://open.spotify.com/track/02mF2AkjLAqTLrq8Zm0ES3?si=e8cab3ce3a9449c9
Connect on Instagram
https://www.instagram.com/obialfredx/
Website
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Eddie Castillo’s Powerful Ocean Conservation Video Campaign
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“We are the last generation that can save the oceans, and we are the first generation that must learn to live without them.” – Silvia Earle
By Altered State Productions
The Ocean Foundation has taken on a mission of critical importance: to save our dying oceans from the irreversible damage caused by human activity. With marine ecosystems teetering on the brink of collapse, the organization’s latest campaign aims to educate and inspire action through the power of storytelling.
Meet Eddie Castillo, Founder of Dallas production company Altered State Productions and media director who’s passionate about the ocean’s survival. His latest project with an ocean conservation organization takes viewers on an emotional journey, blending breathtaking aerial footage with a powerful stewardship message.
“It’s easy to become numb to the devastation happening around us”, says Castillo, “We scroll past images of environmental destruction, momentarily horrified, yet quickly moving on to the next distraction.” While other campaigns often depict the devastation—plastic, trash, turtles entangled in debris—the Last Generation campaign strives to remind us of the beauty we are at risk of losing forever. The brand video captures the ocean’s waves hitting the shore, smooth and therapeutic.
Castillo’s work, reminiscent of National Geographic’s Planet Possible, combines awe-inspiring visuals with a profound sense of responsibility for our planet. Using advanced drone technology, Castillo captured mesmerizing scenes of Hawaii’s North Shore, showcasing the pristine beauty of marine ecosystems under threat. These stunning visuals, paired with philosophical narrations by Alan Watts and a cascade of electronic synths, create a dreamlike quality that blurs the lines between reality and fantasy.
The Ocean Foundation’s storytelling hinges on compelling imagery, reminding us of our collective responsibility to protect these fragile ecosystems. By raising awareness and inspiring change through the power of commercial video production, the project serves as a rallying cry for ocean literacy, species protection, and habitat preservation.
Altered State Productions proudly circulates its media campaign through syndicated sources, utilizing targeted messaging that hits viewers on a different level. “As a media production company, our mission is to create impactful messages that drive real change,” says Brian Medina, Communications Director at Altered State Productions. “We pour our hearts into every project, hoping to make a difference. We’ve successfully generated over a quarter billion dollars in attribution for brands and companies worldwide. If we can do that for profit, imagine what we can achieve for causes worth standing for.”
The media agency’s impressive portfolio includes over 96 nationally aired TV ad campaigns for brands like Jameson, Valyou, and OWN.
In one scene, two young children hold up a surfboard to protect themselves from an incoming wave, playing innocently as kids do. The scene cuts to a breathtaking timelapse of an iridescent coral reef, with aqua blue currents turning the rock. This moment signals that those two kids could be the last to witness such beauty, delivering the hard-hitting message of what we stand to lose—an ocean and all its wonder, and the chance to truly experience it.
In the end, we are faced with the undeniable truth that if we do not act, our children and their children may never know the oceans’ true splendor, leaving behind only a memory of what once was—a heartbreaking legacy of neglect, making the next generation, possibly the last generation.
Altered State Productions is a video production company and digital marketing agency, specializing in video editing services that propel brands with competitive advertising.
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Eric Schroeder Releases Album
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If you’ve ever heard the music of Eric Schroeder before, you already know that melodic sting is often the backbone of his heady rock sound, but in his latest release Turned on the Stereo, which was released this year everywhere quality indie-rock is sold and streamed, it plays as great a role as the lead vocal does. The guitar is the star in the title track of this LP, much as it guides the grooves of singles “Parting (No. 2)” and “Stayed the Same,” and whether you’re a six-string buff or not, it’s an element that will engage anyone who catches a glimpse of this album’s most powerful moments.
There’s a lot more to Turned on the Stereo than just gilded guitar tones; after all, when listening to songs like “Mother Said,” “The Kind of Wound That Never Heals,” “Plan For Me” and the juggernaut “Never Go Away,” everything from the percussion to the vocal harmony itself is presenting us with a different layer of emotion. There’s scarcely a juncture in this record where Schroeder doesn’t sound deeply invested in the narrative he’s trying to get across, which is something I could only wish to see among his mainstream competitors nowadays.
At the center of every song on this LP is the magnetizing melodicism of the leading man, which despite flexing some legit muscle in past releases bearing the Eric Schroeder name sounds much more relaxed and on-point in tracks like “Do Done Now,” “Claire’s Song” and “Easier Way to Go” than it ever did before. There’s no hesitation on the part of our leading man here; if anything, I’m not sure that he’s come across quite as confident in his performance as he does in a couple of this record’s most climactic fever pitches.
As far as the production quality is concerned, Turned on the Stereo is a superbly tight album that doesn’t leave us guessing how richly textured and full a song like the title track or “Never Go Away” might sound in a live capacity, which is undeniably a tough feat to pull off. It’s perhaps not as evenly mixed as The Crucifixion of Eric Schroeder was, but I don’t know that he was looking to go super-polished in this instance; there’s a certain authenticity that comes with filtering fresh material through a raw, unconventional sound, and that could be why this LP stings as hard as it does.
Though I just started exploring Eric Schroeder’s complete discography a little closer this April, I’ve come to appreciate his approach to songwriting all the more thanks to Turned on the Stereo, which I deem the most mature offering he has released thus far. Schroeder isn’t working with major label assets by any means here, but he’s nevertheless turning in something that feels wholly compelling and different from what his contemporaries are producing in this first half of 2024, and that alone makes it a worthwhile listen for anyone who demands organic quality in rock anymore. Top to bottom, this is a terrific listen for those who love indie riffs and smoldering lyrical emissions.
Sebastian Cole
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