Entertainment
Music Video for Animal Rights in the Final Screening at London’s Lift-Off Festival
Aria’s new single, “The Next Life” was chosen for its powerful animal right’s message.
Let’s raise environmental awareness at the famed Lift-Off Sessions!
Vote for my video “The Next Life” now!
1) Rent the festival’s collection at the link below https://checkout.liftoff.network/p3-lift-off-sessions…/
2) click here to vote https://liftoffnetwork.typeform.com/to/
DIMbXkJu#.
My animated video on animal rights is supported by EarthDay.org and is up for a screening at the famed Pinewood Studios in London.
Voting closes on July 21st.
Let’s spread awareness at the famed Lift-Off Sessions!
Create your Vimeo account and vote now to take “The Next Life” to the final screening at Pinewood Studios in London.
Just follow this link, rent the collection and vote for my video: https://vimeo.com/ondemand/liftoffjulysess22p3.
Voting closes on July 21st. Thank you so much.
FIND OUT MORE ABOUT “THE NEXT LIFE”
The video for “The Next Life” was created in support of EarthDay.org‘s initiatives to raise public awareness of pressing environmental issues, and for the rights of the most vulnerable living beings, animals.
“In order to avoid the trap of predictability with overly direct, colored images, which may have trivialized the video, I thought of doing something not too explicit, that strikes the listener by creating emotion in an almost subliminal way, in concert between music, text and images. I started from the idea of making animals inspired by the famous Cavandoli “line” (la linea) which, thanks to the essentiality of the stroke, and the originality of the character, have found world success, ensuring his rise to the Olympus of animated characters.”
“The Next Life” presents sad, emotional images, in tune with melodic lines in the style of spirituals and soul music, yet in the end you can see the awakening of nature, and therefore optimism prevails, in hopes that humankind will provide for nature.
The video of “The Next Life” therefore starts from an infinite line, outside of time, which represents the birth of the living beings of creation, and of the creation itself that hosts them. Within the video, I wanted to add some hints of color, with the aim of accentuating the concept of good and evil, notably red for blood and green for nature.
Connect with Aria
Website: https://www.ariamusicworld.com
Youtube: https://www.youtube.com/channel/UC2cfMHif9VHgOfgG0XPRw5Q
Spotify: https://open.spotify.com/artist/6lco834ehS7Dtha6bS7AUy
Instagram: https://www.instagram.com/ariathecomposer/
Facebook: https://www.facebook.com/ariathecomposer
Soundcloud: https://soundcloud.com/user-339669668
Entertainment
The Jonas Brothers Just Played Halftime At The NFL’s First-Ever Game In Australia
The NFL played its first-ever regular season game on Australian soil Friday, and the league handed the halftime slot to a band that knows a thing or two about stadium-sized nostalgia: the Jonas Brothers. At the Melbourne Cricket Ground, with the Los Angeles Rams and San Francisco 49ers on the field, the trio ran through a medley built for a crowd that grew up on them — “Burnin’ Up,” “Sucker,” “Year 3000,” and their new one, “Listen When Sad.”
They also did something no one was expecting: a cover of John Farnham’s “You’re the Voice,” the 1986 Australian anthem that’s basically a second national song at this point. It’s the kind of move that plays a lot better live in Melbourne than it would’ve on paper. “Playing at the iconic Melbourne Cricket Ground in front of such passionate Australian fans is an incredible honor,” the group said in a statement ahead of the show. “We can’t wait to be part of this historic moment and celebrate with everyone in the stadium and watching around the world.”
The game itself wasn’t close — the 49ers took it 27-7 — but the real story was everything happening around the field. Cody Simpson opened the day singing “Advance Australia Fair,” and the whole event doubled as a launchpad for the Jonas Brothers’ next act: “The Burning Up Tour All Over Again,” kicking off Sept. 25 and running through Dec. 22, a nod to the original Burnin’ Up Tour from nearly two decades back.
That throwback framing isn’t just marketing. “Listen When Sad,” which the band debuted live at Madison Square Garden before Melbourne, pulls from a very specific corner of their teenage years. “We’ve tapped back into a sound that was kind of the sound of the early 2000s,” Nick told the MSG crowd. “Bands like Switchfoot, Taking Back Sunday, Dashboard Confessional.” They’ve even re-teamed with the producer behind “A Little Bit Longer” and “Lines, Vines and Trying Times” to get it right. No album’s been announced yet, but between the halftime show and the tour, it’s clear they’re not easing into this one quietly.
Entertainment
Harry Styles Is Extending His Tour Into 2027 — And Finally Playing U.S. Stadiums Solo
Harry Styles just told fans that “Together, Together” isn’t done yet. He’s tacking on 25 more stadium dates through 2027 — and this time he’s finally doing something he’s never done before as a solo artist: headlining stadiums in the U.S. and Canada.
The new leg kicks off in Phoenix on April 2 and rolls through Dallas, Los Angeles, Toronto, Atlanta and Chicago before jumping to Europe for stops in Berlin, Paris, Madrid, Rome and Dublin, wrapping with three nights at Wembley Stadium on Aug. 28. Tickets run $60 to $300, but Styles is also rolling out something new: “Unpredictable Fun Tickets,” a batch of $20 seats (£20 or €20, depending on the market) meant to keep the tour accessible, alongside a returning partnership with EARNT that lets fans earn tickets by volunteering in their communities.
Styles broke the news the old-fashioned way, in a newsletter to fans, confirming these are the tour’s “final cities.” “After that, I don’t know what comes next for me,” he wrote, “but I know that I’m excited to find out.” Every stop gets its own opening act, and the lineup is genuinely wild — Kylie Minogue in LA, Tears For Fears in London, LCD Soundsystem in Rome, Lainey Wilson in Toronto, and Caroline Polachek in Paris, among others.
This caps a run that’s already made history: Styles picked up a Guinness World Record in June for the longest residency by a musician at Wembley Stadium, beating out Coldplay’s old mark. The tour is behind his fourth album, “Kiss All the Time. Disco, Occasionally.,” which debuted at No. 1 on both the Billboard 200 and the UK Albums Chart. If this really is the last lap, he’s making sure it’s the biggest one yet.
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