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T.I. Addresses The Drake Pee Bar On “We Did It Big”

T.I. recently dropped off his eleventh studio album The L.I.B.R.A, which served as a thorough reminder of his prowess behind the microphone. And though there was much to unpack across the star-studded twenty-track project, one particular bar on “We Did It Big” ultimately went on to cause quite the stir on social media. “While I’m fightin’ my own somehow got you home,” T.I. rapped, in heartfelt dedication to his late friend Terrance “Cap” Beasley. “So drunk in LA, end up pissin’ on Drake, shit / Fuck it, that’s still my brother since back in the trap house.”

Drake T.I. We Did It Big

Shareif Ziyadat / Contributor / Getty Images

Though hardly a diss, Drake didn’t exactly seem thrilled by the urine-soaked namedrop, who went on to unfollow Tip on Instagram. Some immediately felt that mentioning the infamous incident was disrespectful, with others went so far as to declare the bar to be a straight-up diss. In response, T.I. took a moment to reflect on the fallout during a conversation with Ebro Darden on Apple Music’s Rap Life.

“That’s the wildest sh*t I’ve ever seen before in my f*cking life,” says Tip, after Ebro addresses the diss track rumors. “You know what I’m saying? But that sh*t, I ain’t had no malicious intent. You know these blogs going to take it and flip it however. And then I just don’t see how that could ever be taken as a diss. I don’t see how that could be. That would be someone allowing their emotions to manipulate them if so.”

T.I. ft John Legend: “We Did It Big”

T.I. reveals that he actually moved to put John Legend on the hook following a suggestion from Rick Ross, who immediately conjured imagery of a “white piano and smoke.” Unfortunately, upon receiving the vocals from Legend, Tip learned that both John and his wife Chrissy Teigen had experienced a miscarriage. “I don’t know whether he did it before or during,” reflects T.I. “I don’t know. I just know that it made the record mean so much more to me. The fact that he chose to, I guess you could say, share that moment.”

Check out the full interview below, and be sure to go support The L.I.B.R.A right here.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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