Music
Megan Thee Stallion Claims Tory Lanez Tried To Pay Her To Keep Quiet After He Shot Her
Getty Image ‘I can’t believe you even think I want to take some money. Like, you just shot me.’ …

It has been an up-and-down year for Megan Thee Stallion. “WAP” is the biggest hit of her career, but Tory Lanez allegedly shot her. She has spoken out against him on multiple occasions in recent months, and now she has done so again in a new GQ profile.
Inside the exuberant and empowering rise of @theestallion—the irreverent and magnetic rap sensation who’s here to stay https://t.co/240uzdymxq #GQMOTY pic.twitter.com/IGjKNl2I23
— GQ Magazine (@GQMagazine) November 16, 2020
In the story, Meg said that Lanez tried to pay her to keep quiet about the shooting:
“Like, I never put my hands on nobody. I barely even said anything to the man who shot me when I was walking away. We were literally like five minutes away from the house. […] [At this point] I’m really scared, because this is like right in the middle of all the protesting. Police are just killing everybody for no reason, and I’m thinking, ‘I can’t believe you even think I want to take some money. Like, you just shot me.’”
The piece then notes, “A lawyer for Lanez denied that the rapper offered Megan and her friend money.”
Last month, Lanez proclaimed his innocence on social media, and Meg offered a direct response, tweeting, “This n**** genuinely crazy.” Meg also previously claimed that Lanez tried to apologize to her over text after the shooting.
Read the full GQ feature here.
Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
Album Review
“Definition” by Elysian Fields paints a bold portrait of life and emotion (album)
Elysian Fields returns with their album, “Definition,” a journey through rock and pop textures grounded in strong songwriting and emotional clarity. James Shumway and Mark Roos are the main songwriters, with Roos on guitar and Shumway on keyboards. Kerri Murray’s soaring vocals, Dale Sandberg’s bass, and Jeff Francom’s drums are on all tracks, and producer Cliff Maag helped shape the recording of the album into a clean, powerful sound.
The album opens with “When The Days Get Hot,” a song that sets the tone for the album and a long, tense period in life where energy and thoughtfulness are intertwined. With a steady beat and warm instrumentation, “No Matter What” is a song about loyalty and emotional strength, while “My Fantasy” is more dreamy and has a softer way of expressing desire and imagination. “Here You Come Here I Go” explores push-pull relationships with sharp guitar lines and vocal contrast.
“Staying With You” picks up the pace and emphasizes commitment and human connection, and the next track, “Shattered Lives,” delves into a darker emotional space, dealing with loss and recovery. “Eternal Flame” grows in intensity and passion to flaunt the band’s ability to merge rock emotion and pop lift. The layered and flowing sound of “Waves” is inspired by nature and evokes a sense of movement and change, while “Desert Sky” produces vast, rolling sounds that suggest both despair and positivity. “Take My Hand” is a plea for help and for faith, and “Hillary’s Lullaby” is a soft, personal moment on the record.
The record ends on a high note with the last track, “Wings to Fly,” which has themes of freedom and new beginnings. “Definition” is a comprehensive emotional statement for Elysian Fields as the album spans the human experience from love and dreams to loss and renewal. Each arrangement is a fine balance of rock drive and pop melody, giving the album a timeless quality. The sound of Elysian Fields feels honest, bold, and deeply human throughout the album.
Album Review
LAOR delivers “ÊMOONÀ,” a sacred ceremony of faith, light and remembrance (album)
LAOR is back with a deeply personal, spiritual body of work, “ÊMOONÀ.” It is a 51-minute acoustic folk album presented as a ceremony. The project is a guided ritual of original and chosen medicine songs, and LAOR creates a shared space of presence, remembrance, and emotional clarity over its 11 tracks.
“ÊMOONÀ” is derived from the Hebrew word “Emunah,” which means faith, and the moon as a guiding presence. LAOR re-codes it into a new word that stands for love, light, and remembrance. The album opens with “Great Eagle” feat. Abuela Maria Valdivia Wakantitlan, a broad, grounding invocation that feels ancestral and protective. “Minha Estrela Guia” is a soft navigational, like following a quiet inner light, while “I AM” goes within and finds itself by stillness and awareness.
The name “Cainã” evokes an earthy, grounded feeling, rooted in human roots and belonging. The title track “ÊMOONÀ” feat. Sagiv Cohen is the core of the journey, blending faith and lunar symbolism into a unified sound of trust and flow. The “Indio Mensageiro” is presented as a messenger of messages at a distance and of spirit, and “Ay Aguita” is flowing, full of cleansing energy and catharsis.
“Breath” slows everything into a pure presence and awareness of life itself, and “Niftach” is an opening, a symbol of freedom and new beginnings. “HoduLeyah” has a devotional feel to it, of gratitude and quiet strength, while “I Ask My Father” is a personal prayer of longing and surrender. The album ends with “Eu Peço A meu Pai,” which carries into reflection, leaving space for silence and inner listening. The project is described as a gift from a global human family, “a gift of moments of connection across cultures and spirit.”
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