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Artist Spotlight

“Slippin’ Away”: A Heartfelt Blues Ballad Echoing Love and Loss

Miss Freddye, Pittsburgh’s cherished “Lady of the Blues,” delivers a soul-stirring performance with her latest single, “Slippin’ Away.” This poignant blues ballad, originally penned by the late Mike Lyzenga, serves as a touching homage to love that once was but now fades into the distance. The song’s evocative lyrics capture the raw emotion of heartache, and Miss Freddye’s powerful, emotive voice ensures that every word resonates deeply with the listener.

From the very first note, the listener is enveloped in a rich, melancholic atmosphere. The guitar, played by Mike Huston, gently weeps in tandem with Miss Freddye’s vocals, while Jeff Conner’s keys add a haunting depth to the composition. The rhythm section, anchored by Greg Sejko on bass and Bob Dicola on drums, provides a steady heartbeat, underscoring the song’s theme of inevitable loss.

Lyrically, “Slippin’ Away” is a masterclass in simplicity and emotion. The repetition of the phrase “Do you feel our love…slippin’ away” drives home the painful reality of a relationship slipping through the cracks. The lyrical narrative is universal, yet Miss Freddye’s delivery makes it intensely personal. Her voice, full of both strength and vulnerability, takes the listener on a journey through the stages of grief, from disbelief to resignation.

The production, handled by Miss Freddye herself, is as meticulous as it is heartfelt. The mix is clean, allowing each instrument to breathe while keeping the focus squarely on the vocals. The recording at Red Caiman Media captures the intimacy of the performance, making the listener feel as though they are in the room with the band.

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For those who wish to explore deeper, **Nina Simone’s “Pastel Blues”** (1965) offers a more complex and equally haunting exploration of the blues. This album is a masterwork of emotional expression, with Simone’s piano and vocal performances capturing the essence of pain, love, and loss in a way that is both profound and enduring.

Miss Freddye’s “Slippin’ Away” is a beautifully crafted blues ballad that resonates with emotional depth and authenticity. Her tribute to Mike Lyzenga is a testament to her ability to convey profound emotions through music, making this single a must-listen for blues aficionados and new listeners alike.

–Steve Lanson

Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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