Entertainment

Jen Ash’s “Trouble” is Worthy of All Accolades

The latest single from Jen Ash has been circulating for a little over a month now and is demonstrating traction in the RnB field as critics, fans, and newcomers are flocking to this track which is a tribute to the late Amy Winehouse. My first impressions of this release are that the vocals really match the song. With an abundance of clever instrumentation, the vocals maintain a perfect symmetry to the melodic form staying comfortably in the frequency range the track is allotted to. Although this is a classic RnB style track, fused with the typical elements and changes that make this genre recognizable, Trouble exhibits a lean toward Gospel, Pop, and Soul. With these sub-genre roots, Trouble incorporates an exciting choice of organ pedal chords to compliment the piano lines while the saxophone samples carry the main melody. However, as stated by Jen Ash, “The song is so jazzy and bluesy. it takes me back in time. The saxophone adds another dimension to the song, where I feel like I’m immersed in a 50/60’s black and white movie.” This nostalgic feel is contrasted by a very modern vibe allowing this piece to resonate with a contemporary audience. Trouble doesn’t really like to experiment with timing and tempo changes that separate the chorus from the verse, this hinders the impact of the main hook this song really wants to push through. This step back from the punchiness allows listeners to get caught up in the jazzy and blues feel that permeates past Pop RnB. What we get is a vibe that captures the audience and sucks them into the track making it more wholesome and vibrant.

Trouble would be an excellent addition to any Urban, Pop, Adult Contemporary, and RnB commercial radio playlist. This track would also be a great fit for any club setting, as the main groove and the bottom end pushes through the main melody to elicit a dance response from the listener. Every aspect of the production has been meticulously fawned over, as each instrument is allowed its place within the frequency spectrum, yet blended together allowing for a full and competent mix. Trouble is a very enjoyable track, and worthy of the accolades it is receiving. As a follow-up to her other singles; No Other Lover, and I Am Dreaming Of You, Trouble is a perfect addition to Jen Ash’s growing catalog of up-and-coming hits. As a fitting tribute to the great Amy Winehouse, Trouble offers metaphor and symbolism that captures the essence of Amy’s music and the impact she had on her fans.

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The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Marsha Bartenetti reinvents in her own style “New York Minute”

Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.

The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.

“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.

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