Music

Singer Lyn Lapid returns with new anthemic single “Infinite”

Following recent co-signs from Billie Eilish, BTS’ Jungkook, and Sabrina Carpenter, singer/songwriter Lyn Lapid is back with her new feel-good single, “Infinite”—listen HERE!

The euphoric song features the 18-year-old’s signature ethereal vocals layered over bouncy guitar plucks. Inspired by the iconic “And in this moment, I swear, we are infinite” final scene in The Perks of Being a Wallflower, Lyn sings, “Dancin’ in the rain 3am, Thinkin’ that we might be dreaming, Knowin’ that it’s in this moment, We are infinite.”

Of the meaning behind “Infinite,” she says, “I feel like there’s so much pressure not to waste your teenage years as you so often hear that they will be the best years of your life. I wrote ‘Infinite’ more so as a question to myself, asking if I was wasting my own youth. The song begins with me simply asking how to be you yourself, because in a time where social media romanticizes youth, independence, and telling you what you should and shouldn’t be, it can be difficult to figure yourself out.”

She continues, “The chorus then represents what you see on social media; friends going on adventures, driving super fast on the highway, and dancing in the rain at 3 a.m., and how what you see on social media can make you feel like you’re ‘missing out’ if you’re not doing the same things. I took the ending line of the movie The Perks of Being a Wallflower, ‘And in this moment, I swear, we are infinite,’ and made it the last line of the chorus to illuminate that sense of euphoria.”

“The second verse is about feeling hesitant or afraid to let go and live as the ‘main character’ after being used to living a quiet and complacent life for so long. But then I end the song saying how I will try to start living less afraid and ‘vigilantly in time,’ which I feel a bunch of people will resonate with. I wanted to end the song on a positive note, encouraging people to live their own lives, in whatever way that means for them,” she says.

“Infinite” follows Lyn’s debut singles, “Itsy Bitsy” and “Producer Man,” as well as her recently-released cover of Sarah McLachlan’s “When She Loved Me.” In addition to critical acclaim from Rolling Stone, E! Online, Refinery29, Buzzfeed, and more, Lyn recently found fans in Billie Eilish (who commented “this is so beautiful” on her cover of “Your Power”), Jungkook from BTS (who added “Producer Man” to his “Favorite Tracks” playlist on Spotify), and Sabrina Carpenter (who commented on her TikTok teasing “Infinite”). With only three released songs in her catalogue, Lyn has already amassed over 53 million global streams to date.

Lyn Lapid has affirmed herself as a star on the rise for 2021. Her 2020 debut single, “Producer Man,” emerged as “the most-viewed unreleased demo on a TikTok video in 2020.” The song morphed from a viral TikTok clip into a phenomenon, as the original demo eclipsed over 70 million views and 8 million likes on the app. To date, the official release—produced by Dan Nigro [Olivia Rodrigo, Conan Gray, Carly Rae Jepsen, Lewis Capaldi, Sky Ferreira, Empress Of]—has racked up over 44 million global streams and 6 million YouTube views. Attracting widespread tastemaker praise, Rolling Stone claimed, “The fully produced version evokes early Nineties coffee-house soul gussied up with modern drum programming and ghostly electronic harmonies,” while Idolator rightfully predicted it “is certain to make big waves.”

Stay tuned for more new music to come from Lyn Lapid this summer.

ABOUT LYN LAPID

A classically trained musician, unpredictable vocal dynamo and fearless genre-breaker, Lyn Lapid asserts herself as an individual through and through. At 18-years-old, the singer, songwriter, multi-instrumentalist, and member of vocal collective EARCANDY has unassumingly emerged as an unapologetic and undeniable voice for her generation. In 2018, Lyn posted a ukulele and vocal cover of “Best Part” by Daniel Caesar and H.E.R. on YouTube. She went on to deliver D.I.Y. YouTube renditions of everyone from Ariana Grande and Sabrina Claudio to Edith Piaf and Sarah McLachlan, amassing 34 million-plus views and counting on her channel. In late 2019, Lyn launched her TikTok page, building an audience of 3.8 million followers at a rapid pace. Meanwhile, a snippet of her first original, “Producer Man,” exploded. Gathering over 70 million views and 8 million likes thus far, it emerged as “the most-viewed unreleased demo on a TikTok video in 2020.”

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Album Review

Jangus Kangus shatters melodic boundaries with her debut album “Fortune Cookie”

Jangus Kangus, the intriguing musical force helmed by Jasmine Sankaran, has just cracked open her most audacious project to date, “Fortune Cookie,” an album that intricately weaves genre fluidity and emotional resonances. This collection of eight tracks serves as both a sonic manifesto and a significant milestone in contemporary indie-pop, characterized by unvarnished lyricism and engaging, jangly hooks.

The album commences with “You Only Love Me When,” a seemingly serene acoustic-pop track that establishes the thematic groundwork for a narrative exploration of desires, internal conflicts, and acts of defiance. It poignantly laments love that manifests only through revealed strength, portraying love as a timeless entity, even when entangled with the vices of broken individuals intoxicated by addictive substances. After this introduction, Kangus transitions into the introspective “Double Lives,” a shimmering soul-infused piece that methodically dissects the paradoxes inherent in love and the subdued anguish that frequently accompanies the double lives.

Progressing to “No Future In This,” the album’s melancholic yet assertive dive into romantic realism presents bold lyrical insights. This sentiment escalates into the heartbreak elegy “Our Love Is Dead,” here, rhythmic piano chords evoke a mournful grace that encapsulates the heaviness of lost love, distrust, and betrayal. The track underscores the necessity of relinquishing specific attachments to pivot away from unsafe circumstances, echoing the fortune teller’s chilling proclamation: our love is, indeed, dead. Then comes the wild card “Janakita Kirakita,” an intoxicating burst of sonic dynamism and gleeful experimental composition that injects curiosity and electric charm into the auditory tapestry, boldly challenging convention with every note.

Listeners will find “Goldilocks” particularly captivating; this genre-defying number draws from stylistic influences reminiscent of St. Vincent and The Smiths, skillfully merging nostalgia with contemporary innovation. It conveys an urgent yearning to reclaim lost love during periods of solitude. The penultimate track, “Honeymooners in Venice,” narrates a cinematic experience rich in post-modern nuances. Finally, the concluding piece, “High Rise,” offers a deep plunge into Sankaran’s introspections, leaving a reverberating and haunting impact.

Meticulously crafted with the dexterity of a seasoned lyricist and the fervor of a punk priestess, “Fortune Cookie” commands attention as a contemporary coming-of-age narrative rich with lo-fi grit and artistic ambition, all presented through a unique lens.

Featuring an outstanding lineup that highlights the intricate interplay of Steph Anderson on keys and backing vocals, Antonio White on lead guitar, Dan Perdomo on drums, and Ryan Kellis on bass, Jangus Kangus delivers a performance that harmonizes technical proficiency with emotional transcendence. The music constitutes a distinctive addition to diverse playlists, serving as an ideal backdrop for a heartbreak soundtrack or late-night contemplation, thereby ensuring its relevance and recurrence among discerning audiences.

CLICK HERE TO STREAM Jangus Kangus’s Album “Fortune Cookie“ on Spotify.
CONNECT WITH Jangus Kangus | Instagram | Facebook |

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Artist Spotlight

Kayla Marque lights a fire with “Slow Burn”

Kayla Marque has returned with a new single, “Slow Burn,” a simmering, soul-passionate affair that holds you well past when the last notes die out. True to her endlessly evolving artistry, Marque serves up something future-facing and thoughtful, stitching together a grunge-adjacent bassline with ethereal melodies and haunting vocal dynamics.

Right from the outset, “Slow Burn” sucks you into its smoky milieu. The measured bassline sounds plucked from the ‘90s alt-rock golden age and dunked in modern, velvety skin. But Marque’s voice brings center stage, fluent, forceful, and emotionally detailed. She doesn’t only sing; she tells stories, whispers, and wails, and her approach lends the music an astonishing contrast between restraint and release.

As the song progresses, there’s something undeniably mesmerizing about how the instrumentation interacts with the vocals. The melodies shimmer like heat off the pavement, entrapping listeners in a hypnotic haze that feels at once intimate and cinematic. Marque displays not only her vocal range but also her emotional depth. Every note feels deliberate, and every word feels lived-in.

What’s so exciting about “Slow Burn” is how it feels like another chapter in a broader story. Kayla Marque has consistently refused to settle into a single groove, and this track demonstrates that she’s continuing to push limits and defy expectations. There’s a rawness here, an audacity that doesn’t plead for attention but commands it regardless. It’s a song that reveals more textures and emotions after every listen. “Slow Burn” is a vibe, a feeling, a statement. It’s another step in Kayla Marque’s evolution as an artist, and if this is what’s to come, we’re in for something special.

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