Artist Spotlight
Abby Dallas Shares Her Desire to be One of the Top Performers of All Time
This week we had a conversation with Abby Dallas and she was kind enough to share how her journey through the music industry has been, she also talked about how she has won numerous performance awards from her tender age. This top-notch artist has proven herself to be the best at what she does countless times. Her main objective is to dominate and keep surprising her fans with the combination of fashionable and authoritative hit songs. Check out the interview below and let us know what you think in the comment section below.
Let’s start off by introducing yourself, you know the basics like name, age, and where you’re from. As much or little as you’re comfortable sharing.
Abby: My name is Abbygaye Dallas, my artist name is Abby Dallas. I am a reggae/dancehall artist. I was Born in Kingston, Jamaica, I grew up in Portmore, where I attended the Bridge Port High School. At a tender age, I was exposed to music through my Church, School and Jamaica Cultural Development Commission (JCDC) Sponsored Events. I have won various awards such as Outstanding Vocal Talent by the JCDC, Most Outstanding Soloist (2005), Best Female Pop Singer (2005), and Most Outstanding Junior Vocalist (2005). I got a scholarship as well from JCDC (Jamaica Cultural Development Commission) to study music at the Enda Manley College of the visual and performing Arts. In 2012 I won the JCDC song festival competition for Jamaica 50 with a song titled Real Born Jamaican. I was the youngest and the third woman to have won this title.
In 2013, I released two songs: From My Heart, and Extraordinary (I am that Girl). These two songs showed my vocal range and versatility. In 2015 I released the single “He’s JUST Not Into You”. I continued releasing songs such as Gold Digger, YOUR LOVE, RudeBoy Loving, Poppy Show, One And Only, etc. I have toured the world with artists like Diana King, Tanya Stephens, and Queen Ifrika. I have performed at shows like Best of the Best, performed at the Campaign tour for New York Mayor Eric Adams, Jazz festival, Sting, Rebel Salute, and Saint International Fashion Block.
What’s the best advice you ever received concerning music?
Abby: Never stop believing in myself and my dreams.
What keeps you going when things get tough in the music industry?
Abby: God and my fans love.
What would you have done differently if you knew then what you know now?
Abby: To be honest I wouldn’t do anything differently because I believe everything that I have faced and overcome is a lesson learned and has made me the woman I am today.
What is still your biggest challenge?
Abby: My biggest challenge in this music business is getting my music to be heard worldwide.
If you could go open a show for any artist who would it be?
Abby: Beyonce.
Talk me through your creative process.
Abby: I honestly don’t have a set creative process. I just work with how I’m feeling sometimes or I may use what I’m seeing on social media or in my friends’ situations.
How do you solve productivity/scheduling problems and reduce overwhelming situations?
Abby: I solve productivity by ensuring that whatever music I put out is always of good quality. As for scheduling problems and overwhelming situations, it’s always best to have good management to avoid those kinds of problems.
What are you focusing your time on now?
Abby: I have been mostly writing, recording, and getting ready to put out some new music.
How do you currently feel about the state of “Your genre” in general?
Abby: Reggae and dancehall are loved globally. And having traveled the world I have seen the love the world has for Reggae and dancehall.
How can our readers follow you online?
Abby:
Album Review
Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album
In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.
Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.
Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.
On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.
“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.
Artist Spotlight
Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”
Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.
“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.
Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.
Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.
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