Artist Spotlight

Expressing Yourself and Pursuing Mental Peace in Floated’s New Video “Wild”

Opening with a hauntingly beautiful piano melody, the “Wild” music video visualizes a night in the life of Maine. “Floating around different moments of NYC in the twilight hours, experiencing life as it comes…” recounts Maine. “Wild” is about expressing yourself freely and openly. It is about pursuing mental peace, even if at the expense of others.”

Directed by Adam Kolodny (know for his work as the Director of Photography on all of the Japanese Breakfast Music Videos), the “Wild” music video perfectly encapsulates that feeling of losing yourself into the night as a cathartic practice. Against the visual backdrop of neon-lit empty club scenes, Maine’s musical and lyrical prowess is on full display showcasing lush arrangements that uniquely combine piano melodies with dancy electronic elements. “This song is about times when you’re feeling crazy, and you’re acting crazy…but when maybe that’s ok,” says Maine. “I think I reached a point in my life where I’m more accepting of who I am. If I’m going through something difficult I’m not going to hide it. If I’m enjoying something I’m not going to hide it. If people think I’m weird that’s cool.”

Floated is the Brooklyn, NY-based project of producer/songwriter David Maine, a 30-year-old lifelong musician. A classically trained pianist and multi-instrumentalist, Maine was previously the bass player for the “Indie Darlings” band Frankie Cosmos where he toured and recorded with the band for four years, often alongside his brother Aaron Maine (of Porches). Under the moniker ‘Floated’ Maine creates a sonic world full of ethereal synths over-driven drums where he shares highly personal lyrics. Floated has become an outlet for Maine to cultivate an imaginative and focused sonic world, capturing snapshots of his life in music and coloring them with inspirations spanning from vaporwave and escape room to grimy upbeat electronic RnB. His single “Daylight” was recently featured in Apple Music’s INDIY playlist, as well as in Acid Stag’s “New Comers” mixtape, and advances a self-titled EP that was written, produced, and recorded by Maine in New York.

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Artist Spotlight

Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

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Artist Spotlight

Bromsen crafts a suspension between attachment and release in new single “Concendrain”

Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.

“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.

The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.

“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.

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