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R-Mean, Method Man, & Kabaka Pyramid Call Out The Clowns On “Circus”
R-Mean has been dropping some heat all throughout 2020 and today, he came through with yet another banger, this time featuring the likes of hip-hop legend Method Man and raggae artist Kabaka Pyramid. Even Scott Storch is involved with this song as he takes on the production duties here.
With this new track called “Circus,” R-Mean and company are looking to call out some of the “clowns” that have been infiltrating the genre over the last few years. R-Mean does this by delivering some hard-hitting bars about the bizarre behavior that goes on in the rap game, all while paying homage to some of his greatest influences. Early on in the song, R-Mean shouts out the likes of Drake, Diddy, Jay-Z, Eminem, and 50 Cent, which helps provide a contrast between the “clowns” we should ignore, and the greats we need to prop up. Meanwhile, Method Man comes through with a dope verse, all while Kabaka Pyramid’s hook lends a unique twist to the song. As R-Mean explained, the song was a dream to put together.
“Working with Method Man is a real dream come true. I’m the biggest Wu-Tang fan and coming up, Meth was always one of my all time favorite rappers. He started showing me lotta love when I met him several years back, and through DJ Mathematics I was honored to be featured on the latest Wu-Tang album 2017’s “The Saga Continues” on a song called “G’d Up” with Meth,” R-Mean told HNHH.”This time he blessed me on my own track. When we did the beat in the studio with Scott Storch I instantly felt “Distant Relatives” vibes so I hit up my man Kabaka Pyramid, who’s one of my favorite reggae artists and he’s also signed to Damian Marley. Once he blessed the track I sent it to Meth, who never asked for anything, he just sent it right back without me even having to follow up or keep bugging him.”
Stream the track below, and let us know what you think in the comments.
Quotable Lyrics:
Sometimes I feel like I’m Eminem when he turned to Shady
And started calling out everyone who is fucking fugazi
Sometimes I feel like I’m Jay, sometimes I feel like I’m Diddy
Sometimes I feel like I’m Drake, just trying to get to that Billi
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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