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Album Review

Monochrome Midnight Traveller shares a new EP “Reality Spaces”

Monochrome Midnight Traveller introduces their latest EP, “Reality Spaces.” Seamlessly fusing evocative audio with captivating visuals, this electronic duo takes listeners on a transcendental journey through urban nights and ethereal dreams.

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With a penchant for crafting immersive audiovisual experiences, Monochrome Midnight Traveller presents a unique proposition in the electronic music landscape. “Reality Spaces” serves as a testament to their ability to meld atmospheric soundscapes with striking black-and-white imagery, delivering an unparalleled multi-sensory encounter that submerges the audience into the artist’s visionary universe.

Read More: It’s Midnight continues to go strong with “Show Me”

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The EP’s opening track, “MMT – Spaces,” is a breathtaking blend of minimalistic breakbeat and ambient electronica. A gentle sub-bass carries the listener through the track’s shifting dynamics, accompanied by hauntingly majestic synth motifs. As the music unfolds, memories of moonlit adventures come rushing back, wrapped in an aura of introspection and nostalgia.

Diving deeper into the ethereal tapestry, “MMT – Reality” seamlessly intertwines themes of reality and illusion, seamlessly blending elements of trip-hop and dubstep. This track envelops the listener in a hypnotic sonic embrace, conjuring a sense of wonder as its downtempo cadence unfurls. A masterful fusion of mainstream appeal and experimental tendencies, “Reality” serves as a testament to Monochrome Midnight Traveller’s genre-defying approach.

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“Reality Spaces” is a testament to Monochrome Midnight Traveller’s ability to craft music transcending conventional boundaries. With a total runtime of 9 minutes, these two tracks navigate the contours of the night, offering a profound sonic excursion that resonates long after the music fades.

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Album Review

Music Review: HeIsTheArtist’s “Sympathy Sonata (Rock Rhapsody)”

Contemporary Christian R&B artist HeIsTheArtist is making waves yet again with his new jazz-rock single, “Sympathy Sonata (Rock Rhapsody).” Scheduled to be released on May 24th, 2024, the track is a part of his upcoming rock album set for release later this year.

HeIsTheArtist, renowned for his unique melding of Christian R&B with modern melodies and rhythms, continues to delve deeper into his craft with this single. Inspired by the legendary Queen song “Bohemian Rhapsody,” “Sympathy Sonata (Rock Rhapsody)” explores self-reflection themes and the conflict between self-pity and the need for personal growth and healing.

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From the opening lines, the song is suffused with raw emotion. It resonates with the listener’s profound lyrical depth, drawing from the melancholic line “I’m just a poor boy, I need no sympathy” from Queen’s masterpiece.

The lyrics reflect a day in the life of someone wrestling with internal struggles – a universal experience made even more relatable through the artist’s venturous exploration of his sound. The song encapsulates the spectrum of human emotion, from sorrow and frustration to fatigue and resilience.

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HeIsTheArtist’s vocal delivery is both powerful and sensitive. The pitch and tone convey the song’s core sentiment, making each word feel personal and affecting.

In an interview, HeIsTheArtist revealed that this song is intended to promote self-reflection in listeners, especially during times when falling into a state of self-pity seems easier than facing the problem and healing from it. This intention is beautifully captured throughout the track.

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His commitment to maintaining his faith’s message is revealed in his music, giving it an additional layer of depth and making it a source of strength and solace for many listeners.

“Sympathy Sonata (Rock Rhapsody)” is a testament to HeIsTheArtist’s continued growth as an artist and his exploration of broader musical themes while remaining grounded in his Christian roots. The upcoming release of his full-length rock EP, as hinted by the artist, will undoubtedly continue this trend.

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In a world where superficiality often dominates, HeIsTheArtist’s earnest exploration of human emotion and spiritual themes serves as a breath of fresh air. His music reaches out, offering understanding and solace in turbulent times. “Sympathy Sonata (Rock Rhapsody)” is a splendid addition to his discography and an exciting hint at what’s to come in his forthcoming rock album.

For more on HeIsTheArtist and his music, visit his website at [www.artistecard.com/heistheartist](http://www.artistecard.com/heistheartist)

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Album Review

Stephanie Bettman’s Latest Single “Beautiful Day”

You don’t have to be the biggest folk-rock fan around to appreciate the depth of emotionality in Stephanie Bettman’s new solo single “Beautiful Day,” as its plethora of melodies give us everything that listeners need to know in its running time. Like the other songs found in her growing discography, “Beautiful Day” sees Bettman experimenting with palatable pop sounds, blending influences from the folk spectrum whilst providing us with a familiar rhythm that doesn’t get flimsy by the second stanza. It’s among the more straightforward singles that I’ve heard in the last month, but if you’ve got an ear for toned songcraft, you’d be seriously pressed to find another track like this one.

The instrumentation is telling us a story all its own in “Beautiful Day,” and I think that, were it not presented in such high-definition clarity, this single probably wouldn’t be as engaging as it is in this form. Bettman is a very talented singer, but the soundscape that she uses as a sonic canvas to apply her acrylic vocal textures is quintessential to getting her point across here. There’s something to be said about the players that she’s gathered together for her backing band, and I hope that they continue to work together as she creates a full-length album with this song’s emotive template at the foundation of every composition. There’s a wholesomeness here you don’t find very often anymore, and I want to hear what it can produce with more creative breathing room.

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I am more than curious about what Stephanie Bettman would sound like in a live setting after hearing “Beautiful Day.” She’s got a fetching and rather approachable charisma in this song, and in many ways employs her microphone as a gateway into the storied past of 70s singer/songwriters. Bettman channels a lot of Joni and Melanie here, but even though she’s wearing her influences on her sleeve, her stylish musical persona isn’t rooted in the throwback/retro culture that has gotten a little tiresome in the last few years. It’s one thing to be inspired, but unlike some of the artists making big mainstream gains this spring, this is one singer who isn’t looking to live her life in a time machine.

I haven’t been able to put this song down since I first picked it up, and once you give “Beautiful Day” the chance to sink its hooks into your chest, I think that you’ll share my sentiments. It’s an intoxicating meld of old and new, both retro and surprisingly modern where it matters the most, and even taking into consideration its nonconformist design, it’s still more accessible than the more commercial folk/pop that you might have come across this season. Stephanie Bettman’s career is picking up a healthy amount of steam at the moment, and if this song gets into steady rotation on the college radio airwaves this summer, it’s going to be a lot harder for her competitors in the American underground to keep up with her momentum heading into the latter half of 2024.

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Gwen Waggoner 

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