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Interview

An Exclusive interview with Rising Music Star, I Used To Be Sam

We came across an acclaimed singer, songwriter and vocal powerhouse best known as I Used To Be Sam (aka Annie Goodchild. The singer and songwriter return with a brand new single “Mountains”, out on all digital streaming platforms like Spotify. The track is the latest installment taken from their upcoming debut EP, I Used to be Sam, set for release this summer.

In an interview with “I Used To Be Sam”, she shared what inspired her to start making music, and how she manage to stand out in the music industry with her unique music “Mountains”. I Used To Be Sam also shares her plan for the future and what she hopes to achieve with her music.

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I Used To Be Sam

The conversation we had was as follows:

Can you tell our readers about what really inspired you to write music?

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I wish I had this cartoon lightbulb moment to share with you, but the truth is – I somehow found myself always drawn and always coming back to music, even from a young age.  As a little kid, I would listen to all these soul songs about love and heartbreak. I had no idea what the artists were talking about, but I could feel their voices in my bones. I could feel their pain, and I could feel their joy, and that sensation was just as much physical as it was emotional. I just kinda knew music was gonna be my tool and my companion to get a hold on life as much as any of us can.

When did you realize you were going to make music professionally?

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I had always wanted to be a singer but was too scared to sing in front of anyone.  Not even my friends or family. It wasn’t until one night in a small tequila bar in Guatemala where a new friend forced me to get up and sing at an open mic that the opportunity arose.  I was terrified and literally shaking, and while staring at the floor, played a three-chord Tracey Chapman song.  I remember the bar getting so, so quiet. When I was done the owner came up to me and offered me my first gig.  So I guess it was then that I knew I could at least try to do this professionally and I haven’t stopped since.

Tell us what is so unique about you and your music?

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The I Used To Be Sam project is telling a story I haven’t heard in music before.  For the first time, and out loud, I’m conveying my initial thoughts and emotions about being a transracial adoptee (TRA).  In some ways, I’m writing the music I wish I had heard as a TRA growing up.  Or maybe it’s the music I need right now.  I also think growing up listening to RnB, gospel, and classical music, spending my teen years hitchhiking around America, and falling in love with classic rock and folk, I get to play a little boundlessly with the genre.  But I do hope that it is my voice that ties it all together in the way my favorite singers have done for me.

Can you tell us about your latest release ‘Mountains’ and what inspired you to create it?

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As I started to educate myself about my own experiences of adoption and the experiences of other TRAs, I could see some common threads laced throughout so many of our stories.  In Mountains, I am referencing parts of my own experience when I would disassociate as a small child, as well as representing parts of my anger and the anger of other adoptees.  For a very long time, I didn’t know I was allowed to be angry.  My community has validated that for me.  It has been a huge part of my personal growth and a large part of how I have been able to make this music now.

Adoptees are often told that we should be grateful, for how lucky we are, or that we could have been aborted, so thank goodness you were saved.  This narrative that has dominated all aspects of adoption, from movies to talks around the dinner table, has been incredibly harmful to all the adoptees I have spoken with.  What this narrative does is take up all the room until there is no more space for any other feelings.  We have learned as adoptees to become so small that we never offend our adoptive family or make them feel uncomfortable in any way.  I can’t do this anymore and I don’t want anyone else to have to either.  So I guess the need for a shift in the conversation inspired me to write Mountains.

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Can you give us a brief insight into your upcoming project?

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On the day I was adopted my name was changed.  It was the first step in erasing who I was and where I came from.  I Used To Be Sam is a look into my experiences as a transracial adoptee through music. Each song touches on a different theme including the re-rejection I experienced from my birth mother, and how that event kind of lit the fire which started all of this. This project has five songs and five videos. In each video, you will hear the interview clips from ten other TRAs who graciously contributed their stories and experiences to this project. They are a huge part of I Used to Be Sam, and this project wouldn’t be what it is without them. I’m so excited to share these songs with you, even if the subject of adoption is not personal to you in any way, or even to someone you love. It is an EP wrapped in cinematic folk, soulful vocals, and the telling of my story – as honestly as I can – which hopefully speaks to you.

What do you wish you were told when you first started making music that you think would help artists just starting out?

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To just finish writing the song, even if it’s shit. And to make music because you are in love with it.  Numbers, followers, streams, and downloads have no place in the art of creation.  Music is for you, and for you alone. The second that focus starts to shift, and the outside world gets its hands on you, your art can’t genuinely be you anymore. And you are the thing that makes it so special.

What do you do when you don’t do music (creative or otherwise) that you are passionate about?

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I like to make a lot of art.  I had bronchitis a while back and couldn’t sing for almost three months.  During this time, I really needed to find another creative outlet and that’s when I fell into watercolor.  In the way you can get lost in sounds and droning piano, you can do the same with watercolor.  Watching pigment bleed into water and paper is incredibly beautiful and meditative.  Other than that, I like to read, watch too many movies, and have adult sleepovers with my lovely group of friends.

Any last piece of advice for those artists who just started making music?

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Find the music and artists that inspire you.  Try and figure out what it is you like about it.  Make it tangible and apply that knowledge to your own art.  Even if you don’t end up liking what you made and it never sees the light of day you are growing your craft.  And absolutely play with other people who are better than you, who’ve done it longer and put in more time.  You can learn so much more about yourself as an artist and what you’re made of when you’re in awe of the people you’re collaborating with.

How can our readers follow you online?

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You can find me on all social platforms as I Used To Be Sam.  I look forward to meeting you there.

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Artist Spotlight

Exclusive Interview with Country Chart-Topper Ashley Puckett

Ashley, it’s great to have you here. Let’s start from the beginning. Can you share a bit about your journey into music and how your upbringing in North Huntingdon, Pennsylvania, influenced your musical path?

Hi! Thank you for taking some time with me today!
My musical journey started when I was only about 5 years old when I sang my first song from the Dixie Chicks. Sometimes I like to say it even started before, because my mother would sing to me all the time When I was little, and there was always country music playing.  Growing up, I had a great childhood. I was a happy child, always had my parents support for anything I wanted to do.  I didn’t want for anything.  Still to this day, my parents are my biggest fan.  I remember growing up I was writing songs on my swing set outside in the summer. Music was just part of me growing up all the way to where I am now.

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You mentioned being inspired by artists like Lee Ann Womack, Carrie Underwood, and Miranda Lambert. How have these influential figures shaped your style and approach to songwriting and performing?

I love traditional county music. And gals like Miranda allow me to still do what I do because a lot of this genre is moving to pop country, and there’s listeners out there that still want to hear some good ol’ country tunes.  My influences are those who I can follow a path of success and motivation no matter the set backs, and those who have paved ways for others.  These women, among others showed me at an early age that you can be yourself and stick to your roots, and more success will come from that.

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At age sixteen, you picked up the guitar and began writing songs. What was it about songwriting that drew you in, and how did you hone your skills as a songwriter over the years?

Yes, learning to play guitar was a very big part of taking my songwriting to the next level.  For me, songwriting came early also.  It’s always been an outlet for me to express myself.  I’m a very good listener, but when it comes to talking,I usually say it better in song.  It’s a way to remember the good times and help me get through the bad. And the thing is, I’m not the only one who goes through those emotions, so it’s a way to share a way of healing for others, too.

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Your debut album, “Never Say Never,” was a lifelong dream come true. Can you tell us about the process of bringing this album to life and working with industry professionals like Bryan Cole and Doug Kasper?

It truly was nothing short of a dream come true!  I love being on stage, and writing songs, but the part where you get to work with like minded, talented individuals and see your work come to life and share a million creative moments together is by far my favorite part of making music. It’s been a while now since I’ve been in the studio, and I miss it very much!

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The first single from your album, “Medicine,” charted nationally and received widespread acclaim. What was the inspiration behind this song, and how did it feel to see it resonate with audiences?

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When I heard that song for the first time, it spoke to my heart because it was just so raw and beautiful.  There’s an innocence about that one that I felt could touch many different types of people just like it did me. I love acoustic love song, easy listening music, and this one was all of that wrapped in one.
I knew this song had to be part of my debut album because it was a perfect fit to my traditional style, my vocals, and love for beautiful melodies. I love how the audience has taken an immediate interest in me and this song and helped start my mainstream music career.

 “Bulletproof,” released on your birthday, became a #1 iTunes hit in South Africa, and a #1 Radio Hit in the US. What was your reaction to the song’s success, and did you expect it to have such a significant impact?

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Oh my gosh, it was such a surprise to me!  Honestly, when that happened, it gave me a whole new look on my accomplishments to that moment and made me realize that every little success until then had contributed to that very moment.  So I till this day appreciate the little things and the little successes a lot more because I know they will lead to much more.  I was also very surprised to learn about the culture in South Africa and how they outsource music and love country! That was very cool to learn!  I’d love to visit there sometime!

Your single, “What’s Her Name,” was also a radio hit. Can you give us a glimpse into the inspiration behind this track and what listeners should expect from it?

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This one was very fun to record!  It’s very “done me wrong, cheating song country” haha.  A lot of us have unfortunately been in that situation, and it was finally a moment to sing about it!  You put so much into something and give your all to someone who would just rather take it for granted and not show the decency to you that the relationship isn’t working out, they go out and cheat and then play at home like it’s all good and perfect. You’re blind sided. Naturally it makes you wonder who she is and what’s her name.

You mentioned that meeting Bryan and Doug reignited your passion for music and inspired you to pursue your dreams. What is it about your collaboration with them that makes it so special, and how has it influenced your creative process?

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In so many ways!  This opportunity when we all met and decided to move forward gave me my chance at country music.  So I knew my life was changing I just didn’t know how or what to expect.  Throughout the process of making the album, I leaned a lot about the industry and a lot about myself.  I think this project made me a better artist both creatively and professionally.  As I mentioned earlier, when I have the chance to be in the studio, it became my favorite part of my entire career. Just getting to create music from nothing and see it turn into a masterpiece with a bunch of talent in the room making it possible is just beyond amazing.  It also inspired me to keep writing – not that it was going away, but because I saw that the words I put on paper were not just words anymore with an A-cappella melody,  it was a radio hit. That people liked!

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With your new single, “Anchor,” on the horizon, what can fans anticipate from this latest release, and how does it fit into the larger narrative of your musical journey?

I’m very excited to share this one!  I wrote this song on a birthday vacation in Florida. I love the sea and I get most my inspiration lately it seems from the ocean.  This song is a pretty melody, vocal and simple yet story telling song.  My favorite instrument you don’t hear much anymore is steel guitar, so we brought that back here for sure!  After my debut album, I wanted to start sharing my original work, and “Anchor” is going to be a follow up to my first written debut back in 2022, “Tequila”

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That song was accepted very well and made it into the top 80 on the Music Row charts, so I’m hoping this one can set a huge stage for me and my writing and overall career showing that I didn’t just write and sing one song, I’m a songwriter, too, and I have a lot to say and share!

Finally, where can listeners find your music and stay updated on your upcoming releases and performances?

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All major platforms, wherever you listen. Amazon music, Apple Music, pandora, Spotify, or if you’re out and about on the town having a drink, play a song on any AMI Jukebox!  I’m also really big on Facebook and instagram for all things Ashley including upcoming events and performances. You can also check out my website at www.AshleyPuckett.com

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Artist Spotlight

A Conversation with Singer Songwriter Eddy Mann

Eddy Mann is a smile for the soul. He’s a combination of cultural and spiritual traditions living in an ever evolving neighborhood. He’s ever comfortable in his hometown Philly roots that speak of peace, and brotherly love. An award winning and prolific singer-songwriter, he’s moved gracefully through a catalog of twenty diverse albums. His hit single, “The Consequence” was a Top 10 Christian Music Weekly radio hit.

His latest album, “Chapel Songs” featured the #1 UK ITunes hits, “Hallelujah” and “Hope of the World.”  His new album is out on June 7th, with the first single being released today.  Eddy took some time to answer some questions about his music, his career, and of course, his faith…

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HM: Can you tell us about the inspiration behind your single “The Humble Cottage by the Sea”? What themes or messages do you hope listeners take away from it?

Eddy Mann: The inspiration came from a gospel story that presents a theme of healing and hope. In a world that’s broken and hurting, one can only pray that a message of peace and unity might be found within the spirit of the song.

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“Turn Up the Divine” is your latest album set to release soon. How does this album differ from your previous work, both musically and thematically?

EM: The album is a collection of divine stories and prayer moments that have been put to song over the past year. They’re really just a reflection of my daily experiences. The musical influences are a little more diverse than usual, but that’s just what the songs were calling for.

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Your music is known for blending cultural and spiritual influences. How do you navigate incorporating these elements into your songwriting process?

EM: I don’t consciously bring influences into a song, but what I’ve been exposed to naturally becomes a part of my fabric, and then it’s re-processed into my own creativity. I’ve had a very diverse upbringing and it probably shows throughout my catalog.

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“The Consequence” was a Top 10 Christian Music Weekly radio hit. Could you share the story behind that song and its impact on your career?

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EM: The Consequence was released in November of 2016 on election day. I wanted to make a statement about the apathy I was witnessing. Our system only works if everyone participates. Anything less than that doesn’t reflect honestly about who we are, and how we feel. It was my hope that I might bring a few more folks into the fray and that would help in the cause.

Both “Hope of the World” and “Hallelujah” from your album “Chapel Songs” topped the UK iTunes Christian chart. What do you think contributed to their success, and how do you plan to build on that with your new album?

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EM: Both of those songs took a very simplified approach musically and lyrically. I was looking for an easily remembered melody with an easily remembered lyric, and both songs seem to reflect that it was successful on some level. I’m pleased that they’ve done as well as they have.

Your career spans over 20 albums. How do you keep your music fresh and relevant while staying true to your artistic vision?

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EM: I’m a student by nature, I love learning new things and I think that helps to naturally put me in new situations where I can be surrounded with challenging thoughts and different soundscapes.

You mentioned that God often appears in humble settings, such as the cottage by the sea. How does this concept influence your approach to music and ministry?

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EM: As a man of faith, I never wander anywhere on my own. What I mean is that my faith is always traveling along with me, usually leading the way, and yes, sometimes correcting my faulty navigation. It doesn’t matter where I might be, or what may be going on around me, my God is not influenced by the trappings of this world.

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What can fans expect from “Turn Up the Divine” in terms of sound and lyrical content?

EM: Everything was written, performed, and produced in house, under the Spirit’s watchful eye, and with the blessing of the One. So the success of the project will be measured in it reaching each and everyone that God intends.

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With the changing landscape of the music industry, how do you see Christian music evolving, and how do you position yourself within that evolution?

EM: I’ve reached an understanding that I just need to be an honest reflection of myself. I don’t feel restricted or restrained by what the business tells me I should be doing, about the how the mix should sound, or about what messages are deemed appropriate. What God wants is for me to speak, write, and record what the Spirit puts on my heart, and then he’ll use it to fulfill His purpose.  

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What are your hopes and aspirations for your music career moving forward, especially with the release of your new album?

EM: I have no expectations anymore. I’ve been blessed to have produce an abundantly humble catalog. So I’ll just continue to follow the Spirit wherever it leads and be grateful.

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