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Jamila Woods Delivered A Divine Rendition Of Her Moving Track ‘Sula (Paperback)’ On ‘The Late Show’

The moving song is inspired by Toni Morrison’s 1973 novel of the same name. …

Chicago singer Jamila Woods shared her acclaimed LP Legacy! Legacy!, which stood as a tribute to several Black artists and visionaries throughout history, back in 2019. Woods followed up the album last August with “Sula (Paperback),” a tribute to the late Toni Morrison one year after her death. On Wednesday, Woods brought her moving Morrison tribute to a tranquil performance on The Late Show With Stephen Colbert.

Taking the dimly lit stage backed by a full band, including a string section, Woods tenderly delivered a moving rendition of the song. “Sula (Paperback)” is inspired by Toni Morrison’s 1973 novel Sula and is penned from the perspective of protagonist Sula Peace and her relationship depicted in the book. Speaking about her inspiration behind the single in a statement, Woods said:

“It’s the first Toni Morrison novel I ever read and it inspired the first chapbook of poems I ever wrote. The novel shows the evolution of a friendship between two Black women and how they choose to navigate society’s strict gender roles and rules of respectability. On Sula, Toni Morrison wrote, ‘living totally by the law and surrendering totally to it without questioning anything sometimes makes it impossible to know anything about yourself.’ Returning to the story several years later, it gave me permission to reject confining ideas about my identity designed to shrink my spirit. It reminded me to embrace my tenderness, my sensitivities, my ways of being in my body. This song is a mantra to allow myself space to experience my gender, love, intimacy, and sexuality on my own terms.”

Watch Woods perform “Sula (Paperback)” on The Late Show With Stephen Colbert above.

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Artist Spotlight

DONELLI A.I. ENSEMBLE offers a jazz fusion and electronic atmosphere on “Previsioni del tempo incerto”

DONELLI A.I. ENSEMBLE

DONELLI A.I. ENSEMBLE unveils an 18-track album, “Weather Forecasts of Unknown Weather”, blending jazz fusion, world music, progressive rock, new age, and cinematic textures with sounds inspired by the 80s. The album is built on compositions made with keyboards, samplers, and DAW software, as well as collaborations with other musicians, which are then rearranged and reworked with the help of artificial intelligence. The process embeds technology directly into the creative fabric of the project.

The album opens with “Previsioni del tempo incerto”, which features trumpet and vocals with the rest of the ensemble, setting up the album’s blend of instrumental and vocal elements. “Villistas” is more dancey, with dreamy synths and layered compositions that create a lighter electronic atmosphere. The differences between these tracks show that the album is willing to move between genres rather than stay in a single fixed sonic category.

“Claudia” opens with a saxophone and the sweet presence of a jazz orchestra, adding a more traditional jazz colour to the album’s wider electronic and cinematic landscape. The quality of “Pigalle” continues to pull the listener in with its atmospheric approach and vocal effects. Together, these selections reveal the project’s oscillation between acoustic-inspired instrumental timbres and electronically shaped spaces.

The album closes with a softer track, “ninna nanna”, thanks to its gentle presence and composition. The positioning brings the stylistic range heard across the record to a peaceful close. “Previsioni del tempo incerto” is defined by its willingness to blend contrasting musical languages, jazz, world, prog rock, electronic production, cinematic atmosphere, and 80s-inspired textures into a single expansive project. That cross-genre approach, with AI-assisted reworkings as another element of the album’s evolving sound, is especially clear in the artistic direction of the DONELLI A.I. ENSEMBLE.

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Artist Spotlight

Cypress Key walks the long road to redemption on New EP “Shadows and Thorns”

Cypress Key

Cypress Key of New Orleans faces tough history and personal reflection on “Shadows and Thorns“, a four-song EP from the forthcoming album, Path to Redemption. The album is rooted in acoustic rock and adult-orientated rock, exploring the weight of troubled histories, inherited baggage, and the difficult process of confronting the consequences left by previous generations. Its acoustic-driven approach puts those themes in a musical setting.

The EP begins with “Long Road to Redemption”, a track that is heavily dependent on acoustic guitar, setting its folk-leaning tone straight away. The setting remains closely associated with the guitar, and a guitar solo offers a memorable final touch. That instrumental detail keeps the songs’ themes front and centre, reinforcing the EP’s emphasis on organic musicianship over dense production.

“An Imperfect Man” is a reflective look at human behaviour, exploring how good people can make bad decisions because nobody is without flaws. The subject matter fits naturally into the EP’s overall theme of redemption. Cypress Key does not present personal history as simple or easily resolved but rather through the lens of imperfection and accountability.

The last two songs, “Plain Ol Crazy” and “As the Crow Flies”, continue the project’s thoughtful tone while also evoking the message of leaving worries behind. The four songs together tell a short story of struggle, reflection, and the possibility of moving beyond what is given. “Shadows and Thorns” finds Cypress Key confidently embracing an acoustic folk-rock identity, the restrained instrumentation keeping the emotional weight of the material to the forefront.

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