Electronic
Olivia Reid presents her latest EP, “TO BE NAMED BY THE PEOPLE” [Premiere]
Olivia Reid is back with her latest EP, “TO BE NAMED BY THE PEOPLE.” This 6-track masterpiece, clocking in at 21 minutes and 6 seconds, is a breathtaking fusion of electronic and indie-pop that pushes the boundaries of contemporary music.
In a world that often glosses over the nuances of human experience, Olivia Reid fearlessly delves into the complexities that define us. “TO BE NAMED BY THE PEOPLE” is a profound exploration of the multi-faceted nature of our feelings, where contrasting emotions coexist harmoniously.
The EP opens with “Runner’s High,” a sonic rollercoaster where exhaustion and adrenaline collide in a whirlwind of sound. Reid’s ethereal vocals and innovative production create an atmosphere that is both exhilarating and introspective.
“Wounds (Healing),” the EP’s second track, is a poignant meditation on pain and the transformative power of healing. Reid’s lyrics cut deep, touching the heart while her music soothes the soul.
“Central Park West” follows, a musical voyage through the juxtaposition of grief and joy. Reid’s ability to convey profound emotion through her music is nothing short of extraordinary.
As the EP progresses, “Nightmare Machine” explores the realm where dreams intermingle with unrest, inviting listeners to confront the shadows of their subconscious.
However, it’s with “Madness (Act I, II, + III)” that Olivia Reid truly shines. This three-part opus takes the listener on a gripping journey, from the brink of madness to the clarity that arises from embracing the chaos within. It’s a tour de force in storytelling through music.
“TO BE NAMED BY THE PEOPLE” is a demonstration of Olivia Reid’s artistry and her commitment to pushing the boundaries of her craft. Her willingness to delve into the depths of human emotion and translate it into music is a gift to us all.
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Album Review
Gitkin unveils an afro-latin blues with sonic psychedelia in his recent Album “Golden Age”
The undisputed king of modern cumbia and master of genre fusion, Brian J. Gitkin, unveils his latest 10-track masterpiece, “Golden Age,” released under Wonderwheel Recordings. This wordless sonic adventure transcends borders, featuring a guest appearance by multi-instrumentalist and producer Assaf Spector, delivering thrilling depths of Afro-Latin, desert rock, and blues with heavy doses of psychedelia. Rooted in the musical heartbeat of New Orleans, “Golden Age” offers a mesmerizing exploration of culture, rhythm, and electric guitar brilliance. This primarily instrumental experience enthralls audiences from start to finish.
Gitkin, a New Orleans-based multi-instrumentalist, channels the rhythmic soul of the Crescent City through the hypnotic twang of his signature Silvertone guitar. The album commences with the dynamic title track, “High Noon,” setting the tone for its adventurous spirit, a far-reaching sound exploration. Fans are treated to a dazzling mix of intoxicating African and Latin American influences, spiced with the desert rock of Mali and the electrified chicha style of Peru.
The second track, “Cumbia-ya,” exudes celebration with its infectious beats as the album continues to break boundaries with “Delta Mystic,” along with “Iced Coffee” and “Go Time,” the 5th composition featuring the expertise of Simon Moushabeck on the keyboard and Washington Duke on drums, which seamlessly blends jazz, funk, and Afro-American Mardi Gras roots into a jubilant groove.
Subsequently, “The One,” the eighth track, presents a hypnotic blend of classic Sudanese influences, Tuareg-style guitars, and Black Sabbath-inspired heaviness. The composition is propelled forward by a Giorgio Moroder-esque bassline, combining ’70s disco energy with soulful guitar motifs, showcasing Gitkin’s versatility and fearless approach to creating fresh, boundary-pushing music. The album’s standout track, “Tall Oaks Drive,” takes listeners on a cosmic ride with its psychedelic sitar riffs and melodic cinematic atmosphere reminiscent of a vintage spy thriller. The album concludes with the soul-stirring final track, “Golden Age,” providing a sense of closure and triumph.
Throughout “Golden Age,” Gitkin’s guitar melodies convey stories without words, evoking emotions of contemplation, joy, and spiritual upliftment. His ability to weave together global sounds with New Orleans’ rich musical heritage establishes him as a visionary in the global music scene. This album is essential for fans seeking adventurous, deeply reflective, and genre-defying sonic experiences.
For more information about Gitkin, please visit [website].
CLICK HERE TO STREAM Gitkin’s Album “Golden Age“ on Spotify.
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Artist Spotlight
Lira Bekbolatova shares a symphony of emotions with her debut EP “Sfumature d’Amore”
Lira Bekbolatova is thrilled to unveil her captivating debut EP, “Sfumature d’Amore (Shades of Love),” a stunning cinematic instrumental manifesto of love’s multifaceted nature and divine connectivity. Consisting of seven spellbinding compositions, each invites listeners to experience the profound spectrum of love in its most intimate and universal forms, ranging from passionate romance to selfless devotion.
It commences with the ethereal track “Eros,” Bekbolatova captures the intoxicating allure of romantic desire, skillfully merging euphoric moments with deeper emotional currents of intimate relationships. The EP then glides effortlessly into “Philia,” a soulful homage to the comforting bonds of friendship with a resonant theme of mutual respect, followed by “Storage,” an anthemic third track that offers a heartfelt tribute to familial love, celebrating the unconditional bond between parents and children. Each track unfolds an intricately designed musical landscape that transcends genre, exploring different shades of affection and human connection.
“Sfumature d’Amore” demonstrates Lira’s artistic versatility, echoing the theme of nurturing love in the serene fourth track, “Philautia,” a powerful ode to self-love and acceptance that inspires listeners to cultivate inner peace. Bekbolatova’s skillful composition offers moments of reflection and calm, reminding us of the importance of nurturing our relationship with ourselves. The EP further highlights “Pragma,” emphasizing the quiet strength of enduring commitment in long-term relationships; her artistry shines through in “Gaia,” a beautifully orchestrated ode that celebrates humanity’s profound connection with the natural world and the new facet of love shared.
The culminating experience with the stirring final composition, “Agape,” an enchanting exploration of the infinite nature of unconditional love, transcends personal desires and emphasizes spiritual devotion to the universe and divinity. With “Sfumature d’Amore,” Lira Bekbolatova establishes herself as an emerging artist in the music scene, creating a soundscape that positions her with a unique ability to blend emotional intimacy with sonic brilliance. This EP offers a must-listen experience for anyone seeking a deeper introspective charm, making it a valuable addition to any playlist.
For more information about Lira Bekbolatova, please visit [website].
CLICK HERE TO STREAM Lira Bekbolatova’s EP “Sfumature d’Amore“ on Spotify.
CONNECT WITH Lira Bekbolatova | Instagram | Facebook |
