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Black Thought Compares Kanye West’s Evolution To J. Dilla’s

Kanye’s brilliance as an artist shouldn’t be questioned, despite how questionable he might be these days. But even as he enter politics, he carries the same drive that got him the Roc A Fella chain and launched his career as a rapper after his success as a producer. In a recent interview with Stereogum, Black Thought, fresh off of the release of Streams Of Thoughts Vol. 3, detailed a few collaborations from his career including Talib Kweli’s “Guerrilla Monsoon Rap” which also features Pharoah Monch and a young Kanye West.

“He was just hungry. He was about the business of showing people his potential as an artist and what he had already in the clip,” Black Thought recounted, describing Kanye as someone who would always be hanging out in the studio. He explained that he witnessed ‘Ye’s evolution, from being someone he’d see in the studio grinding as a producer to transforming into a multi-talented artist. Thought even said ‘Ye nearly followed the exact same steps as the late J. Dilla.

“I saw him evolve from someone who was a producer of tracks to someone who was also an MC,” he continued. “I saw him follow in the footsteps of who I feel, to this day, was the greatest rapper/producer, J Dilla. J Dilla, he could sing and rap and play instruments just as well as he could program beats. I watched Kanye in real time evolve, following almost that same blueprint.”

Thought recounted hearing early versions of “Hey Mama” and “Jesus Walks” after they finished recording “Guerrilla Monsoon Rap.” He added that ‘Ye was often just sitting in the studio, soaking game. A testament to his commitment to making that full crossover from a Roc-A-Fella producer to a household name.

“It was the usual cast of characters. With me, Kweli, and Pharoahe in the lab. 88-Keys would always be around, Kanye would always be around,” Thought said. “Kanye would sometimes literally be a fly on the wall, and you could see his spongelike nature, just constantly learning and soaking up what was being said, what was being done. What I appreciate about the way he did it, was he made it his own. He was never a biter. He soaked up everything everyone did, but he put his own spin on it.”

[Via]

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Artist Spotlight

Michael Coleman captures heartbreak’s quiet echo on latest release “Another Saturday – See Your Shadow”

The Metropolitan Cowboy Michael Coleman returns with a deeply affecting new single, “Another Saturday – See Your Shadow,” a song that explores the emotional landscape left behind when love fades and certainty disappears. Written by Coleman, the track offers a reflection on heartbreak, loneliness, and the difficult process of rediscovering oneself after loss.

One of the song’s most compelling strengths lies in its honesty. Lyrics such as, “Right now she’s not anybody’s girl / Though she used to be someone’s wife,” reveal the profound identity shifts that often accompany heartbreak. Rather than offering easy answers, the track embraces uncertainty, making its emotional impact all the more powerful.

The chorus and bridge further deepen the song’s resonance, highlighting the struggle of moving forward while carrying the scars of past experiences. The line, “When you don’t know what comes next / You can’t protect your heart from battle scars,” serves as a striking reminder of the openness that comes with healing and personal growth.

Musically, “Another Saturday – See Your Shadow” balances classic country sensibilities with polished contemporary production. The arrangement feels spacious and expressive, creating room for the song’s emotional themes to breathe while maintaining a strong sense of accessibility. The result is a track that feels equally at home during a solitary late-night listen or on mainstream radio.

Connect with The Metropolitan Cowboy Michael Coleman on Spotify

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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