Interview
An Exclusive interview with Rising Music Star, I Used To Be Sam
We came across an acclaimed singer, songwriter and vocal powerhouse best known as I Used To Be Sam (aka Annie Goodchild. The singer and songwriter return with a brand new single “Mountains”, out on all digital streaming platforms like Spotify. The track is the latest installment taken from their upcoming debut EP, I Used to be Sam, set for release this summer.
In an interview with “I Used To Be Sam”, she shared what inspired her to start making music, and how she manage to stand out in the music industry with her unique music “Mountains”. I Used To Be Sam also shares her plan for the future and what she hopes to achieve with her music.
The conversation we had was as follows:
Can you tell our readers about what really inspired you to write music?
I wish I had this cartoon lightbulb moment to share with you, but the truth is – I somehow found myself always drawn and always coming back to music, even from a young age. As a little kid, I would listen to all these soul songs about love and heartbreak. I had no idea what the artists were talking about, but I could feel their voices in my bones. I could feel their pain, and I could feel their joy, and that sensation was just as much physical as it was emotional. I just kinda knew music was gonna be my tool and my companion to get a hold on life as much as any of us can.
When did you realize you were going to make music professionally?
I had always wanted to be a singer but was too scared to sing in front of anyone. Not even my friends or family. It wasn’t until one night in a small tequila bar in Guatemala where a new friend forced me to get up and sing at an open mic that the opportunity arose. I was terrified and literally shaking, and while staring at the floor, played a three-chord Tracey Chapman song. I remember the bar getting so, so quiet. When I was done the owner came up to me and offered me my first gig. So I guess it was then that I knew I could at least try to do this professionally and I haven’t stopped since.
Tell us what is so unique about you and your music?
The I Used To Be Sam project is telling a story I haven’t heard in music before. For the first time, and out loud, I’m conveying my initial thoughts and emotions about being a transracial adoptee (TRA). In some ways, I’m writing the music I wish I had heard as a TRA growing up. Or maybe it’s the music I need right now. I also think growing up listening to RnB, gospel, and classical music, spending my teen years hitchhiking around America, and falling in love with classic rock and folk, I get to play a little boundlessly with the genre. But I do hope that it is my voice that ties it all together in the way my favorite singers have done for me.
Can you tell us about your latest release ‘Mountains’ and what inspired you to create it?
As I started to educate myself about my own experiences of adoption and the experiences of other TRAs, I could see some common threads laced throughout so many of our stories. In Mountains, I am referencing parts of my own experience when I would disassociate as a small child, as well as representing parts of my anger and the anger of other adoptees. For a very long time, I didn’t know I was allowed to be angry. My community has validated that for me. It has been a huge part of my personal growth and a large part of how I have been able to make this music now.
Adoptees are often told that we should be grateful, for how lucky we are, or that we could have been aborted, so thank goodness you were saved. This narrative that has dominated all aspects of adoption, from movies to talks around the dinner table, has been incredibly harmful to all the adoptees I have spoken with. What this narrative does is take up all the room until there is no more space for any other feelings. We have learned as adoptees to become so small that we never offend our adoptive family or make them feel uncomfortable in any way. I can’t do this anymore and I don’t want anyone else to have to either. So I guess the need for a shift in the conversation inspired me to write Mountains.
Can you give us a brief insight into your upcoming project?
On the day I was adopted my name was changed. It was the first step in erasing who I was and where I came from. I Used To Be Sam is a look into my experiences as a transracial adoptee through music. Each song touches on a different theme including the re-rejection I experienced from my birth mother, and how that event kind of lit the fire which started all of this. This project has five songs and five videos. In each video, you will hear the interview clips from ten other TRAs who graciously contributed their stories and experiences to this project. They are a huge part of I Used to Be Sam, and this project wouldn’t be what it is without them. I’m so excited to share these songs with you, even if the subject of adoption is not personal to you in any way, or even to someone you love. It is an EP wrapped in cinematic folk, soulful vocals, and the telling of my story – as honestly as I can – which hopefully speaks to you.
What do you wish you were told when you first started making music that you think would help artists just starting out?
To just finish writing the song, even if it’s shit. And to make music because you are in love with it. Numbers, followers, streams, and downloads have no place in the art of creation. Music is for you, and for you alone. The second that focus starts to shift, and the outside world gets its hands on you, your art can’t genuinely be you anymore. And you are the thing that makes it so special.
What do you do when you don’t do music (creative or otherwise) that you are passionate about?
I like to make a lot of art. I had bronchitis a while back and couldn’t sing for almost three months. During this time, I really needed to find another creative outlet and that’s when I fell into watercolor. In the way you can get lost in sounds and droning piano, you can do the same with watercolor. Watching pigment bleed into water and paper is incredibly beautiful and meditative. Other than that, I like to read, watch too many movies, and have adult sleepovers with my lovely group of friends.
Any last piece of advice for those artists who just started making music?
Find the music and artists that inspire you. Try and figure out what it is you like about it. Make it tangible and apply that knowledge to your own art. Even if you don’t end up liking what you made and it never sees the light of day you are growing your craft. And absolutely play with other people who are better than you, who’ve done it longer and put in more time. You can learn so much more about yourself as an artist and what you’re made of when you’re in awe of the people you’re collaborating with.
How can our readers follow you online?
You can find me on all social platforms as I Used To Be Sam. I look forward to meeting you there.
Stay updated! Click the Google News follow button for more news and updates.
Follow on Google NewsArtist Spotlight
San Sebastian shares his creative inspiration and aspiration for the new single “Again and Again” – [Exclusive Interview]
Swedish artist San Sebastian has released his second single, “Again and Again.” Known for his danceable pop sound infused with a nod to club music, San Sebastian presents a sonic vibe that resonates deeply with his audience. Drawing inspiration from notable artists like Tove Lo, Kylie Minogue, and Troye Sivan, he creates a distinctive blend of vulnerability and optimism. His latest single exemplifies a personal journey, exploring the intricacies of navigating complex emotions within a fractured relationship. Here, San Sebastian takes us behind the scenes, providing insights into the creation of “Again and Again,” detailing the production choices that shape its emotional core and outlining his future aspirations.
Questionnaire
1. Who are the band members, if any, and were there any particular artists, genres, or band’s main influences?
San Sebastian: I’m a solo artist, though I often perform with professional dancers Alicia Gjerulf and Elsa Davidsson. My musical inspiration is drawn from renowned artists such as Tove Lo, Kylie Minogue, and Troye Sivan.
2. Where was the single recorded, and who was involved in its production? Name the record label, producer, and sound engineer who mixed and mastered the song.
San Sebastian: “Again and Again” was originally written by the well-known Swedish artist Darin Zanyar and songwriters Pär Westerlund along with Petter Tarland. I worked on re-creating the track with senior producer Johan Kronlund, who also produced my debut single, “Hear Me Out.” Both singles were released under the auspices of my record label, Metronica.
3. Regarding production, what aspects of “Again and Again” caught your attention? What were some of the critical production decisions that shaped the final sound, and how did they contribute to the overall sonic quality of the track?
San Sebastian: I collaborated with the producer, Johan Kronlund, for nearly 2 years, so we have developed a good understanding and shared vision for the desired sound we aim for in my music. The goal was to turn my flaws into something optimistic, capturing a sense of future possibility by blending a melancholy message with an upbeat, danceable rhythm.
4. What inspired you to write “Again and Again”? Was there a particular ethos, music style, or events that sparked the songwriting process for this single? Were there any collaborations on writing the lyrics?
San Sebastian: The song “Again and Again” was initially composed by the famous Swedish artist Darin Zanyar and his co-writers. I immediately liked the idea of the song’s core concept; its melodies and lyrics spoke to me. The producer and I reimagined the sound to make the song reflect entirely my unique artistic identity.
5. How did you aim to take listeners on an emotional journey with the message or lyrical narrative you are trying to convey through this song? What feelings do you hope to evoke through the music so far?
San Sebastian: I want my lyrics to be honest and resonate with many people’s feelings. I try to transform my flaws into something optimistic, showing that everything has a future. I hope that people, by listening to “Again and Again,” will find pieces of their own experiences within the song’s lyrics while still perceiving this growing hope through the positive upbeat and alongside the danceable energy inherent in the production.
6. Please briefly describe the song, the E.P./Album, and the thinking behind the Project. What does “Again and Again” mean to you personally? How does it reflect your growth as an artist?
San Sebastian: The song tells the story of a broken relationship, where one person is left behind, feeling shattered and powerless. Unable and unwilling to let go, they cling to the memories of a love that once felt real and the hope that they might reunite. Despite knowing they will get hurt again, the chance to feel happiness, even briefly, makes the pain seem worthwhile. By combining vulnerable lyrics, expressive melodies, and a more positive and hopeful production, the song illustrates those who put on a positive front and hide the absolute truth.
“Again and Again” represents my second single in collaboration with Metronica. I describe my musical style as danceable pop inspired by club music. Both my debut single, “Hear Me Out,” and my recent release, “Again and Again,” follow this musical direction. My active involvement in a DJ duo also keeps my heart closely connected to the club vibe, which naturally influences my music.
7. Do you have any favorable quotes from previous reviews or specific aspects, lines, and phrases of the song that you would happily share?
San Sebastian: My previous song and debut single, “Hear Me Out,” was recognized across various blogs internationally. The fact that it was so well received is heartwarming and makes me very happy. However, if I have to highlight one thing, it would be all the positive comments regarding my vocal abilities, specifically its range and how I deliver the songs.
8. Did “Again and Again” create any standout moments or surprises that made it a memorable atmosphere or mood for you? If so, what were your biggest challenges, and how would you describe them?
San Sebastian: A memorable highlight was our spontaneous release party, which drew almost 500 attendees. It was an incredibly heartwarming experience to see how all these people adjusted their schedules and re-booked engagements, altered travel plans, and other meetings to join. I will be eternally grateful for this display of support and gift of love.
9. How do you envision performing this song live? Are there any special events, musical tours, and performances that San Sebastian’s fans should expect soon or plan to incorporate?
San Sebastian: I have actually had the opportunity to perform “Again and Again” live on stage several times with two of my professional dancers, Alicia Gjerulf and Elsa Davidsson. I hope to present “Again and Again” on more stages in the future, incorporating additional live band support from professional musicians and dancers to create an immersive experience for audiences.
10. Is there a music video planned for this single? If so, can you share any insights into its concept? How does this single fit into your future musical plans? Is it part of a larger project, like an album or an E.P.?
San Sebastian: I’m not planning to create a full music video for “Again and Again.” However, I have already created teaser videos, which I use in the release marketing and the ongoing song promotion. I have no concrete plans to release an EP that includes “Again and Again.” Instead, I am focusing on my next single, which I plan to release in early 2025.
CLICK HERE TO STREAM San Sebastian’s “Again and Again“ on Spotify.
CONNECT WITH San Sebastian | Instagram | TikTok | Facebook |
Indie
Interview with Free Mace
Free Mace’s new album “Better off Bitter” is releasing 7/19/24. This new album was independently produced, engineered and funded from a home studio location in Jacksonville, FL. All processes were done by Mason Thomas Staub over 3 years time. Mason sat down to answer some questions in this one-one-one interview…
Mason, your new album “Better off Bitter” is set to release on July 19th, 2024. Can you tell us about the inspiration behind this album and what themes, tones, and stories the listeners can expect?
The main inspiration behind this album is the evolution of artistry and production. Free Mace’s previous album, “Media,” was the transition into more Rock and Indie music. “Media” is a genre fusion set in a dystopian, technocratic, and bleak world, inspired by the global pandemic. As soon as “Media” released, I began drafting the early instrumentals to songs (such as Reality). Every album or EP has been a concept and “Better off Bitter” is no different. The main concept of “Better off Bitter” is being better off bitter. Over the 4 years of living in Jacksonville, FL and not being originally from there, I was the new guy in town. Because of this as well as the advantageous disposition of others involved in or surrounding the industry, I’ve faced ageism and superiority, judgment and prejudice, as well as seclusion and loneliness. Add an incredibly toxic relationship that consumed all my mental capacity for a bit (refer to the song Good Time Girl), and you get the varying emotions and experiences of “Better off Bitter.”
“Better off Bitter” describes the tone and tempo of the album, as well as mood of the songs. The goal of this album was to experiment and set a new standard against mainstream concepts, while not being so far removed from them that the music is unrecognizable. I have been describing “Better off Bitter” to people as a “Jazz Orchestra in a Pop-Punk band format.” I’m aware that this is a big claim to make, however, I’m confident that the unique sound that has been created is new and nostalgic at the same time.
You independently produced, engineered, and funded this album from your home studio in Jacksonville, FL, over three years. What were some of the biggest challenges and rewards of handling every aspect of the production process yourself?
Some of the biggest challenges were motivation, isolation, and insecurity. When doing everything yourself it requires an incredible amount of discipline and vision. There were countless times I found myself vacationing in the doldrums for extended periods with minimal creative output. The beginning of an album always begins as a peak that declines over a period until release. It’s simple and stressless to explore, create and form new ideas, expressions, and feelings. After this honeymoon-like period, then the reality hits of how much goes into the processes of production. The starting production is always hopeful and motivating, so it’s easy to dedicate double-digit hours in a studio. When you start getting to the nitty-gritty, like listening to the same 10-seconds of audio on loop thousands of times, that’s when things aren’t done as jubilantly. That would bring me back to a creative null for a bit, until I felt confident to approach things again with a fresh perspective. The isolation came out of my own doing when I chose solitude to separate myself from distractions, toxic attitudes, limiting perceptions, and peer approval. I prioritized myself and focused on what was important; the completion of “Better off Bitter.” I became more mindful in the process in regards to how I would spend my time in the doldrums. I had a new motivation that allowed me to be more realistic about what songs would make the album (originally 15 instead of 10), what the context and sound would definitively be, and when a deadline would be. After finally completing it, that’s where the insecurity set in when it comes to the acceptance of the album, “Better off Bitter.” 3 years of work is a lot of time to think about how things will be, but I’ll just have to wait and see.
\Which track on the album holds the most personal significance for you, and why? Can you give us some insight into the creative process and meaning behind that particular song?
I would say that the last track on the album, “The Heretic,” has the most significance to me because it’s the finale. This is the last song someone will hear and the last chapter to the story conveyed in “Better off Bitter.” The idea of “The Heretic” comes from the snake-oil sales in the name of religion. The concept that an individual with certainty can sell others with a promise rather than those individuals being at terms with uncertainty. I wanted to provide an image of an interaction between a salesperson and a potential customer. Eventually getting discovered for their fraudulence, the salesperson is forced to lead a vagabond life until the discovery of reinvention.
Over the course of three years, your musical style and influences might have evolved. How do you feel your sound has changed or matured from your previous work to this new album?
The previous Free Mace album, “Media,” was a transition into more up-tempo music. I would see how people would react at the concerts and the up-tempo would always have a better response from what I could tell. It’s not that the audience didn’t enjoy the slower tempo music, it was more about what their body language conveyed. I started to notice people would be involved dancing and moshing to up-tempo music more than standing still with a head bob to a slower tempo. I wanted to do an album that would capture this high energy from beginning to end, while telling a meaningful story about emotions, experiences, and ideologies. “Better off Bitter” is the highlight album of the Free Mace discography, available everywhere 7/19/2024.
As an independent artist, what advice would you give to other musicians looking to produce and release their own music without the backing of a major label?
The best advice I would give to anyone and everyone would be to always stay true to yourself, no matter what.
What are your plans following the release of “Better off Bitter”? Are there any upcoming tours, music videos, or other projects that fans can look forward to?
Following the release of “Better off Bitter,” there will be 2-3 music videos available in varying cinematic styles. Currently in the process are one animated video (Available 7/19/2024 on YouTube) and one live-action Frank Sinatra/Edgar Allen Poe inspired video. There will potentially be shows in the future, but am needed a backing band on location for performance, so if you’d like a Free Mace show where you are located and have a professional band to provide, I will see you there!