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Interview With Emerging Canadian Artist Midnight Mights

We had the pleasure of talking to Andrew Mighton aka Midnight Mights, a fast-rising Toronto-based rapper-songwriter and multi-instrumentalist. We chatted about his inspirations, creative process, and upcoming plans. 

Hello, welcome to Honk Magazine! Congrats on your release Smile For The Cam – can you tell us a little bit about this project? 

Thanks! It’s an 8 track EP that includes seven songs and one intro track that was created using an interesting voicemail I received which I thought was funny and should be included on the project. The bulk of the material was written over 3 months in the winter and was recorded and mixed across several studio sessions. You’ll be able to tell that I was ready to get back to Summer from some of the project’s more up-tempo party-rap sounds. As an artist I’ve begun to explore different sounds, cadences, and tempos and I think listeners will get a sense of that from the variety of themes and rhythms packed into Smile For The Cam. Essentially, the project was an attempt to experiment with different genres and to diversify my sound, which I think it accomplished.

You represent an interesting genre borderless style – how would you describe your sound? 

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I would describe my sound as one that consistently challenges the status quo by drawing from various genres and utilizing their elements to establish my own unique sound. By blending together the sounds of hip-hop, R&B, and house, I’ve produced smooth synths and catchy hooks across many of my tracks. Inspired in part by the flavours of alternative R&B, underground hip-hop, and contemporary party-rap, my sound has been curated and crafted with the sole intention of making happy and inspirational music. My lyrics are often written with humourous undertones to fit the upbeat nature of contemporary party rap, but I’ve definitely incorporated more serious themes in my tracks that follow a more alternative or underground sound.

Your stage name is unique, how did you come up with Midnight Mights? 

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My last name is Mighton and a lot of people I know call me Mights. So, my stage name is a play on my nickname. The ‘Midnight’ part comes from staying up well past midnight to freestyle, hang out, and make music. If you hear me in the basement or the studio freestyling, it’s safe to assume it must be Midnight. The alliteration of the two ‘M’s’ is also something I thought was pretty dope – it just sounds good, doesn’t it?. More than anything, I think it’s the way that it pulls together elements of my family name and the memories I’ve made from music that makes it such a great stage name.

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What inspires you in creating music? 

I get inspired from life experiences and things I am doing at a given moment in time. In my song “Nobody” I have a line which says “figuring out calculus” and at the time I wrote that I was in a calculus class trying to understand what the hell linear algebra was. I also enjoy writing about sports and current events, as I grew up playing sports and like to keep up with what’s going on in the world. I have a song called “Pro Sports Team” which is about growing up playing sports all the time but ultimately not making it as a professional athlete. Lastly, the memories I have of family and friends serve as great sources of inspiration. Mostly, I’ll write about carefree times having drinks, chilling or partying with those closest to me, but I’ll often draw inspiration from the more sentimental, thought provoking conversations I’ve had with my parents, brothers, family, and friends.

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What does your creative process look like? Do you firstly get a beat or write your lyrics? 

I usually wait to hear the beat first before I sit down to write the lyrics. I do this purposefully so that the lyrics time up well with the beat’s tempo and that they ultimately fit the track’s vibe. I’m always writing lyrics however, and if I think a certain bar or verse will sound good on a particular beat, I’ll take parts of those lyrics and adopt them into that beat. I should also note that I regularly create my own beats and my songs “Nobody” and “Someone New” were actually produced by me. However, on lengthier projects and more substantial work, I focus on writing and creating lyrics to fit the awesome work of the different producers I collab with. 

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Are you planning to release more music this year? What can we expect from Midnight Mights? 

I am. I plan to drop a single in June and another mixtape later on in the summer. The forthcoming single will be called “One Million Times.” As of now, I’m not sure what the mixtape name will be – the title will likely generate itself organically as I immerse myself into the project. Before 2021 is over, I am hoping to release 2 more mixtapes, a few more videos and 3 feature singles. In terms of expectations from me, you can expect me to keep making music, keep building a passionate fan base, and never giving up on my dream. I love music and I love being creative, and I’ve found that there’s nothing comparable to the journey of music. I can’t see myself doing anything else besides music for a long time. I may never have made it as a pro athlete, but you can expect to see Midnight Mights in the professional music scene in the very near future. 

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Pete Miller Explores Duality on “The Dazzling Kimberly”

Pete Miller’s ‘The Dazzling Kimberly’ is a profound exploration of the intricacies of human emotion and the complexity of our relationships. Through its narrative, the song delves deep into the heart of love, loss, and the paths we choose in life. The protagonist’s journey of self-reflection and contemplation, sparked by the enigmatic Kimberly, serves as a mirror to our own experiences with love and the often painful lessons that come with it.

“The Dazzling Kimberly” is a poignant song that narrates the story of two twins embroiled in conflict, who are brought together and eventually reconciled by their interactions with a mystical figure named Kimberly. This song, with its rich narrative and allusions, particularly to the biblical story of Jacob and Esau, offers a layered exploration of themes such as rivalry, redemption, and the ephemeral nature of life and relationships.

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The song opens with a vivid depiction of one twin’s sense of guilt and moral ambiguity, contrasting his own cunning with his twin’s straightforward approach. This internal conflict sets the stage for the entrance of Kimberly, a figure whose very existence seems otherworldly, serving as a catalyst for change and reflection in the twins’ lives.

Kimberly, characterized by her wisdom and almost supernatural presence, challenges the narrator to reconsider his values, suggesting that victories won through cunning lack the essence of true love and fulfillment. Her influence is profound, guiding the twins towards a reconciliation that seemed impossible before her intervention.

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The chorus of the song encapsulates the narrator’s deep yearning and the transformative impact Kimberly has had on his life. It questions the value of freedom and the significance of their bond, highlighting the impermanence of life through the metaphor of fading air and shifting sands.

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The resolution of the twins’ conflict, prompted by Kimberly’s disappearance (or passing), symbolizes a newfound maturity and understanding. The once-contentious land becomes a symbol of their shared heritage and reconciliation, underscoring the message that love and unity are more valuable than any material possession or victory.

The allusion to Jacob and Esau provides a biblical backdrop to this tale of rivalry and reconciliation, enriching the narrative with layers of meaning and moral questioning. Just as Jacob and Esau reconcile after years of conflict, so do the twins, guided by the ethereal and loving presence of Kimberly.

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The song’s melancholic yet hopeful tone captures the duality of human experience—the longing for what was and the hope for what could be. The moods and themes you’ve described, from melancholy and contemplation to love, regret, and redemption, underscore the universal struggle with fate and the desire for moral clarity and closure.

For further thematic exploration, the works of Leonard Cohen, particularly for their spiritual and existential undertones, or the poetic narratives of Bob Dylan, might resonate with the themes of “The Dazzling Kimberly.” Both artists adeptly weave complex human emotions with broader philosophical and spiritual questions, much like Pete Miller does in this song.

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–Ralph Grossman

 

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Yung Miami Unveils Exciting “Yams” Era in a Dazzling Comeback Trail, Are You Ready for the Yams Revolution

Yung Miami

Yung Miami Unveils Exciting “Yams” Era in a Dazzling Comeback Trail, Are You Ready for the Yams Revolution

 

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The dynamic duo of City Girls, Yung Miami and JT, is gearing up for a remarkable transformation in 2024. While Yung Miami soared on the business front with her acclaimed podcast last year, the musical aspect faced a setback. Their album RAW didn’t quite hit the mark with sales, leaving fans and critics unimpressed. However, the tides are turning for JT and Yung Miami individually, especially with Yung Miami dropping the fire track “Sideways” over the weekend.

But that’s not all – Yung Miami is set to embrace a whole new era, and she teased it back in January with a cryptic tweet. “Welcome to the ‘Yams Era.’ I’m so excited for this era of my life; we’re about to have some FUN!!!” Fans are still decoding the meaning behind “Yams,” with some speculating it’s a play on how to pronounce Miami or exploring unique definitions on Urban Dictionary.

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Regardless, Yung Miami seems to be fully embracing her roots and infusing it into everything she does. A month after hinting at this fresh approach, she dropped a tantalizing “Yams” trailer on Instagram. In the video, she discusses her comeback while showcasing glimpses of studio sessions and teasing a stylish ginger hairstyle. Yung Miami declared, “Welcome to the YAMs Era! The Yams Era is my Prime time! In the Yams, we do ginger hair…focus on ourselves…& get money! Yams is the new lingo… To my fans, The YAMS…this is the new us. Drop a 🍠 if you’re ready!”

Support poured in from fellow artists like JT, Saweetie, and more, flooding her comments with yam emojis and encouragement for this exciting new chapter.

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What’s your take on Yung Miami’s “Yams Era” trailer? What could it signify – a new album, a mindset shift, or a different musical approach? Who’s poised for a bigger solo year, Yung Miami or JT, and why? Share your thoughts in the comments below, and don’t miss a beat with Honk Magazine for all the latest on Yung Miami. Stay tuned for everything buzzing in the music world! 🎶✨

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