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T.I. Addresses The Drake Pee Bar On “We Did It Big”

T.I. recently dropped off his eleventh studio album The L.I.B.R.A, which served as a thorough reminder of his prowess behind the microphone. And though there was much to unpack across the star-studded twenty-track project, one particular bar on “We Did It Big” ultimately went on to cause quite the stir on social media. “While I’m fightin’ my own somehow got you home,” T.I. rapped, in heartfelt dedication to his late friend Terrance “Cap” Beasley. “So drunk in LA, end up pissin’ on Drake, shit / Fuck it, that’s still my brother since back in the trap house.”

Drake T.I. We Did It Big

Shareif Ziyadat / Contributor / Getty Images

Though hardly a diss, Drake didn’t exactly seem thrilled by the urine-soaked namedrop, who went on to unfollow Tip on Instagram. Some immediately felt that mentioning the infamous incident was disrespectful, with others went so far as to declare the bar to be a straight-up diss. In response, T.I. took a moment to reflect on the fallout during a conversation with Ebro Darden on Apple Music’s Rap Life.

“That’s the wildest sh*t I’ve ever seen before in my f*cking life,” says Tip, after Ebro addresses the diss track rumors. “You know what I’m saying? But that sh*t, I ain’t had no malicious intent. You know these blogs going to take it and flip it however. And then I just don’t see how that could ever be taken as a diss. I don’t see how that could be. That would be someone allowing their emotions to manipulate them if so.”

T.I. ft John Legend: “We Did It Big”

T.I. reveals that he actually moved to put John Legend on the hook following a suggestion from Rick Ross, who immediately conjured imagery of a “white piano and smoke.” Unfortunately, upon receiving the vocals from Legend, Tip learned that both John and his wife Chrissy Teigen had experienced a miscarriage. “I don’t know whether he did it before or during,” reflects T.I. “I don’t know. I just know that it made the record mean so much more to me. The fact that he chose to, I guess you could say, share that moment.”

Check out the full interview below, and be sure to go support The L.I.B.R.A right here.

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Deaf Radio returning to a place that feels familiar but has changed on “No Place Like Home”

Deaf Radio offers a deeply affecting experience with “No Place Like Home,” a haunting meditation on grief, memory, and the enduring connection between family and place. Rather than a story of loss, the song invites listeners into the emotional experience of returning to a place that feels familiar but has changed.

It’s an open letter to the people, the moments that used to make home. It captures the unsettling experience of walking into a house where everything is still there, the clothes, the scents, the light streaming through the windows, but the person who gave those details meaning is gone. There is only a lingering ache that fills every room.

It’s a complex emotional journey that runs just under eight minutes in “No Place Like Home.” Its structure does not allow for repetition, each section uncovering another layer of feeling. The song begins with a hushed looping arpeggio and the striking line “your tough mother’s love”, immediately setting a deeply personal tone. From there, it spills out into spare, humane verses before exploding into ninety seconds of crushing guitars and feedback that feel like grief breaking through emotional constraint.

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