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Critically Acclaimed Songwriter Elisa Nicolas Re-embarks On Solo Career With New Single “No Answers”

Sophisticated pop singer songwriter, producer, and multi-instrumentalist Elisa Nicolas makes an unforgettable return to her solo music career – after a twelve year long hiatus – with her new single, “No Answers,” out now. This is the lead single off of her upcoming album, ‘Year of The Locust,’ releasing late October, 2021, in which fans can see the immense growth Nicolas has made over the course of a more-than-successful songwriting career. While taking a break from her own projects, Nicolas was busy contributing her songwriting and performance skills on over 45 works, cultivating her professional reputation, and refining her artistry. This single is the first taste of a gorgeously painstaking recount of the human experience, characteristic of some of music’s most profound songwriters like Joni Mitchell, Fiona Apple, and Nora Jones. “No Answers” tells the story of longing for reciprocity in a relationship; the raw artistry that comes through on this track effortlessly immerses listeners into an epic, emotional plea for intimacy by Nicolas.

The Canada born, Ohio raised Asian American displays her honed lyricism and storytelling abilities in this vocals led, guitar forward track. Steady acoustic guitar sets the foundation for the single, conveying passion and angst through heavy strumming and dissonant extensions. Joined by invigorating percussion as the song takes off, honeyed electric guitar adds a breezy glimmer, while bright background vocals and reverberant strings lend an irrefutable sense of epicness to this track. Masterful production and instrumentation coddle Nicolas’ somber lead vocal in colorful harmony tinged with grit; the artist relishes in the rarely found, yet highly sought after cohesion between performance, writing, and insight that makes a song come together in a difficult to articulate ‘magic.’

For Nicolas, the anthemic melancholy emanating from this record finds its roots in the sexual misalignment of a relationship. “Take my hands, take my clothes, I can’t go it alone tonight,” she pleads in the second verse. She begs with a passionate exclaim  “Stop whispering, go higher,” before ending the verse in shattered disappointment, “then you’re gone before I take flight.” The chorus is an anthemic moment of frustration – thoughtfully built up to in the verses – in which Nicolas bellows in defeat, “there’s no answer to my questions.”

Nicolas approached this record from a multidisciplinary perspective as a songwriter, instrumentalist, producer, and engineer. The artist created this record over the course of years; she takes the time during the writing process to etch out ideas, marinate in them, and refine the ones she feels are most worth pursuing. After recording the bones of this project and stress testing the songs at gigs, Nicolas was able to pinpoint exactly where she wanted her music to go.

In collaboration with her dream production team, Nicolas articulated her recount of the human experience exactly how she had envisioned. Main contributors are as follows: Jeffrey Ciampa (Happy Chichester, Megan Palmer, Grammy winner for production on Wayne Shorter projects) produced, mixed, and played bass and keys. Kim Rosen (Grammy winning engineer) mastered the record. Thomas Byran Eaton (Caitlin Canty, Miss Tess, Western Centuries), an imaginative guitar player and engineer, created surprising and unexpected colors throughout the course of the record, while singers Nikki Wonder, Megan Palmer, and Cathy Wicks lend epic background vocals. Though the COVID-19 Pandemic made the circumstances for the creation of this album less than convenient, through the assistance of friends in Nashville with recording gear at their disposal, Year of the Locust came together exactly how it was intended. Stream ‘No Answers’ on all major streaming platforms out now.

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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