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Artist Spotlight

Red Gazelle Trio New Track Released – Stargazing

Red Gazelle Trio was founded in 2014 and their debut album Udkig was released in 2018. They played countless concerts in the Copenhagen area and are steady participants at the Vinter-jazz & CPH jazz festival. They released their music video Stay Crispy in 2020 with support from DPA (Danish Popular Auteurs Association).

On Red Gazelle Trio’s new album, the listener journeys through floating poetic jazz and enticing grooves. Binding the album together is an emphasis on captivating melodies which is always a point of departure for the music.

A stark contrast to this is the track Stargazing where a sweet melody evolves into a dancing African groove filled with hope. The music occasionally shifts from its laid-back and understated Nordic jazz roots to reveal a colliding temper.

The Copenhagen based trio by Kristoffer Vejslev (electric guitar), Peter Price (double bass) and Simon Forchhammer (drums) is one of the most promising upcoming bands on the Nordic contemporary jazz scene. The Covid-19 pandemic has had a major influence on the trio and their music. “Stargazing” is composed during lockdown, and is a mellow track full of depth, a sweet melody, and soothing storytelling. Red Gazelle Trio is a strong trio with obvious qualities, and hope the music fits your music taste.

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Honk Magazine Feedback: He provided needed files to do an analysis and his track “Stargazing” is melodious to dance. We will share it for others to make comments.

Red Gazelle Trio works best on Modern jazz Contemporary, & Creative.

Available on Spotify, & Young talents.

 

Spotify: https://open.spotify.com/artist/12ByUe57p6VbjmeUn05Lpd?si=gtpQyaf2T4qaT27YIogUiQ

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Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

Amanda Holley

“NO MORE carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

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Photo Credit: Yulia Shusharina

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