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WAJI Fearlessly Confronts Toxic Relationships Head On In Empowering Single “BMH”

“BMH” tells a heartfelt story of liberation from an abusive relationship with cascading pop instrumentation and a passionately anthemic chorus. 

Alt-pop singer-songwriter WAJI makes a splash with their newest single, “BMH,” out January 19th. This track is a moment for the artist in which they poured their most vulnerable emotions from a beyond-challenging hardship into their art. For WAJI, this was one of their main ways of coping through an emotionally abusive relationship in which they felt more pain than pleasure. This track layers airy fingerpicking with a punchy beat, creating a breezy soundscape with an edge. The somber delivery in WAJI’s smooth vocal blossoms into a beautifully anthemic chorus built upon an empowering moment of recognition for the wrong-doings of their former lover. WAJI finds inspiration in Nigerian artists like 2Baba and Asa, who approach their songs with freshness and charisma; listeners can expect the same electric attitude from WAJI on “BMH.”

Ima Ikuru, the artist behind WAJI, took a unique perspective when writing “BMH.” While the artist struggled in the midst of a painful hardship, unable to find the strength to break away from their relationship, they channeled their grief into a character with the power to take control. In collaboration with producer Don Ozi, WAJI managed to capture an empowering heartbreak anthem gearing towards a better future. “I had just left my partner’s place and was in the middle of one of my breakup fantasies,” they recall, “when Don Ozi sent me this beat, I didn’t even have to think about it, I just sat there and poured my heart out.” Featuring lyrics in Nigerian pidgin English, WAJI led the songwriting while Don Ozi took charge of the production. WAJI conveys in BMH that no matter how brave or strong, making the choice to end a relationship can be tough for anyone. As the beat switches up in the second verse, feelings of anxiety and apprehension come to fruition in lyrics like, “don’t wanna be here beside you, don’t wanna love anybody besides you.” For WAJI, “this song eventually inspired [them] to leave, and [they] hope the vulnerability of the lyrics can inspire other trapped individuals to be strong enough to set themselves free.”

Listeners can stream “BMH” on all major streaming platforms January 19th. 

 

More about WAJI:

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WAJI is a colorful singer-songwriter known for their mesmerizing story telling abilities. Playful lyricism, catchy melodies, and relatable stories characterize the type of music listeners can expect from WAJI. Nigerian influences shine brightly through WAJI’s sound; artists like 2Baba and Asa are at the top of the list. They also gravitate towards artists like Bruno Mars and The Weeknd, who bring versatility, charisma, and confidence to their music. Having grown up in Port Harcourt, Nigeria, the now Georgia based artist made the transition to the U.S. to study mechanical engineering before diving into their music career. WAJI embraces the spotlight on every track as they deliver engaging melodies with creativity and playfulness. The songwriter channels their personal experiences into their music and offers a charming sincerity backed by a charming confidence. Despite their introverted nature, WAJI has no issue letting their personality and style shine through their music. Fans can expect new music from WAJI in 2022 while they excitedly anticipate the release of their upcoming EP.

Once in college, WAJI began exploring their personal identity and becoming more in touch with themselves than ever before. The social disapproval from their Nigerian peers made accepting the more intimate parts of themselves especially difficult; while life in the U.S. made it easier to live freely as their true self, the extreme cultural shift made it difficult for the artist to adjust. WAJI found themselves spending most of their day escaping reality through songwriting to cope with the burdens of frustration and isolation. The songwriter made the courageous decision to release one of the many stories they had stockpiled despite feelings of social anxiety and loneliness. Their first release on soundcloud, “Baby,” in 2019 was received a more than positive response from listeners. The artist joined MaxterMix Music Group Collective – a collaborative artist community – shortly after this release, and continued working to hone their craft with this newfound support system. For WAJI, they hope that listeners can find the same sense of freedom and release from their music that the artist feels while writing.

Artist Spotlight

Janiq blooms boldly on ‘Flowers and Fantasies’

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Janiq releases her new single, “Flowers and Fantasies,” a lush Pop-R&B cut that intertwines her UK-Caribbean heritage with such magical precision. It breaks the glucose level for once but is devastating. From the second the track starts, a magnetic pull of attraction draws you in that initial brushing of tips of fingers, that hushed secret in the dark.

Built on open synths, slinky melodies, and a rhythm that’s as sultry as it is smooth, “Flowers and Fantasies” is a track built for moonlit moments and slow-burning tension, exuding a confidence that’s intimate but never overwhelming. In 70 minutes, Janiq has you doubting and fearing everything. She understands the power of suggestion, and here, she exercises that power with the deftness of a maestro.

She navigates the precarious terrain between yearning and giving in, capturing the particular kind of magic of being completely in your desires. This is about permission, letting go, and drawing on the fearless and freeing type of emotional vulnerability. The fantasy is the embrace of all that is real, raw, and blooming below and above the surface. But what makes Janiq different is how she turns her dual identity into sound. There are hints of Caribbean warmth in her vocal cadence, an unmistakable UK polish in the production, but never at any point does it feel forced. She’s carving her own space in the genre, and it sounds fucking good.

With “Flowers and Fantasies,” Janiq provides a lush, tender, and intoxicating experience. It’s the kind of music that remains after the song has ended, like the lingering smell of perfume on a pillow or the fading echo of a late-night confession.

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As Pop and R&B twist and turn deeper into their next eras, Janiq demonstrates that there is still plenty of space for softness and sensuality, with strength blossoming just below the surface. It may be her most recent release, but if this is the sound of what’s to come, we’re more than eager for the bouquet.

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Artist Spotlight

Wabi Sabi turns shadows into soundscapes with hauntingly beautiful “Nightmares”

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Wabi Sabi is here to turn discomfort into comfort with their new single, “Nightmares.” At first listen, the track seems like a musical, fragile but disturbing, dreamy yet earthly. But that’s where the magic comes in. True to the title’s spirit, “Nightmares” travels an emotional terrain of the unknown, where the surreal borderlands of fear and wonder creep in slow time.

The song begins like a soft fog moving into a sleepy town, which is exactly what it should be. Picking up on a strange but gentle vibe, anxiety hums softly beneath warm, smiling faces. Wabi Sabi shades us into a world where nothing is quite as it seems. The production is lusciously spare, giving room for everything to breathe. Ethereal synth layers curl like vapor over textured, throbbing percussion, and a fragile vocal delivery leaves the listener feeling simultaneously naked and soothed.

It’s within that contradiction that “Nightmares” flourishes. Wabi Sabi channels the angst of acclimating to something new, a place, a feeling, or perhaps, a version of self, but also roots this discomfort in something perfectly welcoming. The track acts as a lullaby for the emo-enough displaced, a safe space in a world that feels manic and chaotic. Instead of heading toward melodrama or overproduction, “Wabi Sabi” is inward-focused. Every note seems deliberate, like a footfall in strange terrain. The lyrics are poetic and enigmatic, and although they don’t stray too far from cliché, they allow for interpretation. You’re not merely listening to the story but at its center.

“Nightmares” are less about fear than the human condition in which we orient ourselves in the strange and foreign, how we cope when our inner worlds have turned upside down. It’s meditative, a slow exhalation in a noisy room. With this release, Wabi Sabi crafts a simple song and a feeling. Like the villagers, who smiled big and warm despite the strangeness surrounding them, “Nightmares” asks how we can find beauty, even in the shadows.

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