Artist Spotlight
Interview With British Vocalist Chloe
Chloe’s collaboration with Australian songwriter-producer Seekay displays a full body of work, the EP titled Reflections, exploring introspectiveness through music, an art the pair masters to perfection. We had the privilege to chat with the wonderful vocalist Chloe about her new EP, but also about her collaboration with Seekay and their upcoming plans together.
Hi Chloe, we loved your performance on Seekay’s EP Reflections. What does this project mean to you?
So glad you like it! This project means a lot. I feel like it represents and expresses what I want to say and sound like as an artist really well. For a while I was trying to find my voice as an artist and this project finally feels like me and is a culmination of all my influences.
Have you been able to work normally during the pandemic? How did 2020 affect your career?
Not really normally and mostly from my bedroom but I still managed to keep working on music! In some ways I was more focused than ever on creating music without any distractions but not being able to meet with musicians in person or play live was pretty depressing. Without the internet I don’t know what I would have done though. There were a lot of zoom sessions and lots of collaborating online. Seekay and I didn’t actually meet in person the whole time during making this Ep but we managed to make it work!
Which song do you prefer from the EP and why?
My favourite song off the EP is probably ‘Rose’. I’m really happy with how it turned out. I like the simplicity of it and feel it conveys the meaning of the song and the subtlety of a failing relationship well.
How did you and Seekay meet, and how did you decide to collaborate?
Seekay got in touch with me online last year and asked if I’d like to collaborate. As soon as I heard his music I knew I wanted to be a part of this project. We began with just a couple of songs, and realized pretty quickly that it was working.
Do you plan to continue this fruitful collaboration? Can fans expect new releases soon?
Yes! We’re working on some new songs at the moment that we’re excited about. We’re trying something a bit different that we’re hoping to release soon.
The album has been mainly described as electronica-pop, do you agree with that term? How would you describe it?
I think overall electronica pop does probably best describe this album. We aimed to convey emotions, sensations, through electronic soundscapes. I would say it’s quite emotional electronica music and there are definitely some of our other influences in there like indie RnB and hip hop both production wise and in the songwriting. Sometimes I feel descriptions can be a bit limiting. We definitely are planning to explore our other influences and incorporate those into our latest tracks.
Out of all the projects, albums and singles you’ve already dropped, what is different or special on Reflections?
I think the emotions in Reflections is special compared to other tracks I’ve dropped. Although the tracks are electronic we try to take the listener on an emotional journey. The meaning of the tracks and themes that are touched on are special and important I think too. They’re quite difficult topics such as abusive relationships and the complexity of feelings felt. I think music can be really powerful in its ability to connect with people and hope these tracks can resonate with people in some way.
Artist Spotlight
C’batch delivers love, reflections and new beginning through “Next Time (I Won’t Be Falling)” (EP)
C’batch’s latest EP, “Next Time (I Won’t Be Falling),“ is a soulful exploration of the never-ending cycle that is love. It’s a release that combines intimacy with looking ahead, blending emotion with cinematic ambition. The EP embraces the ambiguity that follows, instead of providing a clean resolution to heartbreak.
This EP is a sneak peek of C’batch’s upcoming album, “The Vault 4 – Cinematic,” set for release on July 10, 2026, that will go deeper into the emotional universe. The project begins with “Next Time (I Won’t Be Falling),” a nicely balanced, measured balance of strength and openness that captures the emotional tension between self-protection and hope for another chance. “Next Time (I Won’t Be Falling) (2)” gives the same emotional struggle from a more reflective perspective, letting the feelings settle with more maturity and quiet conviction.
“Next Time (I Won’t Be Falling)1a“ tells a different story, with similar emotions reinterpreted with musical shifts, adding to the experience but still resonating with the core message of the EP. The release is completed with the cinematic version of “Next Time (I Won’t Be Falling) Cinematic Version 2,“ a sweeping song with cinematic textures that turns the title track into an immersive sound and offers a glimpse of the creative direction behind “The Vault 4 – Cinematic.“
Another point of connection in C’batch’s expanding catalog, “Next Time (I Won’t Be Falling),“ also supplies the creative inspiration for the two companion versions of “Fluorescent Buzz (You Got Me Falling)“ on the EP of the same name. These releases represent an artist consciously creating a connected musical universe that is growing in emotional depth, storytelling, and cinematic production.
Album Review
C’batch delivers a soulful dancefloor experience with “The Vault 3 – Club / Dance / R&B-Soul / Funk / Pop / Techno / Etc.”
C’batch is back with “The Vault 3 – Club/Dance/R&B-Soul/Funk/Pop/Techno/Etc.,” a 20-track album of unreleased archival recordings, remixed into one seamless late-night journey. The project builds a world where dancefloor rhythm meets intimate introspection, for global dance culture and late-night listening.
The album opens with raw, emotional loss of love and personal clarity in tracks such as “Breaking My Heart” and “Found What’s Right for Me.” “The Club Song” and “Too Hot to Handle” up the dancefloor ante with thick club beats and game tension. “Mystique of Love (What’s Behind Your Smile)” has an air of mystery about it and is delivered with smooth R&B vibes, while “I Just Wanna Love You Now” is all about passion and urgency.
The mid-section tracks extend the emotional palette of the record. The smooth pop and soul elements of “I Am the Right Guy” promise confident self-confidence, and the next track, “On to You,” plays on attraction and groove. “Love Give Me a Sign (Velvet Switchblade) 2” mixes openness with gritty funk textures, while “No More Lonely Nights” is introspective ambient soul. “Hit Me with Your Love” has a lot more rhythm and a lot more dance energy. “Let Me School You (Vocal Version)” is a fun, funky education, and “Turn It up-2” adds to the club vibe with techno-infused layers.
The final section of “The Vault 3 – Club/Dance/R&B-Soul/Funk/Pop/Techno/Etc.” wraps everything up with warmth, groove, and emotional closure in the remaining songs. The album’s energy is carried by “Send U My Love,” “A Funk Groove,” and “Hold on Now,” the album’s lead single, balanced with romance and dance-driven momentum. Closing the album is “Midnight Love Serenade (Honeyed Girl),” bringing late-night softness and texture. C’batch describes the project as electronic adrenaline meets deep soul groove, a late-night global dance culture, and an immersive listening experience for the modern club listener around the world today.
-
Artist Spotlight6 days agoDan Webb creates a captivating reflection on change with “Hungry Ghosts”
-
Artist Spotlight6 days agoJoseph Turner & The Dudes of Hazard confront lingering fear on “The Shadow Remains”
-
Album Review6 days agoR3b3l I explores self-discovery through sound on “A Different Frequency” album
-
Artist Spotlight6 days agoFrench Inhaler explores desire and disconnection through “TV LOVE”
-
Artist Spotlight6 days ago“Signalling Signatures” finds Mr Pigeons exploring dreams, truth, and hidden meanings
-
Artist Spotlight3 days agoOwen Rivera turns summer romance into an irresistible experience with “LaiLuv”
-
Artist Spotlight3 days agoBenji Miller captures the weight of loving someone through depression on “Hey Darcey”
-
Artist Spotlight3 days agoAurealis explores inner darkness on the cinematic pop single “Cursed”

