Artist Spotlight
WAYNEWOOD: “ALWAYS KEEP THE MUSIC AT THE HIGHEST POSSIBLE LEVEL” (INTERVIEW)
Born in Alexandria, Louisiana. Waynewood is a vocalist, producer, guitarist, writer, and engineer. Waynewood is a mysterious artist and doesn’t show his face but it’s easy to spot his vocal once you’ve heard him on a few tracks. Waynewood brings a rock style vocal to many genres including hip-hop, but personally this is my favorite sound from him. His music may not be for everyone to enjoy or like but he acknowledges that. For the ones that do understand it, it hits home. We had the opportunity to interview Waynewood here is what he had to say.
1: Can you tell us a story about what brought you to this specific career path?
Waynewood– 3 years ago I was diagnosed with Schizophrenia then later Bipolar 1 with Psychotic features. Since the majority of Psychologists I visited where simply Psychiatrist pawns I decided to make the mic my Psychologist. I simply do music for own sanity.
2: Can you share the most interesting story that happened to you since you started this career?
Waynewood– I would say having my song Demon on My Chest on a #1 ABC show called “For Life” by 50 Cent. It was pretty wild hearing a song I wrote actually on mainstream television.
3: Can you share a story about the funniest mistake you made when you were first starting? Can you tell us what lesson you learned from that?
Waynewood– Trying to use auto tune to disguise my horrible voice or what I myself thought was horrible. I have to thank my fans for giving me the confidence to show more of my real vocal. If not for them I’d still be mostly robot lol.
4: What are some of the most interesting or exciting projects you are working on now?
Waynewood– I have folk project I’m producing and playing mostly real instruments on coming later in the year. Pretty excited about that one.
5: Who are some of the most interesting people you have interacted with? What was that like? Do you have any stories?
Waynewood– I Helped a fellow artist work with Tory Lanez on a song called Surrender by JavyDade. Tory took the money then went ghost when we needed clearance on the record. Beware he’s shady people you may think are interesting. I’ve also directly worked with Call Me Karizma, Lil Xan, and Love Ghost who were all extremely professional and interesting to work with. Shout out to them for making music not simply a business.
6: Which tips would you recommend to your colleagues in your industry to help them to thrive and not “burn out”?
Waynewood– To be honest… Say F$ck genres and make the music you feel at the time. Genres control creative thought and should not exist to the artist imo.
7: You have been blessed with success in a career path that can be challenging. Do you have any words of advice for others who may want to embark on this career path, but seem daunted by the prospect of failure?
Waynewood– Failing is part of growing. You must fail quickly to grow quickly. Trust your gut & create what you feel you should create. Sometimes my biggest failures are my biggest victories down the road. Do not let fear drive you, drive your fear until it does not exist.
8: Can you share with our readers any self-care routines, practices or treatments that you do to help your body, mind or heart to thrive? Kindly share a story or an example for each.
Waynewood– Creating Music heals my soul. Working out keeps my body strong & the thought of me actually existing helps me thrive. Think about it? What are the odds of actually existing? Not sure the exact number but it has to be much lower than winning the lottery.
9: What are your “5 things I wish someone told me when I first started” and why. Please share a story or example for each.
Waynewood– Nothing. I have to fail and do things my way until I understand what it is I’m doing in my own way. This is just the way I learn. I am a visual thinker so if I cannot see it in mind it’s tough to make it happen.
10: Can you please give us your favorite “Life Lesson Quote”? Can you share how that was relevant to you in your life?
Waynewood- My biological dad once called me when I was 13 and told me “you are just like my brother, I don’t like you but it is my job to call you” and my adopted dad told me “you won’t amount to anything unless you pick up a shovel” Those quotes may be negative but the drive me.
11: None of us are able to achieve success without some help along the way. Is there a particular person who you are grateful towards who helped get you to where you are? Can you share a story about that?
Waynewood- My grandmother for saving me as a young child. Without her I would not be here today.
12: You are a person of enormous influence. If you could start a movement that would bring the most amount of good to the most amount of people, what would that be? You never know what your idea can trigger. 🙂
Waynewood- The importance of personal freedom and liberty. People have to quit following bought and paid for ideas that control them. To be a true individual & creative you have to have your own thoughts and visions. Most of the so called creative I see on TV and Social just say the same things over and over so I know they are simply paid off actors not creative. I would urge people to support independent artists as much as possible.
13: We are very blessed that some of the biggest names in Business, VC funding, Sports, and Entertainment read this column. Is there a person in the world, or in the US whom you would love to have a private breakfast or lunch with, and why? He or she might see this. 🙂
Waynewood- Kanye West would be the only one just because I love how he speaks his mind rather than letting fear control his mouth. Even when I disagree with him I respect the bravery as it’s refreshing.
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Artist Spotlight
CircleKSK ignites an anime-metal collision on “UnBreakable Turn” ft. Anya J
On their exhilarating high-octane track “UnBreakable Turn,” CircleKSK and guest vocalist Anya J aim to combine the technical prowess of Nordic metal with the urgent melodies and dramatic flair of an anime opening sequence. Creating a cinematic and adrenaline-fueled tune with a melodic edge, CircleKSK has risen to prominence as an innovative act.
The deliberate fusion contributes to the single’s captivating nature. J-Pop and anime-song sensibilities contribute emotional hooks and sweeping, catchy lines; precision, dense riffs, and a sense of weight are brought by Nordic metal. Echoing the song’s vivid melodic contours, Anya J’s heroic and personal vocals and demeanor heighten the dramatic impact of the performance. The structure is based on the standard narrative progression: lively, evocative parts leading the way to more somber ones that ground the emotion.
The production relies on contrast so that lighter parts sparkle and heavier parts thud with satisfying force. As if CircleKSK were creating music for the eyes as well as the ears, this piece could serve as the score for a dramatic scene or the music for a violent montage. Not everything is surface-level, though; the emotional core remains. Anthemic and deeply personal, “UnBreakable Turn” combines the vigor of youth with the gravity of experience.
An assuredly inventive single that fearlessly asserts new territory, “UnBreakable Turn” by CircleKSK is sure to please fans of big, dramatic music that isn’t hesitant to mix sweetness and steel, as well as those who enjoy cross-cultural mashups. The single, which has been lauded by curators and tastemakers worldwide, is a strong statement about artists who fearlessly combine cultural genres, showing that passionate J-Pop melodies and intense Scandinavian metal can coexist in one unforgettable track.
Artist Spotlight
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Garth Adam‘s latest single, “Three Fires,” evokes a warm dialogue in a subdued studio that is intimate, contemplative, and subtly victorious. Adam candidly discusses the exhilaration of uncovering self-assurance in both himself and his songwriting, and this revelation serves as the driving force of the track. At its essence, “Three Fires” is a straightforward commemoration: the delight in transforming a modest idea into something extraordinary through patience.
Adam’s vocal style resides comfortably within a folk-influenced pop genre, which he characterizes as a blend of Neil Finn and The Lumineers, interspersed with elements reminiscent of Coldplay and James Blunt. The reference point is beneficial yet not confining; “Three Fires” represents Adam’s unique creation, an accessible, melodic composition that prioritizes artistry over novelty. The single, recorded in joyful sessions in Perth with long-time collaborator and producer Melvin Tree, exudes the warmth of musicians collaborating in a circle, with the vintage Studer analog desk imparting an analog glow to the final recording. Melvin, Dave Kelly, and a select group of skilled music students contribute backing vocals that enhance the track with harmony and impart a subtly communal, authentic quality.
The lyrics of the song emphasize Adam’s preferred motifs: travel, journeys, and the subtle transformations that occur during the voyage. However, it is not overly forceful; the songwriting is elegant, transitioning from observation to insight with effortless fluidity. Adam’s delivery conveys satisfaction; he is a songwriter who has witnessed minor concepts evolve into completed songs and has learned to trust that process.
“Three Fires” serves as a testament to the notion that skill and perseverance can transform a mere spark into something luminous. For aficionados of melodic songwriting with an analog essence, Garth Adam’s latest work is a comforting, exquisitely crafted ember to accompany one on their journey. It is a song that encourages repeated, soothing auditory experiences.
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