Music
Colby Lapolla Confronts Her Trauma Head On In Empowering New Single “Starving”
Independent pop artist and producer Colby Lapolla opens up about her deepest rooted traumas on her new single “Starving,” out now. In tandem with a fearlessly vulnerable, fever-dream-esque music video, Lapolla thoughtfully captures every ounce of emotion that came with her healing journey – from suffering to release. This project collectively captures a profoundly introspective recount of Lapolla’s experience, while serving as a validating beacon of hope for those grappling with similar hardships. This is the LA based artist’s sixth release, following tracks like “Paper Hearts” that have received significant playlisting support. “Starving” is an undeniably gut wrenching, anthemic memoire reflecting the hard-to-talk-about reality of eating disorders.
The music video for “Starving” perfectly resurrects the moments that laid the foundation for this track. A haunting introduction layered with dark contours of grief builds up to an explosive chorus filled with a poignant angst; all captured with a dazzling variety of mesmerizing shots and dreamy cinematography. In the moment when the beat drops, viewers get to see Lapolla in her element as she untethers herself from inhibition and pours her soul into this performance. She fully immerses listeners in a world – her world – she thoughtfully crafted from the ground up. Lapolla’s poetic lyricism, emotive acting, and pronounced artistic vision come together in a glitter-filled immersive experience in the “Starving” music video. This video was created in collaboration with Christina Bryson (director, camera operator, editor), Danika Karolinski (Makeup), and with assistance from Luke Collins.
Lapolla began writing this piece shortly after beginning her journey towards eating disorder recovery. She explores the different aspects of herself that have been impacted the most by her struggles; this track invites a deeper understanding of the complicated reality inherent to eating disorders and recovery. The first verse pulls listeners in with a harrowing reflection of the alt+trauma+pop artist’s emptiness; she whispers with a melancholic sorrow, “I’m starving, didn’t know it. Yeah, I’m starving, I don’t show it. Yeah, I’m hungry for some answers, I’m hungry for love.” She then acknowledges the power of her inner saboteur – the voice in all of our heads that chips away at our self-confidence – before thrusting into an exclamatory, cathartic chorus that ultimately expresses frustration and inner conflict. “It’s easy to hide it, it’s so hard to breathe it,” she bellows, “ If I could have everything, would I even want it?” The artist recognizes that there is more missing from her heart than she had believed. “Starving” encounters an upswing in the second verse when the singer-songwriter leans into her resilience, and begins reclaiming her narrative. These lyrics are heartbreakingly raw, and masterfully crafted to preserve Lapolla’s metamorphosis into a self-actualized, powerhouse of a human, woman, and artist. “Starving” was co-written and produced with Andrew Hansen.
“When I finally had the words, I wanted to write about how not only was I physically starving, but that my history of abuse and trauma also left me starving in all areas of my life.” – Colby Lapolla
This meticulously crafted soundscape ebbs and flows seamlessly with Lapolla’s lyricism. Building from delicate keys and a kick forward beat, the instrumentation on this track comes alive at the start of the pre-chorus. In an instant, sparkling synths, energetic percussion, and punchier keys take this song on an upward trajectory towards empowerment and release. Joined by powerfully stacked backing vocals, the chorus offers an irrefutable invitation to dance, scream-sing, and cry alongside the emerging icon. Written with a considerable amount of effort after months of developing and revisiting this track, Lapolla is more than proud to have contributed significantly to the production of “Starving.” In partnership with Andrew Hansen, the two took inspiration from Lorde’s “Green Light” when producing this track. “Starving” was mixed by Matt Wolach and mastered by Joe Causey (Voyager Mastering). Stream “Starving” on all major streaming platforms now.
Artist Spotlight
Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”
Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.
“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.
Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.
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Artist Spotlight
Bromsen crafts a suspension between attachment and release in new single “Concendrain”
Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.
“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.
The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.
“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.
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