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‘The Label Machine’ Launches As The Quintessential Read For Music Industry Aficionados

Author and music industry veteran Nick Sadler is launching his book The Label Machine: How to Start, Run and Grow Your Own Independent Music Label on October 1st. With “record label knowledge so vast he has literally written the book on it,” (Matt Ryan – Par Excellence Management), The Label Machine is a quintessential read for any music industry aficionado giving detailed information about the business of music with practical step-by-step instructions for setting up and running an independent music label to successfully distributing and marketing music.

“With so many modern artists starting their own music labels, and with no book that covers this subject in detail, I wanted to write a practical guide that allows anyone to build their own successful music label to bring their music and talent to a worldwide audience,” says author Nick Sadler.

Somewhere between Tim Ferri’s The 4-Hour Work Week and Donald Passman’s All You Need To Know About The Music Business, Sadler has created The Label Machine for the DIY musician/producer that wants to start their own record label or self-release their music. The Label Machine provides a comprehensive understanding of the music industry, detailing everything from navigating tricky dos and don’ts, understanding music copyright in the UK and US, record label set-up, record releases, and royalty collection. It also provides in-depth guides on marketing, covering traditional PR, Facebook and Instagram advertising, Spotify playlisting, and fan growth, along with templates for contracts, marketing/promotion schedules, press releases, fan email automation, and more. By the end of the book, readers will not only be able to create multiple label revenue streams to create an established record label but also will be able to build their music business effortlessly, learning how to professionally market their music/artists, allowing them to reach thousands of fans.

Interested readers can purchase the book online and access additional resources at the website below:


The Label Machine has already been well received by industry professionals with praise such as:
“It covers all areas of running a record label and is literally a one-stop shop on everything you need to know to run an independent record label.”

(Test Pressing)

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“…good framework that doesn’t seem to be available anywhere else. It’s really useful, really positive.”

(Paul Twomey – Obliviate Records).

“Nick’s constant source of advice and knowledge gave us the backbone on which we run our label; he knows his stuff!”

(The Prototypes – Get Hype Records)

“Nick’s breadth of knowledge of the music industry has been invaluable to me over the years, especially while navigating the business aspects of the industry. He totally takes the headache out of distributing, marketing, and selling music.” (Molly Beanland – former artist on Island Records).

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“This is a great resource, and it has a lot of information that is compiled into one place that’s easy to find” (Roy Lindsey – Dapr Music).

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About the Author:

Nick Sadler is originally from New Zealand, moving to the UK in 2005 to pursue a career in music. He produced, remixed, and toured as the artist Mobscene and co-founded Never Say Die Records, and Disciple Recordings, two of the most successful independent record labels in the rise of the modern electronic music movement. Nick has experienced all aspects of artist and label management, working with artists such as Skrillex, The Prototypes, Zomboy, Eptic, The Freestylers and Flux Pavilion, gaining valuable insight into building artists’ careers. Nick Sadler has also helped hundreds of artists and music entrepreneurs from all genres of music, start, run and grow their record labels through The Label Machine online platform. In addition to running and writing for The Label Machine, Nick also spends his time executive producing films for First Flights Media, managing emerging artists, and producing original music.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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