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Artist Spotlight

EMBRACING RECOGNITION IN THE MUSIC INDUSTRY—Stratøs

Short and sweet interview with Los Angeles’s rising star, Stratøs! He shares his favorite aspects of making music, working with veterans in the game, and more upcoming fresh music.

Let’s start off by introducing yourself, you know the basics like name, age, where you’re from. As much or little as you’re comfortable sharing.

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My name is Stratøs, I’ll be 26 this October 1st, and I’m from Ann Arbor Michigan. I currently live in Los Angeles, California.

What’s the best advice you ever received concerning music?

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That the learning process Is cyclical. I don’t need to (and in fact, can’t) learn a concept perfectly before moving on. I’m supposed to come back to concepts again and again. It can be years before I revisit something I’m practicing. This helped me get over the paralysis of trying to get something “perfect” before moving onto the next thing.

What would you have done differently if you knew then what you know now?

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Practice, write, produce, photograph more when I was younger and had more time!

What is still your biggest challenge?

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My biggest challenge would probably be just navigating the music industry as a whole. It’s a tough industry that’s currently not equipped to sustain actual musicians, and that’s a struggle every day.

What keeps you going when things get tough in the music industry?

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The music does. No matter how tough things get, the art is still here. I’ll never stop making art because I simply cannot – it is my purpose in life. Taking a step back from your art is something stigmatized, but is perfectly okay, and healthy, and normal. This industry is grueling. It’s important to take a step back sometimes to gain perspective and preserve your sanity. It’s okay to step away for a bit and come back.

Talk me through your creative process.

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There’s a lot that goes into my creative process. I’m a saxophonist, composer, producer, and film photographer, and each discipline takes a different set of skills. These days I’m doing a lot more composing because I’m working on my third album. My composition usually involves taking unrelated elements and try to make them relate. My tunes usually have some sort of concept at the core of them that I’m trying to work out.

How do you currently feel about the state of “Your genre” in general?

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The state of “jazz” has always been interesting. Firstly because this style of music isn’t even really called “jazz,” because that was a name originally given to the music intending for it to be derogatory. This music falls under the “Black American Music” umbrella and from its inception it’s always been about progress and pushing boundaries. There’s a lot of amazing “jazz” these days because people from all walks of life and backgrounds are adding to it and making it more and more unique. It’s great!

If you could go open a show for any artist who would it be?

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I’d love to open for Flying Lotus some day!

How do you solve productivity/scheduling problems and reduce overwhelming situations?

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I keep an organized calendar, and I try to write things down.

What are you focusing your time on now?

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As I kinda touched on before, I’m currently working on my third album. I don’t wanna say too much, but I’m using all of the resources and knowledge I’ve learned from all parts of the album making process and putting them into this record. Also, since I just moved to LA, I’m focussing on getting connected in the music scene here and just getting settled down.

How can our readers follow you online?

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You can follow me on all social media platforms @stratostones, as well as my website www.stratostones.com. I also have a print shop where you can buy prints of my film photographs here: https://stratos.darkroom.tech/. You can buy my first album Planets here: https://stratosmusic.bandcamp.com/album/planets and my second album Hohenheim Suites here: https://stratosmusic.bandcamp.com/album/hohenheim-suites. I’m also on all of the streaming platforms like spotify and apple music, just search “Stratøs.”

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Artist Spotlight

“Blue Christmas” by Lisa Humber delivers a heartfelt holiday melancholic glow

Lisa Humber

Weaving an ethereal soundscape that cuts straight to the soul, Lisa Humber’s rendition of “Blue Christmas” feels like unwrapping an intimate letter to the heartbroken, transforming the familiar holiday classic into a profoundly personal exploration of seasonal melancholy. Gone are Elvis Presley’s iconic version’s upbeat, almost playful undertones; Lisa offers a stripped-back performance characterized by a haunting resonance.

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Working closely with producer and guitarist Justin Abedin, Humber breathes life into the song’s quiet void that lingers in the spaces where laughter should reside. Her tender and vulnerable voice evokes a rare sense of unfiltered longing. It’s as though she’s singing directly to the part of us that carries the burden of lonely and disappointed festive promises during a time usually filled with happiness and celebration, creating a stark contrast to the glittering cheer of the season.

The minimalistic instrumentation creates an intimate auditory experience. Abedin’s guitar strings hum softly, almost like a fragile heartbeat, leaving room for Lisa’s vocal tenderness to shine. Each note she sings feels deliberate, and every lyric is imbued with the ache of memories and the quiet hope of what could have been.

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Humber’s evolution as a songwriter began with her debut original composition, ‘Boxing Day.’ With this new single, she demonstrates her adeptness in capturing the nuances of human emotions. “Blue Christmas” isn’t just a cover; it functions as a reimagined dialogue with the audience, providing shared solace to anyone whose holiday experiences might not meet the cheerful festive narrative.

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This interpretation of “Blue Christmas” encapsulates a dual sense of introspective warmth and illumination while simultaneously embodying bittersweet emotions. Its impact is particularly pronounced when complemented by visuals of twinkling lights juxtaposed against through a lens of melancholy. Ultimately, it represents a stunning addition to Humber’s growing catalog of musical works.

 

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For more information about Lisa Humber, please visit [website]. 
CLICK HERE TO STREAM Lisa Humber’s Blue Christmas on Spotify.
CONNECT WITH Lisa Humber | Instagram | Twitter

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Artist Spotlight

Louise Goffin Takes Us for an Intimate Ride with “Backseat”

Louise Goffin

Louise Goffin’s new single, “Backseat,” takes listeners on a nostalgic journey, like a late-night drive filled with deep emotions. The Brooklyn-born singer-songwriter offers a heartfelt song that feels personal yet relatable to everyone. Drawing inspiration from the storytelling style of Laurel Canyon, “Backseat” invites you to dive into its rich, soulful sounds and escape the daily hustle and bustle.

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Goffin’s talent shines through in her ability to tell a story reflecting her life experiences. Growing up with famous songwriters, she experienced a world full of creativity and ups and downs, which she beautifully expresses in her music. “Backseat” captures the mix of chaos and tranquility, creating a calming yet powerful musical experience. Her gentle voice flows over various instruments, making it feel like a cozy chat with a close friend.

At its heart, “Backseat” touches on balancing being a passenger in life and taking charge, something everyone can relate to when feeling uncertain about the past and future. Goffin’s gift for sharing her thoughts makes this journey feel shared, showcasing her storytelling talent.

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Louise Goffin is truly coming into her own as an artist, turning the intricacies of life into songs that resonate with many. Whether you’re already a fan or just discovering her music, “Backseat” is a song you don’t want to miss—a beautiful celebration of growth, resilience, and the magic of music.

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