Music
See Your Shadow Produces Another Hit with Latest “Whatever On the Rocks”
Songwriters Michael Coleman and J. Richard Murray otherwise known as See Your Shadow have delivered us their latest single Whatever On The Rocks. A country song by any other means, but also something slightly different. Whatever On The Rocks is a veer from See Your Shadow‘s typical thematic approach in that it is more open to interpretation than previous pieces. The illustrious use of metaphor in this track took me a little off-guard as I was expecting a more traditional country song infused with spiritual connotations resulting in the quintessential topics See Your Shadow usually explores. Now, I may be completely off track with this interpretation, but this is my privilege of being an unbiased reviewer. I feel this track is about acceptance, about understanding that everybody has their own unique pain, and demons they are wrestling with. Whatever On The Rocks thus becomes a metaphor for giving people anything they require to ease their burdens and cope with the pain regardless of faith, conditions, or beliefs. If I am on to something here, I have found a newfound appreciation for the power of songwriting, as this theme is not so very present, but a lingering impression left long after the song has been consumed. The performance as well leads to this acceptance theme as each cadence is resolved on the downbeat with a lower vocal articulation. This method of singing lends to the emotive display of finality and less to the possibility of challenging the overall status quo. By staying true to the country music archetype of alcohol for pain relief, yet offering ambiguity to what is in the glass, See Your Shadow has in turn taken a simple archetype and turned it around into a complex emotive piece of art worthy of this discussion.
Whatever On The Rocks is a great contemporary Country song with hints of traditional elements. The production of this track is well-executed, the vocals are crisp and clear while the melodic form which takes up the majority of the instrumentation contrasts the vocals with ease. I feel this track could have used some more bottom end to help push the groove as Whatever On The Rocks plays more in the treble range of the frequency band. This is not a bad thing, as this song does possess an uplifting presence and the choice to not push a main funk helps keep the feeling and power of this track as an inspirative piece. Of course, like everything else See Your Shadow produces, the commercial aspects are always present. A hit single by any other means, perfect for Country, Middle-Of-The-Road, or Adult Contemporary radio formats. The singing, musical performance, and phrasing of the choruses give Whatever On The Rocks a sure replayable aspect, and hopefully, give you the listener a new meaning with each listen.
Artist Spotlight
“Hell has frozen over” finds Sarina choosing peace over being understood
Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.
“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.
Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.
“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.
Photo Credit: Andrea Hunter
Artist Spotlight
Girlhood finds summer warmth and quiet freedom on “Lemon Aid”
“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.
Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.
The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.
The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.
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